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That Midnight Knock on the Door:Sundarampuram: Janel Piyanpath

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English name: ‘Jaffna Doors and Windows’
Concept, Design, Editing: Sarath Chandrajeeva
Layout: Kanishka Vijayapura
Printed and bound by Neo Graphics Pvt (Ltd) 
Sales points: Barefoot Book shop Galle road Colombo 03, Sarasavi Book shops, Sakura agencies Colombo 04, Plate Pvt. (Ltd) Colombo 03.
Selling price: Rs.10,000.00 (below cost)

 by Laleen Jayamanne

 Jaffna Doors and Windows is the blunt English title of a large book of multilingual poems, each written in relation to a specific photograph of bomb-blasted buildings of Jaffna during the civil war. Each poem is printed on the partnered photographic image which covers an entire page or two. At a glance the Jaffna ruins feel like a vast overgrown archaeological site, intertwined with wild creepers, tangled roots, green foliage, trees, teeming with vitality.

The project was born on the 31st January 2021 when the Sinhala poet Lal Hegoda sent his friend Hiniduma Sunil Senevi a poem and the latter responded with one himself, within 45 minutes! (I love this innate skill and impulse, which I have observed on FaceBook as well, among Sinhala poets). Then, Lal sent both poems to several friends, including Sarath Chandrajeewa.

Sarath, in turn, then decided to send a photograph from his collection of destroyed buildings of Jaffna and asked each recipient to write a poem (in any of our three languages), in relation to the image. While there are wonderful Muslim, Tamil and Sinhala poets among them, many are not poets but have felt impelled to write a poem when the request came with an image that moved them, spoke to them, perhaps even with a ‘foreign’ script like Brahmi. As the project expanded, many other photographers contributed their own images of destroyed buildings, houses, kovils, mosques, churches, etc. Fourteen photographers and 86 writers participated in the project creating 108 poems.

Thus was born, not quite a Kavi Maduwa (poetry-shed), nor exactly a Raga Mala (garland of melody), but what I like to imagine as an electronic, wild Mycelial Network (a fungal web), growing under the rubble, entwined with human bones in that blood-soaked earth of Jaffna, emerging into the sunlight like fungi (mushrooms, hathu), in all their colourful variety of shapes and sizes. Such was the chance beginnings of this interethnic, networked collective project of friendship and solidarity, expressed in this singular book, coordinated and edited by Sarath and published by The Contemporary Art & Crafts Association of Sri Lanka in October 2022.

It’s been launched in Jaffna but not in Colombo, nor even reviewed as yet. The Jaffna Doors and Windows have stories to tell, stories of fear, terror, death and destruction and systematic, well-planned theft, during the civil war years, of these valued, detachable artefacts from Tamil and Muslim homes. The Tamil title, ‘Displaced Doors and Windows’, captures this history precisely. It is this aspect of war profiteering that has galvanised many to reflect and write a poem, even though some have never done that before.

This carefully crafted ‘Artists’ Book’, must surely be of interest to institutions such as the International Centre for Ethnic Studies, Museum of Modern and Contemporary Art and the Geoffrey Bawa Foundation, in particular. A book launch and a moderated discussion at any of these institutions (at the forefront of work on the cultural intersection of ethnicity with photography, poetry, art & crafts, art history and architecture), could provide a hospitable forum for ‘Truth-Telling’, enhancing the ongoing processes of ‘Reconciliation,’ after the long civil war (1983-2009).

These Doors and Windows are booty, and might well haunt the conscience of the good folk sleeping in houses well secured with them, if they did know the full story. A Southern book launch would be something of an exorcism I imagine, leading to reparation through a return of the looted precious objects, laden with generational family memories and scarred with historical trauma, varnished and polished over no doubt.

The looted Jaffna Doors and Windows are made of hardwood and crafted with traditional decorative patterns such as I have not seen in the South. Some are painted. They are palpable evidence of traditions of craft practices of Jaffna. Who were these craftsmen? Are they still alive? Are they both Muslim and Tamil? I imagine Geoffrey Bawa would have been interested in answers to these questions. I heard a formal discussion at an exhibition of Bawa’s architectural drawings once (accessed on YouTube), where Channa Daswatte mentioned pointedly that Bawa hired Muslim builders for his projects.

Clearly, these doors and windows were made to last generations, like Kandalama. And no doubt, these sturdy antique artefacts must now grace architect-designed houses in the South, especially in Colombo. These items, along with the sturdy cross beams (uluwahu), were wrenched out and transported to Colombo during the war, openly sold at a brisk pace and bought by eager architects and other middle-class folk with antiquarian interest in craft, for their cool new houses. There is a recorded instance where shop owners prevented Hegoda from photographing a stack of these doors on display at a store front, on the outskirts of Colombo with the signage, ‘Jaffna Doors and Windoors’. This was to be the impetus for Hegoda’s inaugural poem sent to Sunil, which then led to the long process of creating this collaborative and moving book.

 Sundarampuram Janel Piyanpath

, the poetic title in Sinhala, is taken from Hegoda’s own poem called Hogana Pokuna (a beautiful vernacular phrase for the ocean, to those from inland who have never heard the ‘roaring’ ocean and imagine it to be a ‘pond’!). The poet muses, where the doors and windows of Jaffna might have gone to, and responds, perchance to see the Hogana Pokuna in Colombo!

sarath

Restitution of Stolen Artefacts

It would be an interesting art-historical based activist project of reclamation of a lost tradition, to try to find these doors and windows and photograph them if visible from outside. The photographs can then be components of an installation and/or the matrix for another book of trilingual poetry. Such a project would excite poets and others keen to work across the three languages and cultures and media, to create robust networks of exchange across wounding divides. Perhaps, even, the owners can be persuaded to return the stolen artefacts, which is now global best practice in art institutions and among respectable ethical collectors.

This issue reminds me of the paintings stolen by the Nazis from wealthy Jewish homes and the struggles to reclaim them by the descendants. There was a film recently about one of Klimt’s most famous paintings which, after a legal drama, was finally given to its rightful inheritor. Of course, these beautifully crafted or even purely functional solid doors don’t share the aesthetic and monetary values of high modernist European art, but given the revival of Lankan arts & crafts in the wake of Bawa’s visionary, celebrated project, those astute architects who formulated and activated the idea of ‘Tropical Modernism’ might take up this activist project as a challenge in Lanka now. It could take the once radical idea out of its comfort zone of South Asian cool and give it a further ethical resonance for the region too.

When flicking through the book full of colour, with the profuse green foliage, the splashes of abstract colours on the pages, the intensity of sun- light, the blue sky and randomly reading a stanza or two that caught my eye, one sees the empty holes on walls, a recurring visual motif. Then, the memory of reading accounts of how Richard de Zoysa, the Lankan journalist, was taken away by government law enforcement officials, from his home one night, never to return, came to mind. Was there a knock on his door late that night? I wondered. Richard’s abduction, torture and murder brought home to the Sinhala middle classes in Colombo and those of us living outside the country, what had in fact been happening to countless unknown young persons, right across the country. Many knew Richard as a charismatic actor and fearless journalist.

I remember hearing Richard’s mother, Dr Manorani Saravanamuttu, talk about the state of terror in Sri Lanka (that of the state, the LTTE and JVP), and also about Richard’s death, at an Amnesty International meeting in Sydney in 1991 perhaps. I still remember Richard and his mother playing as mother and son in Aeschylus’s Agamemnon in Colombo, in the late 70s, in the open, perhaps at the British Council. Manorani was Clytemnestra and Richard Orestes, duty bound to kill his mother, because she killed his father, because he killed their daughter, so as to placate the wind god to set sail to sack Troy. This cycle of relentless mythic violence the mother and son enacted in the Greek tragedy, appeared to have gripped Lanka too. But the play is a part of a trilogy, which concludes with the establishment of trial by jury where the principle of Justice, rather than vengeance, is established in Athens, through argument and a spirit of reconciliation led by Athena, governed by reason. This too appears relevant to Lanka now where the state enacts vengeful violence on peaceful protestors and journalists and the independence of the judiciary is eroded.

Sundarampuram

is dedicated to Dr Rajani Thiranagama, Professor of Anatomy at the University of Jaffna, also a well-known human rights activist, who was gunned down by a member of the LTTE. There is an image in the book of her smiling at us and her long poem ‘Letter from Jaffna’, printed beside it in the three languages. Her poem describes the quotidian, ceaseless mass violence and sense of terror they all experienced caught between the IPKF, LTTE and the Lankan Army. She speaks on behalf of the nameless victims. Her sister Sumathy writes of the mass eviction of Muslims from Jaffna by the LTTE, and of their abandoned homes then subject to acts of vandalism.

Hiniduma Sunil’s poem describes the interior of a posh Colombo home where a Tamil servant-girl finds herself alone in the living room where one of those Jaffna windows and doors have landed. Her silent thoughts are given poetic expression. Priyantha Fonseka apostrophises a Jaffna window in happier times, when it opened on its intact hinges, to let in a gentle breeze in a moonlit night and the beloved. Readers will no doubt pick up poems that appeal to them from its large selection and the images themselves will lure us despite all, because they have become allegorical, like all ruins, and as such, have the power to address us with the injunction, ‘Read Me!’ ‘Say something,’ they whisper to our ears. (To be continued)



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Features

Cyclones, greed and philosophy for a new world order

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Floods caused by Cyclone Ditwah in Sri Lanka

Further to my earlier letter titled, “Psychology of Greed and Philosophy for a New World Order” (The Island 26.11.2025) it may not be far-fetched to say that the cause of the devastating cyclones that hit Sri Lanka and Indonesia last week could be traced back to human greed. Cyclones of this magnitude are said to be unusual in the equatorial region but, according to experts, the raised sea surface temperatures created the conditions for their occurrence. This is directly due to global warming which is caused by excessive emission of Greenhouse gases due to burning of fossil fuels and other activities. These activities cannot be brought under control as the rich, greedy Western powers do not want to abide by the terms and conditions agreed upon at the Paris Agreement of 2015, as was seen at the COP30 meeting in Brazil recently. Is there hope for third world countries? This is why the Global South must develop a New World Order. For this purpose, the proposed contentment/sufficiency philosophy based on morals like dhana, seela, bhavana, may provide the necessary foundation.

Further, such a philosophy need not be parochial and isolationist. It may not be  necessary to adopt systems that existed in the past that suited the times but develop a system that would be practical and also pragmatic in the context of the modern world.

It must be reiterated that without controlling the force of collective greed the present destructive socioeconomic system cannot be changed. Hence the need for a philosophy that incorporates the means of controlling greed. Dhana, seela, bhavana may suit Sri Lanka and most of the East which, as mentioned in my earlier letter, share a similar philosophical heritage. The rest of the world also may have to adopt a contentment / sufficiency philosophy with  strong and effective tenets that suit their culture, to bring under control the evil of greed. If not, there is no hope for the existence of the world. Global warming will destroy it with cyclones, forest fires, droughts, floods, crop failure and famine.

Leading economists had commented on the damaging effect of greed on the economy while philosophers, ancient as well as modern, had spoken about its degenerating influence on the inborn human morals. Ancient philosophers like Plato, Aristotle, and Epicurus all spoke about greed, viewing it as a destructive force that hindered a good life. They believed greed was rooted in personal immorality and prevented individuals from achieving true happiness by focusing on endless material accumulation rather than the limited wealth needed for natural needs.

Jeffry Sachs argues that greed is a destructive force that undermines social and environmental well-being, citing it as a major driver of climate change and economic inequality, referencing the ideas of Adam Smith, John Maynard Keynes, etc. Joseph Stiglitz, a Nobel Laureate economist, has criticised neoliberal ideology in similar terms.

In my earlier letter, I have discussed how contentment / sufficiency philosophy could effectively transform the socioeconomic system to one that prioritises collective well-being and sufficiency over rampant consumerism and greed, potentially leading to more sustainable economic models.

Obviously, these changes cannot be brought about without a change of attitude, morals and commitment of the rulers and the government. This cannot be achieved without a mass movement; people must realise the need for change. Such a movement would need  leadership. In this regard a critical responsibility lies with the educated middle class. It is they who must give leadership to the movement that would have the goal of getting rid of the evil of excessive greed. It is they who must educate the entire nation about the need for these changes.

The middle class would be the vanguard of change. It is the middle class that has the capacity to bring about change. It is the middle class that perform as a vibrant component of the society for political stability. It is the group which supplies political philosophy, ideology, movements, guidance and leaders for the rest of the society. The poor, who are the majority, need the political wisdom and leadership of the middle class.

Further, the middle class is the font of culture, creativity, literature, art and music. Thinkers, writers, artistes, musicians are fostered by the middle class. Cultural activity of the middle class could pervade down to the poor groups and have an effect on their cultural development as well. Similarly, education of a country depends on how educated the middle class is. It is the responsibility of the middle class to provide education to the poor people.

Most importantly, the morals of a society are imbued in the middle class and it is they who foster them. As morals are crucial in the battle against  greed, the middle class assume greater credentials to spearhead the movement against greed and bring in sustainable development and growth. Contentment sufficiency philosophy, based on morals, would form the strong foundation necessary for achieving the goal of a new world order. Thus, it is seen that the middle class is eminently suitable to be the vehicle that could adopt and disseminate a contentment/ sufficiency philosophy and lead the movement against the evil neo-liberal system that is destroying the world.

The Global South, which comprises the majority of the world’s poor, may have to realise, before it is too late, that it is they who are the most vulnerable to climate change though they may not be the greatest offenders who cause it. Yet, if they are to survive, they must get together and help each other to achieve self-sufficiency in the essential needs, like food, energy and medicine. Trade must not be via exploitative and weaponised currency but by means of a barter system, based on purchase power parity (PPP). The union of these countries could be an expansion of organisations,like BRICS, ASEAN, SCO, AU, etc., which already have the trade and financial arrangements though in a rudimentary state but with great potential, if only they could sort out their bilateral issues and work towards a Global South which is neither rich nor poor but sufficient, contented and safe, a lesson to the Global North. China, India and South Africa must play the lead role in this venture. They would need the support of a strong philosophy that has the capacity to fight the evil of greed, for they cannot achieve these goals if fettered by greed. The proposed contentment / sufficient philosophy would form a strong philosophical foundation for the Global South, to unite, fight greed and develop a new world order which, above all, will make it safe for life.

by Prof. N. A. de S. Amaratunga 
PHD, DSc, DLITT

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SINHARAJA: The Living Cathedral of Sri Lanka’s Rainforest Heritage

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Damp and thick undergrowth

When Senior biodiversity scientist Vimukthi Weeratunga speaks of Sinharaja, his voice carries the weight of four decades spent beneath its dripping emerald canopy. To him, Sri Lanka’s last great rainforest is not merely a protected area—it is “a cathedral of life,” a sanctuary where evolution whispers through every leaf, stream and shadow.

 “Sinharaja is the largest and most precious tropical rainforest we have,” Weeratunga said.

“Sixty to seventy percent of the plants and animals found here exist nowhere else on Earth. This forest is the heart of endemic biodiversity in Sri Lanka.”

A Magnet for the World’s Naturalists

Sinharaja’s allure lies not in charismatic megafauna but in the world of the small and extraordinary—tiny, jewel-toned frogs; iridescent butterflies; shy serpents; and canopy birds whose songs drift like threads of silver through the mist.

“You must walk slowly in Sinharaja,” Weeratunga smiled.

“Its beauty reveals itself only to those who are patient and observant.”

For global travellers fascinated by natural history, Sinharaja remains a top draw. Nearly 90% of nature-focused visitors to Sri Lanka place Sinharaja at the top of their itinerary, generating a deep economic pulse for surrounding communities.

A Forest Etched in History

Centuries before conservationists championed its cause, Sinharaja captured the imagination of explorers and scholars. British and Dutch botanists, venturing into the island’s interior from the 17th century onward, mapped streams, documented rare orchids, and penned some of the earliest scientific records of Sri Lanka’s natural heritage.

Smallest cat

These chronicles now form the backbone of our understanding of the island’s unique ecology.

The Great Forest War: Saving Sinharaja

But Sinharaja nearly vanished.

In the 1970s, the government—guided by a timber-driven development mindset—greenlit a Canadian-assisted logging project. Forests around Sinharaja fell first; then, the chainsaws approached the ancient core.

 “There was very little scientific data to counter the felling,” Weeratunga recalled.

“But people knew instinctively this was a national treasure.”

The public responded with one of the greatest environmental uprisings in Sri Lankan history. Conservation icons Thilo Hoffmann and Neluwe Gunananda Thera led a national movement. After seven tense years, the new government of 1977 halted the project.

What followed was a scientific renaissance. Leading researchers—including Prof. Savithri Gunathilake and Prof. Nimal Gunathilaka, Prof. Sarath Kottagama, and others—descended into the depths of Sinharaja, documenting every possible facet of its biodiversity.

Thilak

 “Those studies paved the way for Sinharaja to become Sri Lanka’s very first natural World Heritage Site,” Weeratunga noted proudly.

A Book Woven From 30 Years of Field Wisdom

For Weeratunga, Sinharaja is more than academic terrain—it is home. Since joining the Forest Department in 1985 as a young researcher, he has trekked, photographed, documented and celebrated its secrets.

Now, decades later, he joins Dr. Thilak Jayaratne, the late Dr. Janaka Gallangoda, and Nadika Hapuarachchi in producing, what he calls, the most comprehensive book ever written on Sinharaja.

 “This will be the first major publication on Sinharaja since the early 1980s,” he said.

“It covers ecology, history, flora, fauna—and includes rare photographs taken over nearly 30 years.”

Some images were captured after weeks of waiting. Others after years—like the mysterious mass-flowering episodes where clusters of forest giants bloom in synchrony, or the delicate jewels of the understory: tiny jumping spiders, elusive amphibians, and canopy dwellers glimpsed only once in a lifetime.

The book even includes underwater photography from Sinharaja’s crystal-clear streams—worlds unseen by most visitors.

A Tribute to a Departed Friend

Halfway through the project, tragedy struck: co-author Dr. Janaka Gallangoda passed away.

 “We stopped the project for a while,” Weeratunga said quietly.

“But Dr. Thilak Jayaratne reminded us that Janaka lived for this forest. So we completed the book in his memory. One of our authors now watches over Sinharaja from above.”

Jumping spide

An Invitation to the Public

A special exhibition, showcasing highlights from the book, will be held on 13–14 December, 2025, in Colombo.

“We cannot show Sinharaja in one gallery,” he laughed.

“But we can show a single drop of its beauty—enough to spark curiosity.”

A Forest That Must Endure

What makes the book special, he emphasises, is its accessibility.

“We wrote it in simple, clear language—no heavy jargon—so that everyone can understand why Sinharaja is irreplaceable,” Weeratunga said.

“If people know its value, they will protect it.”

To him, Sinharaja is more than a rainforest.

It is Sri Lanka’s living heritage.

A sanctuary of evolution.

A sacred, breathing cathedral that must endure for generations to come.

By Ifham Nizam

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How Knuckles was sold out

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Knuckles range

Leaked RTI Files Reveal Conflicting Approvals, Missing Assessments, and Silent Officials

“This Was Not Mismanagement — It Was a Structured Failure”— CEJ’s Dilena Pathragoda

An investigation, backed by newly released Right to Information (RTI) files, exposes a troubling sequence of events in which multiple state agencies appear to have enabled — or quietly tolerated — unauthorised road construction inside the Knuckles Conservation Forest, a UNESCO World Heritage site.

At the centre of the unfolding scandal is a trail of contradictory letters, unexplained delays, unsigned inspection reports, and sudden reversals by key government offices.

“What these documents show is not confusion or oversight. It is a structured failure,” said Dilena Pathragoda, Executive Director of the Centre for Environmental Justice (CEJ), who has been analysing the leaked records.

“Officials knew the legal requirements. They ignored them. They knew the ecological risks. They dismissed them. The evidence points to a deliberate weakening of safeguards meant to protect one of Sri Lanka’s most fragile ecosystems.”

A Paper Trail of Contradictions

RTI disclosures obtained by activists reveal:

Approvals issued before mandatory field inspections were carried out

Three departments claiming they “did not authorise” the same section of the road

A suspiciously backdated letter clearing a segment already under construction

Internal memos flagging “missing evaluation data” that were never addressed

“No-objection” notes do not hold any legal weight for work inside protected areas, experts say.

One senior officer’s signature appears on two letters with opposing conclusions, sent just three weeks apart — a discrepancy that has raised serious questions within the conservation community.

“This is the kind of documentation that usually surfaces only after damage is done,” Pathragoda said. “It shows a chain of administrative behaviour designed to delay scrutiny until the bulldozers moved in.”

The Silence of the Agencies

Perhaps, more alarming is the behaviour of the regulatory bodies.

Multiple departments — including those legally mandated to halt unauthorised work — acknowledged concerns in internal exchanges but issued no public warnings, took no enforcement action, and allowed machinery to continue operating.

“That silence is the real red flag,” Pathragoda noted.

“Silence is rarely accidental in cases like this. Silence protects someone.”

On the Ground: Damage Already Visible

Independent field teams report:

Fresh erosion scars on steep slopes

Sediment-laden water in downstream streams

Disturbed buffer zones

Workers claiming that they were instructed to “complete the section quickly”

Satellite images from the past two months show accelerated clearing around the contested route.

Environmental experts warn that once the hydrology of the Knuckles slopes is altered, the consequences could be irreversible.

CEJ: “Name Every Official Involved”

CEJ is preparing a formal complaint demanding a multi-agency investigation.

Pathragoda insists that responsibility must be traced along the entire chain — from field officers to approving authorities.

“Every signature, every omission, every backdated approval must be examined,” she said.

“If laws were violated, then prosecutions must follow. Not warnings. Not transfers. Prosecutions.”

A Scandal Still Unfolding

More RTI documents are expected to come out next week, including internal audits and communication logs that could deepen the crisis for several agencies.

As the paper trail widens, one thing is increasingly clear: what happened in Knuckles is not an isolated act — it is an institutional failure, executed quietly, and revealed only because citizens insisted on answers.

by Ifham Nizam

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