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Japan’s PM Takaichi grabs public attention with her fashion and working mantra

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Japanese PM pledges work,work and work mantra has won the attention of many leaders.

Since taking office in October as Japan’s first female prime minister, Sanae Takaichi has been capturing public attention for her fashion choices – and now many are scrambling to copy her style. Takaichi’s status as a style icon has been boosted by her black bag, a tote bag made by 145-year old Tokyo bag maker Hamano. Dubbed the “Sanae bag”, the bag has been a best seller since it debuted 30 years ago. She was seen carrying the bag as she walked into the Prime Minister’s office in October, causing a sensation on social media. Within days, inquiries and orders for the bag surged, and it sold out in all eight colours.

She is a politician and it is only natural for her to care a lot about her appearance. She fits perfectly as a stylish role model and has won admiration from many women who have been looking for one even though they probably have never thought of rooting for a prime minister. Since taking office in October as the nation’s first female prime minister, Sanae Takaichi has captured public attention for her fashion, with many scrambling to copy her style.

Her style-icon status has been boosted by her black bag, dubbed a “Sanae Bag,” which is officially called the Grace Delight Tote.

Takaichi carried this bag as she walked into the Prime Minister’s office on Oct. 21, and the scene immediately caused a sensation on social media.

Hamano’s spokesperson Takanori Kobayashi said his company is delighted to see Japan’s first female prime minister carrying the bag.

Within days, inquiries and orders for the bag have surged, and all eight colours have sold out.

The bag, which is carefully made of high-quality leather, cannot be mass-produced, and those who ordered it now have to wait until August, Kobayashi told The Associated Press.

Before it went viral, the bag was popular among women in their 40s, sources said. “Since it went viral on SNS (social media), we see an increase in the number of inquiries and purchases by women in their 20s and 30s.”

Another popular item is a sparkly light-pink pen Takaichi uses to take notes; it’s Mitsubishi Pencil Co.’s Jetstream 4&1.

The pen, the “Sanae Takaichi model,” is often out of stock at stores and internet shopping sites.

While her dress sense has won admiration from those who say they are “Sana-katsu”, or rooting for Sanae, it’s not clear yet if her hardline conservative policies will win the same praise.

Takaichi is looking to regain right-wing supporters after the Liberal Democratic Party’s big election losses under her center-moderate predecessor Shigeru Ishiba.

The pledge by Japan’s Prime Minister Sanae Takaichi to “work, work, work, work and work” for her country has been named the catchphrase of the year.

Repeating the word “work” in a low, determined voice left a strong impression at the time.

The ultraconservative Takaichi uttered the phrase in early October when she was elected as head of the ruling Liberal Democratic Party.

She promised an all-out effort to rebuild her struggling party and regain public support, and urged party lawmakers to “work like a horse.”

The attention Takaichi is receiving is usually reserved for pop stars, athletes and influencers in Japan who fans have access to only through television or the internet.

Takaichi’s fans show loyalty by buying the same bag and pen she uses, just as fans of star athletes like Shohei Ohtani buy replicas of his uniform to cheer on the Dodgers, experts say.

Takaichi has won admiration as a new type of role model for women who have not usually rooted for prime ministers in the past, says Namiko Kubo-Kawai, a Nagoya Shukutoku University psychology professor.

In Japan, many female role models typically were supported for their femininity, but Takaichi is unique as a high-powered politician.

Takaichi’s short haircut and no-frills workwear also stand out from conventional female models.

She may not inspire many feminists, however.

Takaichi is a staunch conservative who champions Japan’s traditional gender and paternalistic values.

She has supported keeping the succession of Japan’s monarchy open only to men. She also opposes changing a 19th-century law that would allow married couples the option of keeping separate surnames.

Still, as the first female prime minister, “she fits perfectly as a stylish role model and has won admiration from many women who have been looking for one even though they probably have never thought of rooting for a prime minister,” Kubo-Kawai said.

Formerly the drummer for a heavy metal band, now Takaichi is fond of blue suits, soft bows and pearls – and Donald Trump just praised her ‘strong handshake’

Sanae Takaichi is already making waves around the world for her staunch conservative politics – and sense of style. Both were on full display during the 64-year-old’s meeting with US president Donald Trump in Tokyo recently

During her campaign, Takaichi boldly proclaimed that she aspires to be Japan’s Iron Lady, referring to the nickname famously given to Margaret Thatcher, the late former prime minister of the United Kingdom. From what we’ve seen so far, Baroness Thatcher’s politics aren’t the only thing the Japanese head of government seems to be inspired by – she is also drawing sartorial cues from the icon.

According to several Japanese social media and blog posts, Takaichi’s everyday style may include pieces from Zara as well as handbags from French luxury brands like Longchamp and Dior.

Takaichi’s style may be a far cry from her past as a heavy metal drummer in a band with a passion for Kawasaki motorcycles and fast cars. However, it is one she has consistently stuck to, along with her sleek short haircut – which her former hairstylist Yukitoshi Arai calls the “Sanae Cut”, per Reuters. He further explained that her hair is tucked behind her ears to show that Takaichi “listens carefully to other people”. Japan’s National Daily.



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Beauty of Sri Lanka in focus: Global showcase blends art, diplomacy and conservation

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Ambassador Jovita Neliupsiene, Head of the EU Delegation to the US, and Mahinda Samarasinghe, Ambassador of Sri Lanka to the US, joined a special viewing of the exhibition

By Ifham Nizam

The sixth edition of the “Beauty of Sri Lanka” Photography Exhibition is set to unfold across North America this April, transforming the power of visual storytelling into a compelling platform for cultural diplomacy, environmental advocacy and nation branding.

Organised by the America Sri Lanka Photographic Art Society in collaboration with key diplomatic and institutional partners, including the Embassy of Sri Lanka in Washington, D.C., the Permanent Mission of Sri Lanka to the United Nations, the Consulate General of Sri Lanka in Los Angeles and Toronto, and the Sri Lanka Tourism Promotion Bureau, the exhibition will run from April 22 to May 4 across Los Angeles, Toronto, New York and Washington, D.C.

Held in conjunction with Earth Day, the exhibition continues to evolve as a globally recognised initiative that brings together art, conservation and international engagement. What began as a photography showcase has now matured into a dynamic soft-power platform that tells Sri Lanka’s story to the world—through its landscapes, biodiversity, and deeply rooted cultural heritage.

Photographers from Sri Lanka at Nigara State Park

The 2026 tour will feature prestigious venues that reflect its growing international stature. These include the iconic Church of Scientology Celebrity Centre International, Metro Hall in Toronto—marking the exhibition’s debut in Canada—the Permanent Mission in New York, and the Sri Lankan Embassy in Washington, D.C., as part of the widely celebrated Passport D.C. event. Each venue represents not only a geographic expansion but also a widening of the exhibition’s global audience and influence.

Exhibition

At its heart, “Beauty of Sri Lanka” is a vivid narrative of a nation’s natural and cultural wealth. From the mist-covered central highlands and pristine coastal belts to dense rainforests teeming with endemic wildlife, the exhibition captures Sri Lanka’s ecological richness through the lenses of talented photographers. These images serve as both an invitation to explore and a reminder of the urgent need to protect fragile ecosystems.

This year’s programme takes a significant step further by integrating real-world environmental action. The “ReTree Los Angeles” initiative, launched in line with Earth Day, focuses on tree planting, urban restoration and community engagement. It also includes a children’s painting competition aimed at fostering environmental awareness among the younger generation. Organisers believe that nurturing creativity at an early age can instil a lifelong commitment to conservation.

Adding a scientific dimension to the event, Dr. Sarath Gunapala will deliver the keynote address on “The Journey of Infrared Photography,” exploring how advanced imaging techniques can reveal unseen dimensions of the natural world. His participation highlights the exhibition’s interdisciplinary approach, where art meets science to deepen understanding and appreciation.

The exhibition will also feature a vibrant cultural segment designed to immerse international audiences in Sri Lanka’s living traditions. A carefully curated lineup of performances—including the sacred Wes Pooja, the dramatic Naga Raksha mask dance, the rhythmic Thelme ritual dance and the light-hearted Salu Paliya—will bring to life the island’s folklore, rituals and performing arts heritage. These performances are expected to add colour, rhythm and emotional depth to the visual experience offered by the photographic displays.

ASPAS President Suria Perera emphasised that the exhibition is more than a display of images. “It is a celebration of Sri Lanka’s identity—its natural beauty, its cultural vibrancy, and its responsibility to future generations,” she said. “Through photography and community engagement, we aim to inspire a deeper connection between people and the environment.”

Over the years, the exhibition has drawn a diverse audience, including diplomats, policymakers, conservationists, art collectors and members of the Sri Lankan diaspora. Its ability to connect these varied groups underscores its role as a bridge between cultures, fostering dialogue and mutual understanding while strengthening Sri Lanka’s global presence.

The continued support of diplomatic missions, cultural institutions and tourism authorities has been instrumental in elevating the exhibition’s profile. Their collaboration reinforces the role of art as a powerful tool in shaping perceptions, building partnerships and promoting sustainable tourism.

As the 2026 edition prepares to open its doors, “Beauty of Sri Lanka” stands as a testament to the island nation’s enduring appeal and its commitment to conservation. It is not merely an exhibition, but a movement—one that celebrates beauty, inspires responsibility and connects Sri Lanka to the world through the universal language of art.

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Vibrant celebration of tradition and togetherness

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This holiday season, City of Dreams Sri Lanka invites guests to step into the heart of a truly Sri Lankan celebration with Signature Avurudu—a four-day cultural experience taking place.

Blending time-honoured traditions with contemporary flair, the festivities promise to capture the spirit of the Aluth Avurudda (Sinhala and Tamil New Year) in all its colour, rhythm, and warmth. From the moment guests arrive, they will be welcomed into a space transformed with festive décor, echoing the charm of a village celebrations brought to life in the city.

At the centre of the celebration is the Pahan Pujava, a symbolic lamp lighting ceremony led by the management, setting a tone of unity, prosperity, and new beginnings. This meaningful ritual reflects the essence of the New Year—a time to pause, reflect, and step into the new year with hope and positivity.

Throughout the four days, guests can experience the rich cultural heritage of Sri Lanka through a series of traditional performances. The rhythmic beats of raban and drums, alongside vibrant dance acts, will fill the air, creating an atmosphere that is both nostalgic and celebratory. Adding to the experience are elegantly dressed Sri Lankan hostesses, offering a warm, authentic welcome that embodies the island’s renowned hospitality.

No Avurudu celebration is complete without its flavours, and City of Dreams Sri Lanka delivers a feast to remember. Guests can indulge in an array of traditional sweets and savouries, alongside curated Avurudu-themed buffets and creative beverages inspired by local ingredients. Passing canapés and festive treats ensure there is something to enjoy at every turn—whether you’re reminiscing over childhood favourites or discovering new twists on beloved classics.

Designed as a celebration for all, Signature Avurudu brings together families, friends, and visitors from around the world to share in the joy of the season. It is a reminder that Avurudu is more than a festival—it is a feeling of togetherness, renewal, and shared happiness.

This April, celebrate the sights, sounds, and tastes of Avurudu at City of Dreams Sri Lanka—where tradition meets modern celebration, and every moment feels like home.

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Thomian sailors secure many medals in India

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Thomian sailors witj official

Students of S. Thomas’ College recently demonstrated commendable performance at two international sailing events held in India: the inaugural Indian Sailing Regatta and the 4th North-East Regatta. Both events featured participation from foreign teams, including Sri Lanka, Taiwan, Malaysia, Russia, Great Britain, South Korea, Singapore, and India.

The inaugural Indian Sailing League (ISL), held at Umiam Lake, Shillong, India, marked a significant milestone in the sport and was prominently featured in The Times of India. The ISL is a first-of-its-kind franchise-based sailing league, bringing together 14 teams, 182 sailors, and 58 international participants from eight countries.

The ISL follows a concept similar to the Cricket Indian Premier League, where top sailors are “bid” and selected into franchise teams representing different regions. The competition introduced an innovative team-based format in which the best sailor from each team in each category competed, combining multiple race formats such as fleet racing, team racing, marathon races, and rig-and-race challenges. This pioneering structure, widely regarded as a first in global sailing history, has significantly enhanced the spectator appeal and competitive depth of the sport, while promoting youth, women, and high-performance sailing on a single platform.

At the first Indian Sailing Regatta, in the Boys’ Optimist category, Haren Wickramatillake secured 3rd place and was also awarded a special medal for his courage during the rig and race event. Dhiren Perera achieved 3rd place in the rig and race event alongside his team member.

At the 4th North-East Regatta, performances continued to be noteworthy. In the Main Optimist Boys category, Haren Wickramatillake was placed 6th, while Shem Fernando secured 19th place out of 32 participants. In the Junior Green Fleet Optimist Boys category, Anuruth Tennakoon achieved 2nd place and Dhiren Perera was placed 4th out of 10 participants. In the ILCA 4 Boys category, Akaine Ubayasiri was placed 11th out of 22 participants.

These achievements highlight the high level of skill, determination, and sportsmanship demonstrated by the young sailors, while also reflecting Sri Lanka’s strong presence in an emerging and globally significant sailing platform.

Upcoming international sailing events, featuring students of S. Thomas’ College, include the Asian Beach Games 2026, to be held in China ,in April 2026, and the International Optimist Dinghy Association (IODA) competition, scheduled to take place at Port City, in Sri Lanka, in December 2026. These events will provide valuable international exposure and further opportunities for the young college sailors to compete at a high level.

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