Life style
Promise of coastal tourism
Sun Siyam Resort Pasikudah
Sun Siyam Resorts, a Maldivian hospitality group, is not only transforming luxury travel but also championing sustainable tourism in Sri Lanka.The Maldivian property, Sun Siyam resort, a beachfront sanctuary on Sri Lanka’s East Coast marks a new chapter in Sri Lanka tourism.
Since its opening, Sun Siyam Pasikudah has brought renewed energy to Sri Lanka’s once quiet eastern shoreline. Under GM Arshad Refai’s stewardship, the resort has positioned itself as more than a luxury escape it has become a cultural bridge and economic anchor for the region. Having managed top properties across Asia and the Middle East, GM Arshad brings a global understanding of luxury standards yet he never loses sight of the local touch. Drawing from his extensive international experiences, Refai has transformed the resort into a luxury haven.
Sun Siyam’s global branding and international clientale have helped put Pasikudah on the map for high end travellers seeking untouched destinations.
How Sun Siyam Pasikudah is leading the East Coast’s Boutique Renaissance
Once considered Sri Lanka’s quiet frontier, the island’s east coast is experiencing a deliberate and meaningful resurgence. With its powdery beaches, cultural depth, and warm waters untouched by overdevelopment, the region is fast emerging as the next chapter in responsible, high-value tourism.
And at the heart of this movement stands Sun Siyam Pasikudah, a resort nestled along the sun-drenched shores of KaIkudah that embodies a new kind of luxury. One that is intimate, sustainable, and deeply rooted in place.
Unlike the mega-resorts that line more commercial destinations, Sun Slyam Pasikudah does not compete on excess. It competes on experience. With just 34 villas and suites, the property offers space, silence, and soulful connection, the kind of refined minimalism that today’s conscious travellers increasingly seek.
“Eastern Sri Lanka is no longer just a seasonal detour. it’s becoming a core destination,” says Arshad Refai, its general manager. “What travellers want today isn’t just scenery. They want cultural texture, sustainability, and a sense of discovery. The east offers all of that.”
From Trincomalee’s spiritual energy to Arugam Bay’s surf culture and Batticaloa’s lagoon life, this coast is a patchwork of micro-experiences. Pasikudah, in particular, strikes a rare balance: serene, swimmable waters with proximity to cultural landmarks like the ancient city of Polonnaruwa and wildlife havens like Minneriya.
But infrastructure is only part of the equation. The real difference is in the kind of hospitality that’s emerging, which are thoughtful, boutique properties that don’t just serve guests but immerse them in the region’s story. Sun Siyam Pasikudah is a standout among these.
Built with a philosophy of less is more, Sun Siyam Pasikudah doesn’t try to replicate five-star opulence. Instead, it offers something rarer: considered luxury. Large freestanding bathtubs, handwoven textiles, open-air courtyards, and coastal colour palettes bring the outdoors in. But the real indulgence? Space, calm, and a sense of home.
Guests aren’t herded into pre-set itineraries, they’re invited to shape their own. Whether it’s learning to weave thatch with a local artisan, taking a cooking class using regional produce, or sipping wine in the largest cellar in the region, the experience is less about ticking boxes and more about meaningful connection.
The dining is another expression of this ethos. From poolside plates to elegant diners under the stars, menus at the resort are ingredient-led, seasonally responsive, and rich with Sri Lankan heritage. The on-site Latitude restaurant leads the culinary offering, supported by private dining options and curated tea and wine experiences that draw from both local tradition and international finesse.
“Luxury is changing,” notes Refai. “It’s no longer about abundance; it’s about intention. Privacy, slowness, sustainability, and emotional connection are now the markers of an exceptional stay.” It’s a
shift that Sun Siyam Resorts has embraced wholeheartedly. The brand while known for its properties in the Maldives has brought a uniquely Sri Lankan depth to its east coast outpost. And that includes a strong sense of responsibility.
Sun Siyam Pasikudah is proudly Travelife Gold Certified, one of the most respected sustainability accreditations in global hospitality. But beyond certification, the team practices what it preaches. Solar energy powers much of the resort. Single-use plastics are actively eliminated. Local sourcing is a priority—from seafood to spa ingredients. Even experiences are curated to benefit the wider community, ensuring that tourism growth is shared and regenerative.
Boutique properties like Sun Siyam Pasikudah aren’t just redefining hospitality, they’re reshaping regional development. By embedding sustainability and community engagement into their operations, they demonstrate that high-end tourism doesn’t have to be extractive. It can be inclusive.
In Pasikudah, this shows up in subtle ways: training local youth in hospitality, sourcing handmade decor and crafts, supporting local fishers, and creating platforms for cultural exchange. Guests are not just observers, they’re participants in a shared narrative. “People remember how a place makes them feel,” says Arshed. “Here, it’s calm, it’s real, and guests feel like they’re part of something more meaningful than just a holiday,”
The future of tourism in Sri Lanka’s east is promising but only if it is stewarded with care. Mass development may bring short-term gain, but it risks diluting the very character that makes the region special.
Boutique, sustainability-led properties like Sun Siyam Pasikudah offer a blueprint for how it can be done differently. By focusing on quality over quantity, experiences over amenities, and people over profit, they are helping shape a future where tourism uplifts both guests and communities. And for travellers? They offer something even more valuable: a stay that means something.
As the face of the Sun Siyam Pasikudah the GM ensure the resort reflects the group’s luxury brand bbvalue, grace excellency and authencity. (ZC)
Life style
What I Do, What I Love: A Life Shaped by Art, Wilderness and Truth
In a country where creative pursuits are often treated as indulgences rather than vocations, Saman Halloluwa’s journey stands apart — carved patiently through brushstrokes, framed through a camera lens, and articulated through the written word. Painter, wildlife and nature photographer, and independent environmental journalist, Halloluwa inhabits a rare space where art, ecology and social responsibility converge.
His relationship with art began not in galleries or exhibitions, but in a classroom. From his school days, drawing was not simply a subject but an instinct — a language through which he learned to observe, interpret and respond to the world around him. Under the guidance of two dedicated mentors, Ariyaratne Guru Mahathaya and Gunathilaka Guru Mahathaya, he honed both skill and discipline. Those early lessons laid the foundation for a lifelong engagement with visual storytelling.

“His work navigates between traditional Sinhala artistic sensibilities, abstract compositions and expansive landscapes.”
That commitment eventually materialised in two solo art exhibitions. The first, held in 2012, marked his formal entry into Sri Lanka’s art scene. The second, staged in Colombo in 2024, was a more mature statement — both in content and confidence. Featuring nearly fifty paintings, the exhibition drew an encouraging public response and reaffirmed his place as an artist with a distinct visual voice.
His work navigates between traditional Sinhala artistic sensibilities, abstract compositions and expansive landscapes. There is restraint in his use of form and colour, and an underlying dialogue between memory and space. Yet, despite positive reception, Halloluwa speaks candidly about the structural challenges faced by artists in Sri Lanka. Recognition remains limited; fair valuation even rarer.
“This is not merely an artistic issue,” he observes. “It is a social and economic problem.”
In Sri Lanka, art is often viewed through the lens of affordability rather than artistic merit. Many approach a painting by first calculating the contents of their wallet, not the value of the idea or labour behind it. In contrast, he notes, art in Europe and many other regions is treated as cultural capital — an investment in identity, history and thought. Until this mindset shifts, local artists will continue to struggle for sustainability.
The decisive push toward wildlife photography came from Professor Pujitha Wickramasinghe, a close friend who recognised both Halloluwa’s observational skills and his affinity with nature. From there, the journey deepened under the mentorship of senior wildlife photographer Ravindra Siriwardena.
Both mentors, he insists, deserve acknowledgment not merely as teachers but as ethical compasses. In a field increasingly driven by competition and spectacle, such grounding is invaluable.
Wildlife photography, Halloluwa argues, is among the most demanding visual disciplines. It cannot be improvised or rushed. “This is an art that demands restraint,” he says.
Among all subjects, elephants hold a special place in his work. Photographing elephants is not merely about proximity or scale, but about understanding behaviour. Observing social patterns, movement, mood and interaction transforms elephant photography into a constantly evolving challenge. It is precisely this complexity that draws him repeatedly to them.
Halloluwa is cautiously optimistic about the current surge of interest in wildlife photography among Sri Lankan youth. Opportunities have expanded, with local and international competitions, exhibitions and platforms becoming more accessible. However, he issues a clear warning: passion alone is not enough
Sri Lanka, he believes, is uniquely positioned in the global nature photography landscape. Few countries offer such concentrated biodiversity within a compact geographical area. This privilege, however, carries responsibility. Nature photography should not merely aestheticise wildlife, but foster respect, aware ness and conservation.
Parallel to his visual work runs another equally significant pursuit — environmental journalism. For the past seven to eight years, Halloluwa has worked as an independent environmental journalist, giving voice to ecological issues often sidelined in mainstream discourse. His entry into the field was guided by Thusara Gunaratne, whose encouragement he acknowledges with gratitude.
An old boy of D.S. Senanayake College, Colombo, Halloluwa holds a Diploma in Writing and Journalism from the University of Sri Jayewardenepura and has completed journalism studies at the Sri Lanka Press Institute. He is currently pursuing an Advanced Certificate in Wildlife Management and Conservation at the Open University of Sri Lanka — a testament to his belief that learning must remain continuous, especially in a rapidly changing ecological landscape.
Outside his professional life, he enjoys cricket, rugby and badminton. Yet even leisure intersects with responsibility. He is a founding member and former president of the D.S. Senanayake College Old Boys’ Wildlife Forum, an active member of Wild Tuskers Sri Lanka, and a contributor to several independent environmental and wildlife volunteer organisations. In an era dominated by speed, spectacle and short attention spans, Saman Halloluwa’s journey unfolds differently. It is deliberate, reflective and rooted in values. Through art, he captures memory and form. Through photography, he frames life beyond human control. Through journalism, he asks uncomfortable but necessary questions.
“What I do, what I love” is not fashion here.
It is conviction — patiently lived, quietly asserted, and urgently needed in a country still learning how to value its artists, its environment and its truth.
By Ifham Nizam ✍️
Life style
Shaping the future of style
Ramani Fernando Sunsilk Hair and Beauty Academy
Ramani Fernando Sunsilk Hair and Beauty Academy marked their graduation of their latest cohort of aspiring hair professionals in a ceremony held at Kingsbury Hotel.
For over two decades, the Ramani Fernando Sunsilk Hair and Beauty Academy has stood as a beacon of excellence in beauty education in Sri Lanka. Founded by industry icon Ramani Fernando, the Academy has built a reputation for producing highly skilled professionals who go on to make their mark in salons, both locally and internationally. As the newly minted graduates step out into the world, they carry forward not just certificates, but also the promise of creative authority and personal empowerment.
The chief guest for the occasion was Rosy Senanayake, a long-standing supporter of the Academy’s mission. Addressing the graduates her message echoed her enduring belief that the beauty industry is not merely about aesthetic but about. confidence, self-worth and future leaders.
Over months of rigorous training, these young professionals honed their skills in cutting colouring, styling and contemporary artistry readying themselves to set trends rather than follow them.
Each graduate walked the stage with confidence, their dedication signalling a promising future for Sri Lanka’s beauty and fashion industry! With this new generation of stylists preparing to raise the standard of professional hairstyling.
Ramani Fernando, addressing the audience reflected on the academy’s mission to cultivate not only skills but vision and confidence in every student.
She urged the graduates to embrace continuous learning to take risks with creativity .The world of beauty is ever evolving, stay curious, stay bold and never underestimate the power of your talent, she added emphasising the importance of confidence, discipline and passion in carving a successful career in shaping the future of style.
These graduates are stepping into a world of endless possibilities. They are future of the country, who will carry a forward legacy of creativity. Behind every successful graduate at Sun silk Hair Academy stands a team dedicated to excellence. While Ramani Fernando serves as a visionary Principal and it is Lucky Lenagala, her trusted person who ensures that the academy runs seemingly.
From overseeing training sessions to guiding students, through hands on practice, Lucky plays a pivotal role in shaping the next generation of hairstylists.
Kumara de Silva, who has been the official compere Ramani’s, Hair graduation ceremony, from inception has brought energy, poise and professionalism. The Sunsilk Hair Academy is a celebration of talent and mentor ship for the graduates stepping confidentially into the next chapter of their careers, ready to make their mark on Sri Lanka beauty landscape
Pix by Thushara Attapathu
By Zanita Careem ✍️
Life style
Capturing the spirit of Christmas
During this season, Romesh Atapattu’s Capello Salon buzzes with a unique energy – a blend of festive excitement and elegance. Clients arrive with visions of holiday parties, office soirees, seeking looks that capture both glamour and individuality. The salon itself mirrors this celebrity mood. Warm lights, tasteful festive décor create an atmosphere where beauty and confidence flourish.
Romesh Atapattu himself curates the festive décor, infusing the space with his signature sense of style. His personal eye ensures that the décor complements the salon’s modern interiors.
As Colombo slips effortlessly into its most glamorous time of year, the Christmas season brings with it more than twinkling lights and celebrity soirees – it signals a transformation season at salons across the city. Capello salons are no exception.
At the heart of this festive beauty movement is Romesh Atapattu of Capello salons, a name synonymous with refined hair artistry, modern elegance and personalised style.
Christmas is about confidence and celebration. Romesh believes ‘People want to look their best without losing who they are”. Our role is to enhance, not overpower. This philosophy is evident in the salon’s seasonal approach.
Beyond trends, what sets Atapattu apart is the attention to individuality. Each consultation is treated as a creative collaboration – face shape, lifestyle, hair texture and personal style all play a role in creating the best for Romesh.
Stepping into Romesh’s salon during the Christmas season is an experience in itself. The space hums with festive energy while maintaining an atmosphere of calm sophistication.
The décor embraces the Christmas spirit with understated elegance. Tastefully adorned décor, beautiful Xmas tree, soft gold and ivory tones, and gentle hints of red are woven seamlessly into the salon’s contemporary design.
His staff, known for their warmth and professionalism also plays a key role in shaping the salon’s atmosphere—friendly, stylish and always welcoming. The Capello staff combine skill and creativity to deliver results that have a lasting impression.
Beyond trends, what sets Romesh Atapattu apart is the attention to individuality. Each consultation is treated as a creative collaboration – face shape, lifestyle, hair texture and personal style all play a role.
He is a professional who blends technical mastery with a deeply personal approach to style. His dedicated team of skilled professionals, operate with quiet confidence ensuring styles that create an atmosphere of trust, turning every appointment into a personalised and memorable experience.
(ZC) ✍️
Pic by Rohan Herath
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