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Memories of a schoolgirl in Ceylon, 1960

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125th year celebrations of SACRED HEART CONVENT, Galle (1896 – 2020)

by Savitri de Alwis

(Vice Captain, Queen’s Own, 1970)

The echo of frenzied cheering ebbing and flowing like a wave from the open pavilion of the Galle esplanade fill my ears as if it were only yesterday. I can hear Rev. Sister Rosina, Mistress of Queens Own House. spurring me on fitfully on the loudspeaker in the open event cycle race. My spindly legs pedal furiously, perfectly navigate the tracks and breeze through the touch line to victory on an old rackety Men’s Raleigh bicycle, borrowed on the spot for the race from the school watcher! As I cross the winning line I look back at my competitors, way behind me like specks on the track doing a balancing act with their bikes! Indeed, not many girls cycled then nearly 50 years ago, with the exception of tomboys and the posh girls from Colombo who were sent to our boarding school for strict discipline under firm but kind Irish and Belgian nuns.

Yet oddly we were in awe of these posh girls from Colombo with their ‘mod’ hairstyles, a far cry from our tightly plaited hair doused in coconut oil! But moreover they spoke the Queen’s English like they owned it. This was 1970 and the unforgettable events of a sports meet indelibly etched in my memory as a school girl at Sacred Heart Convent in Galle, a leading private girls’ day/boarding school. Established in 1896, by the Sisters of Charity in Belgium, it was for the education of young girls in Galle. The school is entering its 125th anniversary this year, a great milestone in its unbroken record of unblemished service and duty for charity (love). My three sisters, my little brother at nursery and I were privileged to walk through the hallowed hallways of Sacred Heart Convent from its nursery and on to secondary school half a century ago.

The decade beginning 1960 was thrifty era in Ceylon yet carefree and laid back. It was the decade of Beatles, Elvis, flower power and bell bottoms! We were school girls embracing an unhurried lifestyle, footloose and fancy free. Our precious parents paid for our education with their hard-earned money. At the helm of the school as Principal was the much adored and celebrated Rev. Sister Adrian, a bespectacled young Irish nun with rimmed glasses which framed her porcelain countenance. Always immaculately dressed in a crisp white habit, with an angelic face, she was soft spoken but firm and her presence ubiquitous! The sprawling magnificent Victorian buildings of the school which spread extensively, exuded charm and grandeur. Their impressive long and open corridors decorated with imposing Roman arches harmoniously arranged around a quadrangle is where we hung out and had our daily ‘fix’. Yes, a daily fix of ‘achcharu’ bought for five cents from Mura-aiya’s kade below the staff room.

The solid stone wall chapel with ornate stained glass windows on the premises was an integral part of the school and the Catholic girls looked ever so sanctimonious therein with their dainty little face veils, twirling their Rosary beads. We wished we could be like them! The ‘Parlour’ adjacent the Chapel where the nuns took refuge was also sacrosanct with strictly no entry except during music exams when Trinity College Music Examiners arrived from England on a BOAC jet. I recall as a 10-year old, with much trepidation and awe, entering the sanctuary of the Parlour for the very first time ever for my music exam. The dark brown floors were pristine and shining; I could almost eat off the floor I thought! The slender white Ionic Roman columns decorated the verandah around an open courtyard with its brilliant flowers interspersed with clipped shrubbery were stunning. It was surreal and I, for a fleeting moment, felt like Alice in Wonderland falling through a rabbit-hole!

English drama and poetry were fundamental to our education. We loved the annual English Day celebrations enjoying Shakespeare drama, poetry, oratory etc. under the keen eye of Miss Orlene de Silva a doyen of English teaching. It was the skillful Senior School production of Robert Browning’s mythical Pied Piper of Hamlin that clinched us the first prize in the Galle District Inter School English Day celebrations in 1969. A bevy of charming teens narrated the poem animatedly as the mystical Pied Piper, the writer, stormed the stage for her pound of flesh; a thousand guilders! And as we played out the story with aplomb our parents watched us with pride at the Galle Town Hall. There were other triumphant productions we took on in our stride – Oliver Twist, Twelth Night and Pride and Predjudice. To to this day the thought of Ranmalie de Zilva’s perfect fit as a proper little Mrs. Bennet on and off stage evoke fond memories.

Western music and singing were also high on the school’s agenda. The very first school percussion band was formed very modestly by our gracious Miss Malini Senanayake around 1969 with half a dozen melodicas and two accordions. One accordion was played by the musically gifted Priyadarshani Keerthisinghe and the other, attempting to emulate her wizardry sheepishly, was the writer. Helene Dias Abeysinghe had the shoulders to carry the huge bass drum and keep the beat stylishly like her effortless Shot Putt throws she did with a twirl! The excitement and novelty of being in the school band made us unconsciously audacious. loving to parade in our tartan skirts and berets and march the length and breadth of the Galle esplanade blowing our horns!

It was Miss Malini who trained and entered us to compete in the All Island Schools’ Singing Competition at Royal College, Colombo having won the first place in Galle Inter Schools’ Singing competition. The choir classic ‘Happy Wanderer’ in four part harmony was sung exquisitely by the school choir. Sports too were an integral part of the curriculum. We were gluttonous for a 20 cents Aleric’s Popsicle that the tuck shop sold, and Nandanie Rajapakse, my beloved Games Captain, smothered us with Aleric’s’ ice cream when we played like Trojans and brought the netball trophies home. It was fascinating too, to watch our fine athletes. Consy Rodrigo, Beatrice Bandara and Deidre Senanayake were like flying machines dominating the track and field events near the grotto of Jesus, Mary and Sacred Heart at the rear of the school.

The boarders had a habit of climbing the grotto to a vantage point to peek at the road beyond Kandewatte canal to check if the boys from our brother school. St. Aloysius College, were hovering around like helicopters. But the nuns were too sharp for their little theatrics! Life was uncomplicated. There were no mobile phones, social media or TV, period! We played outdoors avidly and immersed ourselves in hand me down books. It was ‘Robin Blue’ that made our uniforms dazzling white and a heavy charcoal fired smoothening iron pressed our uniforms. These were turned out at home on a hand sewing machine and oh so frugally using the material bought after queuing at the Co-op due to rationing. There were no fancy trainers then, only canvas shoes cleaned with pipeclay dripping like fresh cream! We learned to be creative and innovative and if a shoe gave way with the endless walking, jumping and running, we’d pretend to have an injury on that foot, slapping a plaster on it and slip on a flip flop as we walked to school unabashedly with one shoe and a flip flop. A bandage was sometimes used for effect! We almost always got away with it, dodging the hawk eyed Miss Padmini de Silva.

School days were happy and hauntingly memorable as are our beloved teachers who made all the difference. This is dedicated to them and to all my schoolmates scattered throughout the globe, remembering the good times we shared in the spirit of unity in that once in a lifetime incredible journey with, as our motto reminds us, ‘Cor Unum, Anima Una’ – One heart, One soul. May it be always so!



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What I Do, What I Love: A Life Shaped by Art, Wilderness and Truth

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In a country where creative pursuits are often treated as indulgences rather than vocations, Saman Halloluwa’s journey stands apart — carved patiently through brushstrokes, framed through a camera lens, and articulated through the written word. Painter, wildlife and nature photographer, and independent environmental journalist, Halloluwa inhabits a rare space where art, ecology and social responsibility converge.

His relationship with art began not in galleries or exhibitions, but in a classroom. From his school days, drawing was not simply a subject but an instinct — a language through which he learned to observe, interpret and respond to the world around him. Under the guidance of two dedicated mentors, Ariyaratne Guru Mahathaya and Gunathilaka Guru Mahathaya, he honed both skill and discipline. Those early lessons laid the foundation for a lifelong engagement with visual storytelling.

“His work navigates between traditional Sinhala artistic sensibilities, abstract compositions and expansive landscapes.”

That commitment eventually materialised in two solo art exhibitions. The first, held in 2012, marked his formal entry into Sri Lanka’s art scene. The second, staged in Colombo in 2024, was a more mature statement — both in content and confidence. Featuring nearly fifty paintings, the exhibition drew an encouraging public response and reaffirmed his place as an artist with a distinct visual voice.

His work navigates between traditional Sinhala artistic sensibilities, abstract compositions and expansive landscapes. There is restraint in his use of form and colour, and an underlying dialogue between memory and space. Yet, despite positive reception, Halloluwa speaks candidly about the structural challenges faced by artists in Sri Lanka. Recognition remains limited; fair valuation even rarer.

“This is not merely an artistic issue,” he observes. “It is a social and economic problem.”

In Sri Lanka, art is often viewed through the lens of affordability rather than artistic merit. Many approach a painting by first calculating the contents of their wallet, not the value of the idea or labour behind it. In contrast, he notes, art in Europe and many other regions is treated as cultural capital — an investment in identity, history and thought. Until this mindset shifts, local artists will continue to struggle for sustainability.

The decisive push toward wildlife photography came from Professor Pujitha Wickramasinghe, a close friend who recognised both Halloluwa’s observational skills and his affinity with nature. From there, the journey deepened under the mentorship of senior wildlife photographer Ravindra Siriwardena.

Both mentors, he insists, deserve acknowledgment not merely as teachers but as ethical compasses. In a field increasingly driven by competition and spectacle, such grounding is invaluable.

Saman Halloluwa

Wildlife photography, Halloluwa argues, is among the most demanding visual disciplines. It cannot be improvised or rushed. “This is an art that demands restraint,” he says.

Among all subjects, elephants hold a special place in his work. Photographing elephants is not merely about proximity or scale, but about understanding behaviour. Observing social patterns, movement, mood and interaction transforms elephant photography into a constantly evolving challenge. It is precisely this complexity that draws him repeatedly to them.

Halloluwa is cautiously optimistic about the current surge of interest in wildlife photography among Sri Lankan youth. Opportunities have expanded, with local and international competitions, exhibitions and platforms becoming more accessible. However, he issues a clear warning: passion alone is not enough

Sri Lanka, he believes, is uniquely positioned in the global nature photography landscape. Few countries offer such concentrated biodiversity within a compact geographical area. This privilege, however, carries responsibility. Nature photography should not merely aestheticise wildlife, but foster respect, aware ness and conservation.

Parallel to his visual work runs another equally significant pursuit — environmental journalism. For the past seven to eight years, Halloluwa has worked as an independent environmental journalist, giving voice to ecological issues often sidelined in mainstream discourse. His entry into the field was guided by Thusara Gunaratne, whose encouragement he acknowledges with gratitude.

An old boy of D.S. Senanayake College, Colombo, Halloluwa holds a Diploma in Writing and Journalism from the University of Sri Jayewardenepura and has completed journalism studies at the Sri Lanka Press Institute. He is currently pursuing an Advanced Certificate in Wildlife Management and Conservation at the Open University of Sri Lanka — a testament to his belief that learning must remain continuous, especially in a rapidly changing ecological landscape.

Outside his professional life, he enjoys cricket, rugby and badminton. Yet even leisure intersects with responsibility. He is a founding member and former president of the D.S. Senanayake College Old Boys’ Wildlife Forum, an active member of Wild Tuskers Sri Lanka, and a contributor to several independent environmental and wildlife volunteer organisations. In an era dominated by speed, spectacle and short attention spans, Saman Halloluwa’s journey unfolds differently. It is deliberate, reflective and rooted in values. Through art, he captures memory and form. Through photography, he frames life beyond human control. Through journalism, he asks uncomfortable but necessary questions.

“What I do, what I love” is not fashion here.

It is conviction — patiently lived, quietly asserted, and urgently needed in a country still learning how to value its artists, its environment and its truth.

By Ifham Nizam ✍️

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Shaping the future of style

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Pride, passion and professionalism

Ramani Fernando Sunsilk Hair and Beauty Academy

Ramani Fernando Sunsilk Hair and Beauty Academy marked their graduation of their latest cohort of aspiring hair professionals in a ceremony held at Kingsbury Hotel.

Senaka de Silva, creative force behind Ramani’s shows

For over two decades, the Ramani Fernando Sunsilk Hair and Beauty Academy has stood as a beacon of excellence in beauty education in Sri Lanka. Founded by industry icon Ramani Fernando, the Academy has built a reputation for producing highly skilled professionals who go on to make their mark in salons, both locally and internationally. As the newly minted graduates step out into the world, they carry forward not just certificates, but also the promise of creative authority and personal empowerment.

The chief guest for the occasion was Rosy Senanayake, a long-standing supporter of the Academy’s mission. Addressing the graduates her message echoed her enduring belief that the beauty industry is not merely about aesthetic but about. confidence, self-worth and future leaders.

Over months of rigorous training, these young professionals honed their skills in cutting colouring, styling and contemporary artistry readying themselves to set trends rather than follow them.

Each graduate walked the stage with confidence, their dedication signalling a promising future for Sri Lanka’s beauty and fashion industry! With this new generation of stylists preparing to raise the standard of professional hairstyling.

Ramani Fernando, addressing the audience reflected on the academy’s mission to cultivate not only skills but vision and confidence in every student.

She urged the graduates to embrace continuous learning to take risks with creativity .The world of beauty is ever evolving, stay curious, stay bold and never underestimate the power of your talent, she added emphasising the importance of confidence, discipline and passion in carving a successful career in shaping the future of style.

These graduates are stepping into a world of endless possibilities. They are future of the country, who will carry a forward legacy of creativity. Behind every successful graduate at Sun silk Hair Academy stands a team dedicated to excellence. While Ramani Fernando serves as a visionary Principal and it is Lucky Lenagala, her trusted person who ensures that the academy runs seemingly.

From overseeing training sessions to guiding students, through hands on practice, Lucky plays a pivotal role in shaping the next generation of hairstylists.

Kumara de Silva, who has been the official compere Ramani’s, Hair graduation ceremony, from inception has brought energy, poise and professionalism. The Sunsilk Hair Academy is a celebration of talent and mentor ship for the graduates stepping confidentially into the next chapter of their careers, ready to make their mark on Sri Lanka beauty landscape

A moment of pride Ramani with chief guest Rosy Senanayake

Statement in style

Gliding in romance and sophistication

Pix by Thushara Attapathu

By Zanita Careem ✍️

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Capturing the spirit of Christmas

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Romesh Atapaattu, overseas the magic behind every cut and style at Capello salons

During this season, Romesh Atapattu’s Capello Salon buzzes with a unique energy – a blend of festive excitement and elegance. Clients arrive with visions of holiday parties, office soirees, seeking looks that capture both glamour and individuality. The salon itself mirrors this celebrity mood. Warm lights, tasteful festive décor create an atmosphere where beauty and confidence flourish.

Romesh Atapattu himself curates the festive décor, infusing the space with his signature sense of style. His personal eye ensures that the décor complements the salon’s modern interiors.

As Colombo slips effortlessly into its most glamorous time of year, the Christmas season brings with it more than twinkling lights and celebrity soirees – it signals a transformation season at salons across the city. Capello salons are no exception.

At the heart of this festive beauty movement is Romesh Atapattu of Capello salons, a name synonymous with refined hair artistry, modern elegance and personalised style.

Christmas is about confidence and celebration. Romesh believes ‘People want to look their best without losing who they are”. Our role is to enhance, not overpower. This philosophy is evident in the salon’s seasonal approach.

Beyond trends, what sets Atapattu apart is the attention to individuality. Each consultation is treated as a creative collaboration – face shape, lifestyle, hair texture and personal style all play a role in creating the best for Romesh.

Stepping into Romesh’s salon during the Christmas season is an experience in itself. The space hums with festive energy while maintaining an atmosphere of calm sophistication.

The décor embraces the Christmas spirit with understated elegance. Tastefully adorned décor, beautiful Xmas tree, soft gold and ivory tones, and gentle hints of red are woven seamlessly into the salon’s contemporary design.

His staff, known for their warmth and professionalism also plays a key role in shaping the salon’s atmosphere—friendly, stylish and always welcoming. The Capello staff combine skill and creativity to deliver results that have a lasting impression.

Beyond trends, what sets Romesh Atapattu apart is the attention to individuality. Each consultation is treated as a creative collaboration – face shape, lifestyle, hair texture and personal style all play a role.

He is a professional who blends technical mastery with a deeply personal approach to style. His dedicated team of skilled professionals, operate with quiet confidence ensuring styles that create an atmosphere of trust, turning every appointment into a personalised and memorable experience.

(ZC) ✍️

Pic by Rohan Herath

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