Life style
Jeans have come long way
Nowadays, fashion trends are changed. Previously, fashion trend is controlled by the
fashion magazine,
however, it is different now. No better it is good or bad,
the trend of
fashion is shaped and influenced by online celebrities.
People tend to follow the popular stars’ dressing has a long history. In the past, the loyal families always lead the fashion trend, such as Marie Antoinette, she leads the fanciest and
luxurious fashion trend, and the Kings in the past are the
fashion stars as well. Time goes by, movie stars and singers become to the fashion trend that
ordinary
people tend to follow. With the increase of the economy, people have better life quality,
therefore, they would like to pay more
attention to their
dressing, and this
stimulates the bloom of fashion industry too.
History of denim jeans – how denim trend changed over the year
“Fashion is mysterious, as a rule. Why are blue jeans a classic? You just hit on something that happens to be timeless and right.” – Diane von Furstenberg
Denim has known to revolutionize the fashion industry than any other clothing. From being tough twill trousers worn by merchant sailors to becoming wardrobe-staple denim jeans have come a long way.
Despite the range of innovative materials available, denim remains one of the most versatile, durable, and highly sought-after fabrics on the market. It has evolved with time and still remains to have the same appeal. Several studies have attempted to provide a history of denim, such as Ian Finlayson’s (1990) Denim: An American Legend, a historical iconography of denim, and Miller and Woodward’s (2011) Global Denim.
However, do you know how it all started? In this article, our author Adita Banerjee has covered the following topics that will show how denim jeans were originated and have become part of our daily wear.
How were jeans born?
Branding of Denim Jeans
Evolution of Denim Jeans
Denim Production in the modern age
How do designers get the inspiration to include denim in the clothing lines?
How does your favourite denim brand come to the front?
Denim – Day and Night
How were jeans born?
Jeans have a long history, dating back to 1567 with the introduction of the word “Genoese” or “genes” to describe the tough twill trousers worn by merchant sailors from the Italian coastal city of Genoa. Weavers in Nimes, France tried to reproduce this fabric.
This fabric was classified as a twill weave fabric using one coloured thread (basically indigo dyed) and one white thread with the weft passing under the warp threads. It had a unique feel and was a perfect fit for the working class people. Today we call it denim, the word denim comes from the French phrase “Serge de Nimes” which means serge from Nimes. The meaning of denim alluded to the working-class and only later became a fashion statement.
Branding of Denim Jeans
In 1853 Levi Strauss moved to San Francisco to open a dry good store for people involved in the ‘gold rush’. He was dealing with the imported cotton fabric, denim when Jacob W. Davis, a tailor, who made functional items such as tents, horse blankets, and wagon covers asked Strauss to partner with him to patent and sell clothing reinforced with rivets. The reason was that Levi’s fabric was integral to them and Strauss had discovered a way to make it more durable by using metal rivets.
They became partners and on May 20, 1873, the two men received U.S. Patent 139,121 from the United States Patent and Trademark Office. The minors appreciated the new look of jeans which overcame the problem of ripped pockets. Strauss and Davis initially made jeans in two types of fabric, brown duck, and blue denim until the creation of the denim 501 styles in 1890 which paved way for a modernized version.
Many improvements were made like belt loops appeared in 1922 and zippers replaced the button fly. However, by 1890 this partnership ended and manufacturers like OshKosh B’Gosh, Wrangler, and Lee Mercantile appeared in the limelight.
Evolution of Denim Jeans
In 150 years, jeans have gone through a lot of changes. In the late 1800s, the jeans were basically a “waist overall” and were commonly worn by western cowboys, miners, farmers in the US. Being cheap and sturdy it became a common feature among working men.
In the early 20th century, denim was widely used by the military during World War-I and thus became associated with militarism.
During the mid-50s, the term jeans was used to distinguish it from other fabrics. Young people started wearing denim in the 1950s as a symbol of rebellion inspired by movies like “The Wild One” played by Marlon Brando and “Rebel Without a Cause” by James Dean.
The 1960s-70s was marked by bell-bottom widely featured in magazines while in1965, Limbo, a boutique in the New York East Village, came up with the idea to wash a pair of jeans to make them look used and worn out, decorated them with patches and decals.
In 1976, Calvin Klein showed blue jeans on the runway—the first designer to do so followed by Gloria Vanderbilt. They paved way for the acid-wash jeans in the 1980s.
Baggy, ripped jeans was all over the world in the 1990s and fashion houses such as Versace, Dolce & Gabbana and Dior also entered the jean market to promote their designs among which skinny jeans became a favourite in the 2000s.
Over the decades, the types and styles of jeans became stratified among the socio-economic group making jeans a part of life. Denim jeans has inherited unique features over the years and each has been modified by designers to showcase individual taste and style.
Denim Production in the modern age
The process of denim making is vigorous and time-consuming. The manufactured denim fabric is taken to the processing department for further steps. Designers use five elements to create a design that will stimulate the potential consumer to buy like colour, silhouette, drape, texture, and tone.
Harper Magazine
Life style
What I Do, What I Love: A Life Shaped by Art, Wilderness and Truth
In a country where creative pursuits are often treated as indulgences rather than vocations, Saman Halloluwa’s journey stands apart — carved patiently through brushstrokes, framed through a camera lens, and articulated through the written word. Painter, wildlife and nature photographer, and independent environmental journalist, Halloluwa inhabits a rare space where art, ecology and social responsibility converge.
His relationship with art began not in galleries or exhibitions, but in a classroom. From his school days, drawing was not simply a subject but an instinct — a language through which he learned to observe, interpret and respond to the world around him. Under the guidance of two dedicated mentors, Ariyaratne Guru Mahathaya and Gunathilaka Guru Mahathaya, he honed both skill and discipline. Those early lessons laid the foundation for a lifelong engagement with visual storytelling.

“His work navigates between traditional Sinhala artistic sensibilities, abstract compositions and expansive landscapes.”
That commitment eventually materialised in two solo art exhibitions. The first, held in 2012, marked his formal entry into Sri Lanka’s art scene. The second, staged in Colombo in 2024, was a more mature statement — both in content and confidence. Featuring nearly fifty paintings, the exhibition drew an encouraging public response and reaffirmed his place as an artist with a distinct visual voice.
His work navigates between traditional Sinhala artistic sensibilities, abstract compositions and expansive landscapes. There is restraint in his use of form and colour, and an underlying dialogue between memory and space. Yet, despite positive reception, Halloluwa speaks candidly about the structural challenges faced by artists in Sri Lanka. Recognition remains limited; fair valuation even rarer.
“This is not merely an artistic issue,” he observes. “It is a social and economic problem.”
In Sri Lanka, art is often viewed through the lens of affordability rather than artistic merit. Many approach a painting by first calculating the contents of their wallet, not the value of the idea or labour behind it. In contrast, he notes, art in Europe and many other regions is treated as cultural capital — an investment in identity, history and thought. Until this mindset shifts, local artists will continue to struggle for sustainability.
The decisive push toward wildlife photography came from Professor Pujitha Wickramasinghe, a close friend who recognised both Halloluwa’s observational skills and his affinity with nature. From there, the journey deepened under the mentorship of senior wildlife photographer Ravindra Siriwardena.
Both mentors, he insists, deserve acknowledgment not merely as teachers but as ethical compasses. In a field increasingly driven by competition and spectacle, such grounding is invaluable.
Wildlife photography, Halloluwa argues, is among the most demanding visual disciplines. It cannot be improvised or rushed. “This is an art that demands restraint,” he says.
Among all subjects, elephants hold a special place in his work. Photographing elephants is not merely about proximity or scale, but about understanding behaviour. Observing social patterns, movement, mood and interaction transforms elephant photography into a constantly evolving challenge. It is precisely this complexity that draws him repeatedly to them.
Halloluwa is cautiously optimistic about the current surge of interest in wildlife photography among Sri Lankan youth. Opportunities have expanded, with local and international competitions, exhibitions and platforms becoming more accessible. However, he issues a clear warning: passion alone is not enough
Sri Lanka, he believes, is uniquely positioned in the global nature photography landscape. Few countries offer such concentrated biodiversity within a compact geographical area. This privilege, however, carries responsibility. Nature photography should not merely aestheticise wildlife, but foster respect, aware ness and conservation.
Parallel to his visual work runs another equally significant pursuit — environmental journalism. For the past seven to eight years, Halloluwa has worked as an independent environmental journalist, giving voice to ecological issues often sidelined in mainstream discourse. His entry into the field was guided by Thusara Gunaratne, whose encouragement he acknowledges with gratitude.
An old boy of D.S. Senanayake College, Colombo, Halloluwa holds a Diploma in Writing and Journalism from the University of Sri Jayewardenepura and has completed journalism studies at the Sri Lanka Press Institute. He is currently pursuing an Advanced Certificate in Wildlife Management and Conservation at the Open University of Sri Lanka — a testament to his belief that learning must remain continuous, especially in a rapidly changing ecological landscape.
Outside his professional life, he enjoys cricket, rugby and badminton. Yet even leisure intersects with responsibility. He is a founding member and former president of the D.S. Senanayake College Old Boys’ Wildlife Forum, an active member of Wild Tuskers Sri Lanka, and a contributor to several independent environmental and wildlife volunteer organisations. In an era dominated by speed, spectacle and short attention spans, Saman Halloluwa’s journey unfolds differently. It is deliberate, reflective and rooted in values. Through art, he captures memory and form. Through photography, he frames life beyond human control. Through journalism, he asks uncomfortable but necessary questions.
“What I do, what I love” is not fashion here.
It is conviction — patiently lived, quietly asserted, and urgently needed in a country still learning how to value its artists, its environment and its truth.
By Ifham Nizam ✍️
Life style
Shaping the future of style
Ramani Fernando Sunsilk Hair and Beauty Academy
Ramani Fernando Sunsilk Hair and Beauty Academy marked their graduation of their latest cohort of aspiring hair professionals in a ceremony held at Kingsbury Hotel.
For over two decades, the Ramani Fernando Sunsilk Hair and Beauty Academy has stood as a beacon of excellence in beauty education in Sri Lanka. Founded by industry icon Ramani Fernando, the Academy has built a reputation for producing highly skilled professionals who go on to make their mark in salons, both locally and internationally. As the newly minted graduates step out into the world, they carry forward not just certificates, but also the promise of creative authority and personal empowerment.
The chief guest for the occasion was Rosy Senanayake, a long-standing supporter of the Academy’s mission. Addressing the graduates her message echoed her enduring belief that the beauty industry is not merely about aesthetic but about. confidence, self-worth and future leaders.
Over months of rigorous training, these young professionals honed their skills in cutting colouring, styling and contemporary artistry readying themselves to set trends rather than follow them.
Each graduate walked the stage with confidence, their dedication signalling a promising future for Sri Lanka’s beauty and fashion industry! With this new generation of stylists preparing to raise the standard of professional hairstyling.
Ramani Fernando, addressing the audience reflected on the academy’s mission to cultivate not only skills but vision and confidence in every student.
She urged the graduates to embrace continuous learning to take risks with creativity .The world of beauty is ever evolving, stay curious, stay bold and never underestimate the power of your talent, she added emphasising the importance of confidence, discipline and passion in carving a successful career in shaping the future of style.
These graduates are stepping into a world of endless possibilities. They are future of the country, who will carry a forward legacy of creativity. Behind every successful graduate at Sun silk Hair Academy stands a team dedicated to excellence. While Ramani Fernando serves as a visionary Principal and it is Lucky Lenagala, her trusted person who ensures that the academy runs seemingly.
From overseeing training sessions to guiding students, through hands on practice, Lucky plays a pivotal role in shaping the next generation of hairstylists.
Kumara de Silva, who has been the official compere Ramani’s, Hair graduation ceremony, from inception has brought energy, poise and professionalism. The Sunsilk Hair Academy is a celebration of talent and mentor ship for the graduates stepping confidentially into the next chapter of their careers, ready to make their mark on Sri Lanka beauty landscape
Pix by Thushara Attapathu
By Zanita Careem ✍️
Life style
Capturing the spirit of Christmas
During this season, Romesh Atapattu’s Capello Salon buzzes with a unique energy – a blend of festive excitement and elegance. Clients arrive with visions of holiday parties, office soirees, seeking looks that capture both glamour and individuality. The salon itself mirrors this celebrity mood. Warm lights, tasteful festive décor create an atmosphere where beauty and confidence flourish.
Romesh Atapattu himself curates the festive décor, infusing the space with his signature sense of style. His personal eye ensures that the décor complements the salon’s modern interiors.
As Colombo slips effortlessly into its most glamorous time of year, the Christmas season brings with it more than twinkling lights and celebrity soirees – it signals a transformation season at salons across the city. Capello salons are no exception.
At the heart of this festive beauty movement is Romesh Atapattu of Capello salons, a name synonymous with refined hair artistry, modern elegance and personalised style.
Christmas is about confidence and celebration. Romesh believes ‘People want to look their best without losing who they are”. Our role is to enhance, not overpower. This philosophy is evident in the salon’s seasonal approach.
Beyond trends, what sets Atapattu apart is the attention to individuality. Each consultation is treated as a creative collaboration – face shape, lifestyle, hair texture and personal style all play a role in creating the best for Romesh.
Stepping into Romesh’s salon during the Christmas season is an experience in itself. The space hums with festive energy while maintaining an atmosphere of calm sophistication.
The décor embraces the Christmas spirit with understated elegance. Tastefully adorned décor, beautiful Xmas tree, soft gold and ivory tones, and gentle hints of red are woven seamlessly into the salon’s contemporary design.
His staff, known for their warmth and professionalism also plays a key role in shaping the salon’s atmosphere—friendly, stylish and always welcoming. The Capello staff combine skill and creativity to deliver results that have a lasting impression.
Beyond trends, what sets Romesh Atapattu apart is the attention to individuality. Each consultation is treated as a creative collaboration – face shape, lifestyle, hair texture and personal style all play a role.
He is a professional who blends technical mastery with a deeply personal approach to style. His dedicated team of skilled professionals, operate with quiet confidence ensuring styles that create an atmosphere of trust, turning every appointment into a personalised and memorable experience.
(ZC) ✍️
Pic by Rohan Herath
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