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The Love Story of Sir Thomas Maitland and Lovina:A Forbidden Romance

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In 1805, when Sri Lanka was still known as Ceylon, Sir Thomas Maitland, a distinguished British military general, arrived on the island to assume his duties as the second British Governor. Known to the locals as “King Tom,” he was a man of great power and authority, but he quickly grew dissatisfied with the accommodations provided to him upon his arrival. Seeking a more comfortable and grand residence, he found a beautiful, secluded spot in the village of Galkissa, not far from the capital, Colombo. There, perched on a promontory overlooking the Indian Ocean, he began constructing a magnificent mansion that would become a symbol of his status and power.

However, as the mansion took shape, it was not just the building that captured his attention—it was a dancer who would change his life forever.

Lovina Aponsuwa, a beautiful mestizo dancer of Portuguese and Sinhalese descent, was the lead performer in her father’s dance troupe. She was a striking young woman, with long flowing black hair and large, expressive hazel eyes that seemed to capture the essence of the island’s vibrant culture. Lovina came from the Rodi community, a marginalized caste within Sinhalese society, looked down upon by the higher castes. Despite her lowly status, she possessed a beauty and grace that enchanted all who saw her perform.

As Lovina danced for a gathering at the Governor’s mansion, Sir Thomas Maitland was captivated by her elegance and allure. It was more than just her beauty that fascinated him—it was the way her movements seemed to speak directly to his soul, offering an escape from the rigid constraints of colonial society. As Lovina’s dance filled the room, the imposing Governor found himself falling under her spell, and an undeniable attraction sparked between them.

Lovina, too, found herself drawn to Sir Thomas. Though they came from vastly different worlds—he a powerful British official, she a poor dancer from a low caste—there was a mutual respect that blossomed into a secret and passionate love affair. In the secluded mansion by the sea, away from the prying eyes of colonial society, their romance flourished. Lovina became a regular guest at the Governor’s mansion, and their clandestine meetings continued for years. Their love was one that defied societal norms—one that bridged the gap between colonial power and the oppressed local communities.

In an act of profound affection, Sir Thomas named his grand residence “Mount Lavinia” after her, immortalizing her name in the mansion’s identity. The house, once a mere symbol of his power, now held a deeper, more personal significance for him. It was a place of refuge and escape from the pressures of his role as Governor, where he could find solace in Lovina’s company.

But their love story was destined to remain hidden from the world. Sir Thomas, despite his deep affection for Lovina, was still a man of the British Empire, bound by its rules and expectations. Their relationship was a stark contradiction to the colonial system that dictated separation between the ruling British elite and the local population. Lovina’s caste—her very identity—was something that could not be ignored in the strict, racially divided society in which they lived.

As their romance continued to blossom, the inevitable happened—their secret was discovered. Word of the affair began to spread, causing a scandal among the British expatriates in Ceylon. The societal pressures and moral boundaries of the time proved too strong, and Sir Thomas was forced to face the consequences of his forbidden love.

In 1819, after the affair had been exposed, Sir Thomas was summoned back to Britain and transferred to Malta, where he continued his duties as a military leader. The departure was heart-wrenching for both Sir Thomas and Lovina. To show his regard for her, Sir Thomas gifted Lovina a large piece of land in Attidiya, a village away from Galkissa, as a token of his appreciation and affection. Despite the distance, Lovina’s name would always be linked to the mansion he had built and named in her honor.

Though the love affair between Sir Thomas and Lovina ended with his departure, the memory of their connection endured. Lovina’s descendants are believed to have lived near Mount Lavinia for generations, and her legacy lives on through the mansion that bears her name. The story of their passionate and forbidden love remains a cherished part of the island’s history, a testament to the power of love that transcends boundaries, even in the face of societal constraints.

While the romance between Sir Thomas Maitland and Lovina may have ended with his departure, the mansion he built and named after her stands as a lasting tribute to their love, forever immortalized in the heart of Ceylon’s colonial past.

In the early 20th century, the surrounding village, once known as Galkissa, was modernized and renamed Mount Lavinia, honoring the beautiful dancer who captured the heart of a British Governor. By 1920, the mansion had been transformed into a hotel, which became known as the Mount Lavinia Hotel.

Today, the Mount Lavinia Hotel stands as a symbol of Sri Lanka’s rich history, blending colonial heritage with modern hospitality. The story of King Tom and Lovina continues to be woven into the fabric of this historic landmark, offering guests a glimpse into the past while enjoying the luxurious comfort of one of Colombo’s most iconic hotels.



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What I Do, What I Love: A Life Shaped by Art, Wilderness and Truth

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In a country where creative pursuits are often treated as indulgences rather than vocations, Saman Halloluwa’s journey stands apart — carved patiently through brushstrokes, framed through a camera lens, and articulated through the written word. Painter, wildlife and nature photographer, and independent environmental journalist, Halloluwa inhabits a rare space where art, ecology and social responsibility converge.

His relationship with art began not in galleries or exhibitions, but in a classroom. From his school days, drawing was not simply a subject but an instinct — a language through which he learned to observe, interpret and respond to the world around him. Under the guidance of two dedicated mentors, Ariyaratne Guru Mahathaya and Gunathilaka Guru Mahathaya, he honed both skill and discipline. Those early lessons laid the foundation for a lifelong engagement with visual storytelling.

“His work navigates between traditional Sinhala artistic sensibilities, abstract compositions and expansive landscapes.”

That commitment eventually materialised in two solo art exhibitions. The first, held in 2012, marked his formal entry into Sri Lanka’s art scene. The second, staged in Colombo in 2024, was a more mature statement — both in content and confidence. Featuring nearly fifty paintings, the exhibition drew an encouraging public response and reaffirmed his place as an artist with a distinct visual voice.

His work navigates between traditional Sinhala artistic sensibilities, abstract compositions and expansive landscapes. There is restraint in his use of form and colour, and an underlying dialogue between memory and space. Yet, despite positive reception, Halloluwa speaks candidly about the structural challenges faced by artists in Sri Lanka. Recognition remains limited; fair valuation even rarer.

“This is not merely an artistic issue,” he observes. “It is a social and economic problem.”

In Sri Lanka, art is often viewed through the lens of affordability rather than artistic merit. Many approach a painting by first calculating the contents of their wallet, not the value of the idea or labour behind it. In contrast, he notes, art in Europe and many other regions is treated as cultural capital — an investment in identity, history and thought. Until this mindset shifts, local artists will continue to struggle for sustainability.

The decisive push toward wildlife photography came from Professor Pujitha Wickramasinghe, a close friend who recognised both Halloluwa’s observational skills and his affinity with nature. From there, the journey deepened under the mentorship of senior wildlife photographer Ravindra Siriwardena.

Both mentors, he insists, deserve acknowledgment not merely as teachers but as ethical compasses. In a field increasingly driven by competition and spectacle, such grounding is invaluable.

Saman Halloluwa

Wildlife photography, Halloluwa argues, is among the most demanding visual disciplines. It cannot be improvised or rushed. “This is an art that demands restraint,” he says.

Among all subjects, elephants hold a special place in his work. Photographing elephants is not merely about proximity or scale, but about understanding behaviour. Observing social patterns, movement, mood and interaction transforms elephant photography into a constantly evolving challenge. It is precisely this complexity that draws him repeatedly to them.

Halloluwa is cautiously optimistic about the current surge of interest in wildlife photography among Sri Lankan youth. Opportunities have expanded, with local and international competitions, exhibitions and platforms becoming more accessible. However, he issues a clear warning: passion alone is not enough

Sri Lanka, he believes, is uniquely positioned in the global nature photography landscape. Few countries offer such concentrated biodiversity within a compact geographical area. This privilege, however, carries responsibility. Nature photography should not merely aestheticise wildlife, but foster respect, aware ness and conservation.

Parallel to his visual work runs another equally significant pursuit — environmental journalism. For the past seven to eight years, Halloluwa has worked as an independent environmental journalist, giving voice to ecological issues often sidelined in mainstream discourse. His entry into the field was guided by Thusara Gunaratne, whose encouragement he acknowledges with gratitude.

An old boy of D.S. Senanayake College, Colombo, Halloluwa holds a Diploma in Writing and Journalism from the University of Sri Jayewardenepura and has completed journalism studies at the Sri Lanka Press Institute. He is currently pursuing an Advanced Certificate in Wildlife Management and Conservation at the Open University of Sri Lanka — a testament to his belief that learning must remain continuous, especially in a rapidly changing ecological landscape.

Outside his professional life, he enjoys cricket, rugby and badminton. Yet even leisure intersects with responsibility. He is a founding member and former president of the D.S. Senanayake College Old Boys’ Wildlife Forum, an active member of Wild Tuskers Sri Lanka, and a contributor to several independent environmental and wildlife volunteer organisations. In an era dominated by speed, spectacle and short attention spans, Saman Halloluwa’s journey unfolds differently. It is deliberate, reflective and rooted in values. Through art, he captures memory and form. Through photography, he frames life beyond human control. Through journalism, he asks uncomfortable but necessary questions.

“What I do, what I love” is not fashion here.

It is conviction — patiently lived, quietly asserted, and urgently needed in a country still learning how to value its artists, its environment and its truth.

By Ifham Nizam ✍️

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Shaping the future of style

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Pride, passion and professionalism

Ramani Fernando Sunsilk Hair and Beauty Academy

Ramani Fernando Sunsilk Hair and Beauty Academy marked their graduation of their latest cohort of aspiring hair professionals in a ceremony held at Kingsbury Hotel.

Senaka de Silva, creative force behind Ramani’s shows

For over two decades, the Ramani Fernando Sunsilk Hair and Beauty Academy has stood as a beacon of excellence in beauty education in Sri Lanka. Founded by industry icon Ramani Fernando, the Academy has built a reputation for producing highly skilled professionals who go on to make their mark in salons, both locally and internationally. As the newly minted graduates step out into the world, they carry forward not just certificates, but also the promise of creative authority and personal empowerment.

The chief guest for the occasion was Rosy Senanayake, a long-standing supporter of the Academy’s mission. Addressing the graduates her message echoed her enduring belief that the beauty industry is not merely about aesthetic but about. confidence, self-worth and future leaders.

Over months of rigorous training, these young professionals honed their skills in cutting colouring, styling and contemporary artistry readying themselves to set trends rather than follow them.

Each graduate walked the stage with confidence, their dedication signalling a promising future for Sri Lanka’s beauty and fashion industry! With this new generation of stylists preparing to raise the standard of professional hairstyling.

Ramani Fernando, addressing the audience reflected on the academy’s mission to cultivate not only skills but vision and confidence in every student.

She urged the graduates to embrace continuous learning to take risks with creativity .The world of beauty is ever evolving, stay curious, stay bold and never underestimate the power of your talent, she added emphasising the importance of confidence, discipline and passion in carving a successful career in shaping the future of style.

These graduates are stepping into a world of endless possibilities. They are future of the country, who will carry a forward legacy of creativity. Behind every successful graduate at Sun silk Hair Academy stands a team dedicated to excellence. While Ramani Fernando serves as a visionary Principal and it is Lucky Lenagala, her trusted person who ensures that the academy runs seemingly.

From overseeing training sessions to guiding students, through hands on practice, Lucky plays a pivotal role in shaping the next generation of hairstylists.

Kumara de Silva, who has been the official compere Ramani’s, Hair graduation ceremony, from inception has brought energy, poise and professionalism. The Sunsilk Hair Academy is a celebration of talent and mentor ship for the graduates stepping confidentially into the next chapter of their careers, ready to make their mark on Sri Lanka beauty landscape

A moment of pride Ramani with chief guest Rosy Senanayake

Statement in style

Gliding in romance and sophistication

Pix by Thushara Attapathu

By Zanita Careem ✍️

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Capturing the spirit of Christmas

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Romesh Atapaattu, overseas the magic behind every cut and style at Capello salons

During this season, Romesh Atapattu’s Capello Salon buzzes with a unique energy – a blend of festive excitement and elegance. Clients arrive with visions of holiday parties, office soirees, seeking looks that capture both glamour and individuality. The salon itself mirrors this celebrity mood. Warm lights, tasteful festive décor create an atmosphere where beauty and confidence flourish.

Romesh Atapattu himself curates the festive décor, infusing the space with his signature sense of style. His personal eye ensures that the décor complements the salon’s modern interiors.

As Colombo slips effortlessly into its most glamorous time of year, the Christmas season brings with it more than twinkling lights and celebrity soirees – it signals a transformation season at salons across the city. Capello salons are no exception.

At the heart of this festive beauty movement is Romesh Atapattu of Capello salons, a name synonymous with refined hair artistry, modern elegance and personalised style.

Christmas is about confidence and celebration. Romesh believes ‘People want to look their best without losing who they are”. Our role is to enhance, not overpower. This philosophy is evident in the salon’s seasonal approach.

Beyond trends, what sets Atapattu apart is the attention to individuality. Each consultation is treated as a creative collaboration – face shape, lifestyle, hair texture and personal style all play a role in creating the best for Romesh.

Stepping into Romesh’s salon during the Christmas season is an experience in itself. The space hums with festive energy while maintaining an atmosphere of calm sophistication.

The décor embraces the Christmas spirit with understated elegance. Tastefully adorned décor, beautiful Xmas tree, soft gold and ivory tones, and gentle hints of red are woven seamlessly into the salon’s contemporary design.

His staff, known for their warmth and professionalism also plays a key role in shaping the salon’s atmosphere—friendly, stylish and always welcoming. The Capello staff combine skill and creativity to deliver results that have a lasting impression.

Beyond trends, what sets Romesh Atapattu apart is the attention to individuality. Each consultation is treated as a creative collaboration – face shape, lifestyle, hair texture and personal style all play a role.

He is a professional who blends technical mastery with a deeply personal approach to style. His dedicated team of skilled professionals, operate with quiet confidence ensuring styles that create an atmosphere of trust, turning every appointment into a personalised and memorable experience.

(ZC) ✍️

Pic by Rohan Herath

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