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‘Paangshu’ aims to initiate dialogue among oppressed victimized

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Watch Worthy

By Tharishi Hewavithanagamage

‘Paangshu’ is director Visakesa Chandrasekaram’s second cinematic endeavour that is set to hit the big screen on August 14, 2020. Paangshu (Earth) premiered at the 2018 Montreal World Film Festival, followed by 14 more international festivals and winning several awards. At the 2019 Nice International Film Festival in France, Nita Fernando won the award for ‘Best Actress,’ Kumara Karawdeniya won the Best Costume Designer’s award, while Chandrasekaram was nominated for the award for the Best Screenplay. Xavier Kanishka won the Best Supporting Actor’s award for his role in the film at 2019 Golden Door International Film Festival of Jersey City. The film also won a Royal Reel Award, in 2019, at the Canada International Film Festival. It won high praise at the Dhaka International Film Festival, the Aswan International Women’s Film Festival and the Barcelona Imagine India International Film Festival. The film marked a shift in Sinhala cinema as it explored ‘a much discussed’, yet almost forgotten theme.

The story of ‘Paangshu’ revolves around ‘Babanona,’ a laundrywoman whose son disappeared during the insurgency that gripped the country in 1988/89. The story follows her quest to find justice for her missing son, only to discover that she has to confront the man who took away her son and his wife, and their tragic life story. It stars Nita Fernando (as ‘Babanona’) and Nadee Kammellaweera in lead roles along with Jagath Manuwarna, Nilmini Buwaneka and Xavier Kanishka among others in supporting roles.

Visakesa Chandrasekaram is a man of many talents; a lawyer by profession, screenplay and creative writer, film director, performance artist and an activist all in one. The Island was fortunate enough to delve a little deeper into ‘Paangshu’ with the creator himself. Being a lawyer by profession, one could only wonder how Chandrasekaram tapped into his inner film director.

“I never planned on becoming a film director. It all started with a vivid dream that I had when I was just nine years old, in which I was directing the veteran actors Malani Fonseka and Vijaya Kumaratunga. I think it began with that. Afterwards I tried learning a bit of film- related things through workshops, before getting the opportunity to work in the field. The dream I had as young boy came true when I was able to work with veteran actors and actresses of my time. But I realized that I cannot rely solely on this field, so I came back and became a lawyer. It may have just been the rhythm of the universe or karma as one would say that allowed me to enter the field of film making and other creative arts.”

Chandrasekaram writes in both Sinhala and English and his first piece of writing was the play script ‘Forbidden Area’ which won the Gratiaen Prize in 1999, while its Sinhalese version, ‘Thahanam Adaviya’, won the National Literary Award in 2000. His other well-known works include his debut novel ‘Tigers Don’t Confess’ (2012). His novel ‘The King and the Assassin’ (2014) was shortlisted for the Fairway Literary Award in 2015, in both Sinhalese and English categories. His debut feature film ‘Frangipani’ (2013) won several awards including the Best Foreign Film Director at the 2015 Rio LGBT Film Festival, the Dr Lester James Peris Award for the Best Debut Film Director and an award at the Sarasavi Film Festival in 2016.

“The idea for the film had been around for a long time,” he said as he delved into Sri Lanka’s dark past that has evaded public discussion for a long time. He recalled how he, as a lawyer, had first hand experience with a lot of people who had gone through the legal system under the counter-terrorism legislation and how those experiences shed light on the concept of justice. He recalled one specific instance that created a deep impression. “It was following the abduction of the students from Embilipitiya and their subsequent murder. I remember seeing a mother looking at the pictures of the skeletal remains of her dead son. She really changed my perception of the kind of professional life I wanted to have.”

Chandrasekaram opined that the things that happened during the insurgencies and the 30-year civil war are rather similar, in that a hefty price had to be paid with death. “Although the public reacted to both events in a similar manner, people seem to have forgotten or have chosen to forget the darker segments of Sri Lankan history.” He pointed out how both the winners and losers of these historical turning points have suffered.

Chandrasekaram aims to give new meaning to such events in the current context of the world. “We have gone through several brutal atrocities in the past, we have been exacting such acts on our own people as well as our ethnical ‘other’. We’re living in a democracy and these things need to be analyzed critically, if we are to avoid such violent events in the future,” he reiterated. Through ‘Paangshu’ the director intends to initiate a dialogue among our own people who were directly or indirectly oppressed as well as victimized in this era of terror.

He also addressed the issues that came with dabbling with such a sensitive subject and as to how his cast and crew collectively contributed to accomplishing his goal. “There were sceptics and political threats. Regardless, I was fortunate enough to find a group of people who got on board with the project with much enthusiasm.” According to Chandrasekaram some members of the cast and crew had lived through the insurgency and their individual experiences reinforced the story. “The younger members were equally keen on contributing to the project, for which I am grateful.”

He also explained how working on ‘Paangshu’ was a journey of awakening altogether. “As a lawyer, we usually look at things in a logical or mechanical way. The concept of justice means punishment, but there is much more to justice than the mathematics of the law in my opinion. It may be connected to others, connected to the universe and it may even go beyond our current lives. Working on this project has allowed me to look at justice in a broader perspective and that in a way is achieving a personal sense of enlightenment,” he elaborated.

When asked about what he hopes viewers will gain or glean after watching the film, he said, “If they leave the cinema thinking ‘not again,’ that means the goal I set out to achieve has been fulfilled.” He hopes that society at large, especially the younger generation will discuss the atrocities of war that have marred Sri Lanka’s history and work towards guaranteeing a peaceful life for future generations. With ‘Paangshu’ Director Chandrasekaram has perhaps paved the way for future directors and actors to explore more related topics and help create an even bigger platform to discuss and highlight political and social issues, in hopes that it will raise awareness among film-loving public.

 



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Features

US’ drastic aid cut to UN poses moral challenge to world

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An UN humanitarian mission in the Gaza. [File: Ashraf Amra/Anadolu Agency]

‘Adapt, shrink or die’ – thus runs the warning issued by the Trump administration to UN humanitarian agencies with brute insensitivity in the wake of its recent decision to drastically reduce to $2bn its humanitarian aid to the UN system. This is a substantial climb down from the $17bn the US usually provided to the UN for its humanitarian operations.

Considering that the US has hitherto been the UN’s biggest aid provider, it need hardly be said that the US decision would pose a daunting challenge to the UN’s humanitarian operations around the world. This would indeed mean that, among other things, people living in poverty and stifling material hardships, in particularly the Southern hemisphere, could dramatically increase. Coming on top of the US decision to bring to an end USAID operations, the poor of the world could be said to have been left to their devices as a consequence of these morally insensitive policy rethinks of the Trump administration.

Earlier, the UN had warned that it would be compelled to reduce its aid programs in the face of ‘the deepest funding cuts ever.’ In fact the UN is on record as requesting the world for $23bn for its 2026 aid operations.

If this UN appeal happens to go unheeded, the possibilities are that the UN would not be in a position to uphold the status it has hitherto held as the world’s foremost humanitarian aid provider. It would not be incorrect to state that a substantial part of the rationale for the UN’s existence could come in for questioning if its humanitarian identity is thus eroded.

Inherent in these developments is a challenge for those sections of the international community that wish to stand up and be counted as humanists and the ‘Conscience of the World.’ A responsibility is cast on them to not only keep the UN system going but to also ensure its increased efficiency as a humanitarian aid provider to particularly the poorest of the poor.

It is unfortunate that the US is increasingly opting for a position of international isolation. Such a policy position was adopted by it in the decades leading to World War Two and the consequences for the world as a result for this policy posture were most disquieting. For instance, it opened the door to the flourishing of dictatorial regimes in the West, such as that led by Adolph Hitler in Germany, which nearly paved the way for the subjugation of a good part of Europe by the Nazis.

If the US had not intervened militarily in the war on the side of the Allies, the West would have faced the distressing prospect of coming under the sway of the Nazis and as a result earned indefinite political and military repression. By entering World War Two the US helped to ward off these bleak outcomes and indeed helped the major democracies of Western Europe to hold their own and thrive against fascism and dictatorial rule.

Republican administrations in the US in particular have not proved the greatest defenders of democratic rule the world over, but by helping to keep the international power balance in favour of democracy and fundamental human rights they could keep under a tight leash fascism and linked anti-democratic forces even in contemporary times. Russia’s invasion and continued occupation of parts of Ukraine reminds us starkly that the democracy versus fascism battle is far from over.

Right now, the US needs to remain on the side of the rest of the West very firmly, lest fascism enjoys another unfettered lease of life through the absence of countervailing and substantial military and political power.

However, by reducing its financial support for the UN and backing away from sustaining its humanitarian programs the world over the US could be laying the ground work for an aggravation of poverty in the South in particular and its accompaniments, such as, political repression, runaway social discontent and anarchy.

What should not go unnoticed by the US is the fact that peace and social stability in the South and the flourishing of the same conditions in the global North are symbiotically linked, although not so apparent at first blush. For instance, if illegal migration from the South to the US is a major problem for the US today, it is because poor countries are not receiving development assistance from the UN system to the required degree. Such deprivation on the part of the South leads to aggravating social discontent in the latter and consequences such as illegal migratory movements from South to North.

Accordingly, it will be in the North’s best interests to ensure that the South is not deprived of sustained development assistance since the latter is an essential condition for social contentment and stable governance, which factors in turn would guard against the emergence of phenomena such as illegal migration.

Meanwhile, democratic sections of the rest of the world in particular need to consider it a matter of conscience to ensure the sustenance and flourishing of the UN system. To be sure, the UN system is considerably flawed but at present it could be called the most equitable and fair among international development organizations and the most far-flung one. Without it world poverty would have proved unmanageable along with the ills that come along with it.

Dehumanizing poverty is an indictment on humanity. It stands to reason that the world community should rally round the UN and ensure its survival lest the abomination which is poverty flourishes. In this undertaking the world needs to stand united. Ambiguities on this score could be self-defeating for the world community.

For example, all groupings of countries that could demonstrate economic muscle need to figure prominently in this initiative. One such grouping is BRICS. Inasmuch as the US and the West should shrug aside Realpolitik considerations in this enterprise, the same goes for organizations such as BRICS.

The arrival at the above international consensus would be greatly facilitated by stepped up dialogue among states on the continued importance of the UN system. Fresh efforts to speed-up UN reform would prove major catalysts in bringing about these positive changes as well. Also requiring to be shunned is the blind pursuit of narrow national interests.

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Egg white scene …

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Hi! Great to be back after my Christmas break.

Thought of starting this week with egg white.

Yes, eggs are brimming with nutrients beneficial for your overall health and wellness, but did you know that eggs, especially the whites, are excellent for your complexion?

OK, if you have no idea about how to use egg whites for your face, read on.

Egg White, Lemon, Honey:

Separate the yolk from the egg white and add about a teaspoon of freshly squeezed lemon juice and about one and a half teaspoons of organic honey. Whisk all the ingredients together until they are mixed well.

Apply this mixture to your face and allow it to rest for about 15 minutes before cleansing your face with a gentle face wash.

Don’t forget to apply your favourite moisturiser, after using this face mask, to help seal in all the goodness.

Egg White, Avocado:

In a clean mixing bowl, start by mashing the avocado, until it turns into a soft, lump-free paste, and then add the whites of one egg, a teaspoon of yoghurt and mix everything together until it looks like a creamy paste.

Apply this mixture all over your face and neck area, and leave it on for about 20 to 30 minutes before washing it off with cold water and a gentle face wash.

Egg White, Cucumber, Yoghurt:

In a bowl, add one egg white, one teaspoon each of yoghurt, fresh cucumber juice and organic honey. Mix all the ingredients together until it forms a thick paste.

Apply this paste all over your face and neck area and leave it on for at least 20 minutes and then gently rinse off this face mask with lukewarm water and immediately follow it up with a gentle and nourishing moisturiser.

Egg White, Aloe Vera, Castor Oil:

To the egg white, add about a teaspoon each of aloe vera gel and castor oil and then mix all the ingredients together and apply it all over your face and neck area in a thin, even layer.

Leave it on for about 20 minutes and wash it off with a gentle face wash and some cold water. Follow it up with your favourite moisturiser.

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Confusion cropping up with Ne-Yo in the spotlight

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Ne-Yo: His management should clarify the last-minute cancellation

Superlatives galore were used, especially on social media, to highlight R&B singer Ne-Yo’s trip to Sri Lanka: Global superstar Ne-Yo to perform live in Colombo this December; Ne-Yo concert puts Sri Lanka back on the global entertainment map; A global music sensation is coming to Sri Lanka … and there were lots more!

At an official press conference, held at a five-star venue, in Colombo, it was indicated that the gathering marked a defining moment for Sri Lanka’s entertainment industry as international R&B powerhouse and three-time Grammy Award winner Ne-Yo prepares to take the stage in Colombo this December.

What’s more, the occasion was graced by the presence of Sunil Kumara Gamage, Minister of Sports & Youth Affairs of Sri Lanka, and Professor Ruwan Ranasinghe, Deputy Minister of Tourism, alongside distinguished dignitaries, sponsors, and members of the media.

Shah Rukh Khan: Disappointed his fans in Sri Lanka

According to reports, the concert had received the official endorsement of the Sri Lanka Tourism Promotion Bureau, recognising it as a flagship initiative in developing the country’s concert economy by attracting fans, and media, from all over South Asia.

Nick Carter: His concert, too, was cancelled due to “Unforeseen circumstances

However, I had that strange feeling that this concert would not become a reality, keeping in mind what happened to Nick Carter’s Colombo concert – cancelled at the very last moment.

Carter issued a video message announcing he had to return to the USA due to “unforeseen circumstances” and a “family emergency”.

Though “unforeseen circumstances” was the official reason provided by Carter and the local organisers, there was speculation that low ticket sales may also have been a factor in the cancellation.

Well, “Unforeseen Circumstances” has cropped up again!

In a brief statement, via social media, the organisers of the Ne-Yo concert said the decision was taken due to “unforeseen circumstances and factors beyond their control.”

Ne-Yo, too, subsequently made an announcement, citing “Unforeseen circumstances.”

The public has a right to know what these “unforeseen circumstances” are, and who is to be blamed – the organisers or Ne-Yo!

Ne-Yo’s management certainly need to come out with the truth.

However, those who are aware of some of the happenings in the setup here put it down to poor ticket sales, mentioning that the tickets for the concert, and a meet-and-greet event, were exorbitantly high, considering that Ne-Yo is not a current mega star.

We also had a cancellation coming our way from Shah Rukh Khan, who was scheduled to visit Sri Lanka for the City of Dreams resort launch, and then this was received: “Unfortunately due to unforeseen personal reasons beyond his control, Mr. Khan is no longer able to attend.”

Referring to this kind of mess up, a leading showbiz personality said that it will only make people reluctant to buy their tickets, online.

“Tickets will go mostly at the gate and it will be very bad for the industry,” he added.

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