Life style
A style revolution
The Abaya or the hijab is a simple lose over garment, essentially a dress won by women in certain parts of the Muslim world. At least this is how, the internet defines the Abaya. But for Lamya Abedeen who specialise in chic wearable and fashionable Abaya, the dress means much more. Lamya, a popular designer, from Emirates is someone who has customised or changed the way the Arab World perceive an abaya.
Her hijabs or abayas are not all black, her designs have seen reflections of a unique form of traditional wear, like the Indian saree, the Japanese Kimono and fashionable pantaloons. She is one among the first woman and designer to have been recognised internationally. Perhaps, it is her bold take on her designs that caught international attentio, who would have dreamt of fur on a brightly coloured belt on an abaya? She also adorned her abayas with Polko dots, frills and coloured accessories
Yoland Aluwihare Holms,a batik designer of international repute,created abayas in Batik. This was her first attempt she created for our family wedding. Her designs were refreshing, versatile and elegant, a blend of fashion and modesty. However, her abayas were in a range of shades and styles in silk fabrics and it soon became a fashion statement in Sri Lanka.
In previous years, the abayas were typical black says Yoland. It’s changed dramatically, with many colours and shades coming in.
by Zanita Careem
In 2013 Nazma Khan who immigrated to the United States from Bangladesh at the age of 11 started World Hijab Day. Growing up in New York, Khan experienced discrimination because of her headscarf. But Nazma argued that the hijab can be a positive assertion of an identity. Muslim scholars have disagreements about whether the religious texts explicitly commands women to wear the veil. Sooner or laterin many Arab countries, the veil became a symbol of national identity.
In most populous Muslim nation in the World, Indonesia women did not wear head coverings until about 30 years ago. Turkey banned the veil because they were not secular. But now most Turkish women wear the veil with complete coverage of the hair, whilst others opted for Western attire, with high necklines and low hemlines also covering their hair.
Nike
, the well know US sportswear company has introduced sports hijabs Now hijabs or abayas begin to appear more in the Mainstream Western Industry. Halima Aden, a top model graced the cover of the Allure magazine July issue sporting a bright red Hilfiger Collection hoodiewith the Nike label peeking underneaths. This Somalian American beauty born in a Kenyan refugee camp is breaking barriers
She also adorned the Vogue Arabia, Fashion Book making headlines in New York and Milan fashion weeks. She is a trail blazer and a glass ceiling breaker. Halima is now one of the most popular Muslim models now, as a result,the Nike company unveiled their plans to launch the Nike Pro Hijab for 2018. Voices from a myriad of talented Muslims female athletes couldn’t be ignored. More recently American Eagle debuted the Denim Hijabs with Halima Aden rocking the item as part of its newest jeans collection.
Recently, In high fashion couture, Dolce and Gabbana launched a collection of Hijab Abayas last year.
Halima in an interview to Allure magazine told “I have much more to offer than any physical appearances, and a hijab protects one against such statements as” You’ve too skiny. You are too fat, look at your hips Indeed Hijab shields me from all such comments.
The hijab or abayas have always made a fashion statement in Muslim majority societies from Jakarta Fashion week to Dubai based fashion bloggers, hijab wearing women are now heard and seen in the fashion industry.
The hijab and abayas are gaining prominence onmany international runaways runaways. Are Abayas well accepted in Sri Lanka..
Most of the teenagers and young women I spoke to in Sri Lanka said. ‘When I first wore it, it wasn’t considered trendy. The rebellious adolescence in me refused and I left home every morning with an elaborate fuchsia or a leopard print piece of fabric wrapped snugly around my head. Another international muslim student ” said ” when I started iwas experimental I pushed boundaries and made the garment more stylish’ What is a a hijab and what is veil? They are perhaps the most polarizing garments of our time. Two metres in length an inconspicuous piece of fabric which has margins garnered international reactions ranging from mandatory in some countries to an outright ban in other.
Now the the sudden surge of hijabs and abayas wearing models on the ramp has made this garment a fashion statement. Some years age, it was unheard of for a modelling agency to line up a abaya model on the ramp. This year alone, abaya, models have walked the ramp for some of the big ,names in fashion ,Should the abayas, hijabs or the veil ever be considered fashionable ? The answer in yes echoed some of the top designers.
Moving to a fashion world is not limited to age, gender nationality and religion. Recently fashion companies have shown that they lend to use hijab in their designs and designs.
In 2017 London was presented with a live show entitled “Muslim lifestyle, witnessing the first week of hjiab fashion, and Halima Aden, showcased some of the contemporary abayas t for the holy month of Ramadan.
This is the 21st century — a time when conventional shackles are being broken off and liberation is becoming a key objective of welfare in societies across the globe. The fashion industry is said to be a platform for putting aside conservative outlook and viewing the world from a much wider and better angle.
Muslim communities are often categorised as ultra-conventional societies — but, let me tell you that theycannot be singled out.. Every community has its own share of orthodoxy. Anyway, many designers have emerged and transformed the fashion industry on an international scale. And t oday, there are many Muslim fashion designers who have become harbingers of good fashion.
Indira Cancer Trust
Ramani Fernando Salons partnered with Indira Cancer Trust and Lalith Dharmawardana to initate the first Hair donation campaign, it is not Cancer Care Trust as reported inthe article last week.
Life style
What I Do, What I Love: A Life Shaped by Art, Wilderness and Truth
In a country where creative pursuits are often treated as indulgences rather than vocations, Saman Halloluwa’s journey stands apart — carved patiently through brushstrokes, framed through a camera lens, and articulated through the written word. Painter, wildlife and nature photographer, and independent environmental journalist, Halloluwa inhabits a rare space where art, ecology and social responsibility converge.
His relationship with art began not in galleries or exhibitions, but in a classroom. From his school days, drawing was not simply a subject but an instinct — a language through which he learned to observe, interpret and respond to the world around him. Under the guidance of two dedicated mentors, Ariyaratne Guru Mahathaya and Gunathilaka Guru Mahathaya, he honed both skill and discipline. Those early lessons laid the foundation for a lifelong engagement with visual storytelling.

“His work navigates between traditional Sinhala artistic sensibilities, abstract compositions and expansive landscapes.”
That commitment eventually materialised in two solo art exhibitions. The first, held in 2012, marked his formal entry into Sri Lanka’s art scene. The second, staged in Colombo in 2024, was a more mature statement — both in content and confidence. Featuring nearly fifty paintings, the exhibition drew an encouraging public response and reaffirmed his place as an artist with a distinct visual voice.
His work navigates between traditional Sinhala artistic sensibilities, abstract compositions and expansive landscapes. There is restraint in his use of form and colour, and an underlying dialogue between memory and space. Yet, despite positive reception, Halloluwa speaks candidly about the structural challenges faced by artists in Sri Lanka. Recognition remains limited; fair valuation even rarer.
“This is not merely an artistic issue,” he observes. “It is a social and economic problem.”
In Sri Lanka, art is often viewed through the lens of affordability rather than artistic merit. Many approach a painting by first calculating the contents of their wallet, not the value of the idea or labour behind it. In contrast, he notes, art in Europe and many other regions is treated as cultural capital — an investment in identity, history and thought. Until this mindset shifts, local artists will continue to struggle for sustainability.
The decisive push toward wildlife photography came from Professor Pujitha Wickramasinghe, a close friend who recognised both Halloluwa’s observational skills and his affinity with nature. From there, the journey deepened under the mentorship of senior wildlife photographer Ravindra Siriwardena.
Both mentors, he insists, deserve acknowledgment not merely as teachers but as ethical compasses. In a field increasingly driven by competition and spectacle, such grounding is invaluable.
Wildlife photography, Halloluwa argues, is among the most demanding visual disciplines. It cannot be improvised or rushed. “This is an art that demands restraint,” he says.
Among all subjects, elephants hold a special place in his work. Photographing elephants is not merely about proximity or scale, but about understanding behaviour. Observing social patterns, movement, mood and interaction transforms elephant photography into a constantly evolving challenge. It is precisely this complexity that draws him repeatedly to them.
Halloluwa is cautiously optimistic about the current surge of interest in wildlife photography among Sri Lankan youth. Opportunities have expanded, with local and international competitions, exhibitions and platforms becoming more accessible. However, he issues a clear warning: passion alone is not enough
Sri Lanka, he believes, is uniquely positioned in the global nature photography landscape. Few countries offer such concentrated biodiversity within a compact geographical area. This privilege, however, carries responsibility. Nature photography should not merely aestheticise wildlife, but foster respect, aware ness and conservation.
Parallel to his visual work runs another equally significant pursuit — environmental journalism. For the past seven to eight years, Halloluwa has worked as an independent environmental journalist, giving voice to ecological issues often sidelined in mainstream discourse. His entry into the field was guided by Thusara Gunaratne, whose encouragement he acknowledges with gratitude.
An old boy of D.S. Senanayake College, Colombo, Halloluwa holds a Diploma in Writing and Journalism from the University of Sri Jayewardenepura and has completed journalism studies at the Sri Lanka Press Institute. He is currently pursuing an Advanced Certificate in Wildlife Management and Conservation at the Open University of Sri Lanka — a testament to his belief that learning must remain continuous, especially in a rapidly changing ecological landscape.
Outside his professional life, he enjoys cricket, rugby and badminton. Yet even leisure intersects with responsibility. He is a founding member and former president of the D.S. Senanayake College Old Boys’ Wildlife Forum, an active member of Wild Tuskers Sri Lanka, and a contributor to several independent environmental and wildlife volunteer organisations. In an era dominated by speed, spectacle and short attention spans, Saman Halloluwa’s journey unfolds differently. It is deliberate, reflective and rooted in values. Through art, he captures memory and form. Through photography, he frames life beyond human control. Through journalism, he asks uncomfortable but necessary questions.
“What I do, what I love” is not fashion here.
It is conviction — patiently lived, quietly asserted, and urgently needed in a country still learning how to value its artists, its environment and its truth.
By Ifham Nizam ✍️
Life style
Shaping the future of style
Ramani Fernando Sunsilk Hair and Beauty Academy
Ramani Fernando Sunsilk Hair and Beauty Academy marked their graduation of their latest cohort of aspiring hair professionals in a ceremony held at Kingsbury Hotel.
For over two decades, the Ramani Fernando Sunsilk Hair and Beauty Academy has stood as a beacon of excellence in beauty education in Sri Lanka. Founded by industry icon Ramani Fernando, the Academy has built a reputation for producing highly skilled professionals who go on to make their mark in salons, both locally and internationally. As the newly minted graduates step out into the world, they carry forward not just certificates, but also the promise of creative authority and personal empowerment.
The chief guest for the occasion was Rosy Senanayake, a long-standing supporter of the Academy’s mission. Addressing the graduates her message echoed her enduring belief that the beauty industry is not merely about aesthetic but about. confidence, self-worth and future leaders.
Over months of rigorous training, these young professionals honed their skills in cutting colouring, styling and contemporary artistry readying themselves to set trends rather than follow them.
Each graduate walked the stage with confidence, their dedication signalling a promising future for Sri Lanka’s beauty and fashion industry! With this new generation of stylists preparing to raise the standard of professional hairstyling.
Ramani Fernando, addressing the audience reflected on the academy’s mission to cultivate not only skills but vision and confidence in every student.
She urged the graduates to embrace continuous learning to take risks with creativity .The world of beauty is ever evolving, stay curious, stay bold and never underestimate the power of your talent, she added emphasising the importance of confidence, discipline and passion in carving a successful career in shaping the future of style.
These graduates are stepping into a world of endless possibilities. They are future of the country, who will carry a forward legacy of creativity. Behind every successful graduate at Sun silk Hair Academy stands a team dedicated to excellence. While Ramani Fernando serves as a visionary Principal and it is Lucky Lenagala, her trusted person who ensures that the academy runs seemingly.
From overseeing training sessions to guiding students, through hands on practice, Lucky plays a pivotal role in shaping the next generation of hairstylists.
Kumara de Silva, who has been the official compere Ramani’s, Hair graduation ceremony, from inception has brought energy, poise and professionalism. The Sunsilk Hair Academy is a celebration of talent and mentor ship for the graduates stepping confidentially into the next chapter of their careers, ready to make their mark on Sri Lanka beauty landscape
Pix by Thushara Attapathu
By Zanita Careem ✍️
Life style
Capturing the spirit of Christmas
During this season, Romesh Atapattu’s Capello Salon buzzes with a unique energy – a blend of festive excitement and elegance. Clients arrive with visions of holiday parties, office soirees, seeking looks that capture both glamour and individuality. The salon itself mirrors this celebrity mood. Warm lights, tasteful festive décor create an atmosphere where beauty and confidence flourish.
Romesh Atapattu himself curates the festive décor, infusing the space with his signature sense of style. His personal eye ensures that the décor complements the salon’s modern interiors.
As Colombo slips effortlessly into its most glamorous time of year, the Christmas season brings with it more than twinkling lights and celebrity soirees – it signals a transformation season at salons across the city. Capello salons are no exception.
At the heart of this festive beauty movement is Romesh Atapattu of Capello salons, a name synonymous with refined hair artistry, modern elegance and personalised style.
Christmas is about confidence and celebration. Romesh believes ‘People want to look their best without losing who they are”. Our role is to enhance, not overpower. This philosophy is evident in the salon’s seasonal approach.
Beyond trends, what sets Atapattu apart is the attention to individuality. Each consultation is treated as a creative collaboration – face shape, lifestyle, hair texture and personal style all play a role in creating the best for Romesh.
Stepping into Romesh’s salon during the Christmas season is an experience in itself. The space hums with festive energy while maintaining an atmosphere of calm sophistication.
The décor embraces the Christmas spirit with understated elegance. Tastefully adorned décor, beautiful Xmas tree, soft gold and ivory tones, and gentle hints of red are woven seamlessly into the salon’s contemporary design.
His staff, known for their warmth and professionalism also plays a key role in shaping the salon’s atmosphere—friendly, stylish and always welcoming. The Capello staff combine skill and creativity to deliver results that have a lasting impression.
Beyond trends, what sets Romesh Atapattu apart is the attention to individuality. Each consultation is treated as a creative collaboration – face shape, lifestyle, hair texture and personal style all play a role.
He is a professional who blends technical mastery with a deeply personal approach to style. His dedicated team of skilled professionals, operate with quiet confidence ensuring styles that create an atmosphere of trust, turning every appointment into a personalised and memorable experience.
(ZC) ✍️
Pic by Rohan Herath
-
News6 days agoBritish MP calls on Foreign Secretary to expand sanction package against ‘Sri Lankan war criminals’
-
News5 days agoStreet vendors banned from Kandy City
-
Sports6 days agoChief selector’s remarks disappointing says Mickey Arthur
-
Opinion6 days agoDisasters do not destroy nations; the refusal to change does
-
News5 days agoLankan aircrew fly daring UN Medevac in hostile conditions in Africa
-
Sports2 days agoGurusinha’s Boxing Day hundred celebrated in Melbourne
-
Sports3 days agoTime to close the Dickwella chapter
-
Sports6 days agoRoyal record crushing innings win against Nalanda






