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Film and fashion stars celebrate cinematic style at Vogue World

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Hollywood royalty Nicole Kidman commanded the spotlight in a stunning floor length black gown [BBC]

Los Angeles played host to a spectacle of style and storytelling as Vogue World: Hollywood unfolded — an immersive celebration of cinema, couture and celebrity.

Blending the grandeur of classic Hollywood with the innovation of contemporary fashion, the event transformed the city into a living film set, with designers, actors and artists sharing the spotlight.

Getty Images Gwyneth Paltrow and Miley Cyrus sitting on the front row at the Vogue World show along with other audience members enjoying the show
Gwyneth Paltrow and Miley Cyrus were on the front row for the runway theatrics [BBC]
Getty Images Kendall Jenner wearing a crystal encrusted bodysuit and top hat. She is smiling and walking along the outdoor
Kendall Jenner donned an outfit originally worn by Nicole Kidman in the 2001 movie Moulin Rouge [BBC]

Here are some of the standout images capturing the energy, creativity and spectacle.

Getty Images Rita Ora and Taika Waititi attend Vogue World: Hollywood 2025 at Paramount Studios
Real-life couple, singer Rita Ora and filmmaker Taika Waititi also had front row seats [BBC]
Getty Images Jennifer Connelly wearing green and Dakota Johnson in a long pink gown sit on chairs next to each other and smile at the camera at Vogue World
The event brought together artists and actors such as Jennifer Connelly and Dakota Johnson [BBC]
Getty Images Model Grace Elizabeth wearing a very large  pink dress walks the runway during Vogue World Hollywood
Model Grace Elizabeth on the runway [BBC]
Getty Images Kyle MacLachlan in black tie point to the camera and smiling as he walks along the at the Vogue World Hollywood event
Kyle MacLachlan enjoys the Vogue World show [BBC]
Getty Images 3 models in stride confidently wearing flamboyant outfits
Models on the runway at Vogue World wearing flamboyant outfits in metallic shades [BBC]
Getty Images Julia Garner in a large frilly cream dress walking the runway at the Vogue World show
Julia Garner wore a large frilly cream dress [BBC]
Getty Images Jess Goldblum wearing a silver jacket and sunglasses stands with hands on hips, smiling.
Jeff Goldblum sparkled at the event [BBC]
Getty Images A model strides along the runway during Vogue World: Hollywood 2025 at Paramount Studios in a gold suit with flaired trousers, purple trim and fushia pink blouse and socks. The audience claps in the background
A model strides along the runway [BBC]
Getty Images 12 models in silver catsuits lined up with their arms above their heads and hands touching in the same pose. We can see the front of the line and the models recede in the back of the shot
Striking scenes at the Vogue World show [BBC]
Getty Images Three male performers in  red and brown gladiator costumes walk next to each other along the runway during Vogue World: Hollywood
Performers at the Vogue World show in gladiator costumes [BBC]
Getty Images  Heidi Klum sitting and laughing with a glass of champagne at the Vogue World show
Heidi Klum having fun at the Vogue World show with a champagne flute in her hand [BBC]
Getty Images  Brooklyn Peltz Beckham and Nicola Peltz Beckham wearing black standing next to each other at Vogue World
Brooklyn Peltz Beckham and Nicola Peltz Beckham [BBC]
Getty Images Mindy Kaling standing on the left in a beige dress and  Cynthia Erivo standing next to her in a white dress at the Vogue World show
Mindy Kaling and Cynthia Erivo enjoying the Vogue World show in Paramount studios [BBC] 
Getty Images Miley Cyrus standing in a full legth pose wearing black leather mac with large white cuffs  visible, also  wearing a black leather flat cap and black stillettoes
Miley Cyrus attends the Vogue World show wearing a black leather mac [BBC]
Getty Images Anna Wintour standing in a long white dress embroidered with red  flowers and a long black coat, also embroidered with red  and pink flowers
Anna Wintour wore a floral dress and coat [BBC]
Getty Images Two models searing  chequered jackets and mini shirks inspired by the 1995 film  Clueless
Models in outfits inspired by the 1995 film Clueless [BBC]
[BBC]


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Irish fashion designer Paul Costelloe dies aged 80

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Paul Costelloe during London Fashion Week September 2025 [BBC]

Irish fashion designer Paul Costelloe has died in London aged 80.

Costelloe became one of the best-known names in British and Irish fashion and was personal designer to the late Diana, the Princess of Wales.

His family issued a statement on Saturday saying they were “deeply saddened to announce the passing of Paul Costelloe following a short illness”.

They added: “He was surrounded by his wife and seven children and passed peacefully in London.”

Getty Images Paul Costelloe is is smiling broadly and has receding grey hair. He is wearing a blue open-neck shirt and his arms are stretched out on either side. behind him are three female models dressed in black.
Paul Costelloe at London Fashion Week in 2022 [BBC]

He was born in Dublin where his father ran a successful company making raincoats.

After studying at the Grafton Academy of Fashion Design he moved to Paris where he took a course at the Chambre Syndicale de la Haute Couture in Paris.

He set up his own label in 1979, Paul Costelloe Collections, and presented collections at London Fashion Week, as well as in Paris, Milan and New York.

Getty Images A composite showing two pictures of Diana, Princess of Wales. In both images she is wearing a suit by Paul Costelloe. The suit on the left is bright pink with gold buttons, while the one on the left is a white jacket over a black shirt with white polka dots.
Costelloe was Princess Diana’s personal designer [BBC]

In 1983 he was appointed personal designer to Diana, Princess of Wales, a collaboration which continued until her death in 1997.

Costelloe often used traditional Irish fabrics and textiles in his designs, including Irish linen and tweed.

He collaborated with Dunnes Stores and was the closing designer for the inaugural Ireland Fashion Week in October this year.

Getty Images Paul Costello wears a white shirt and green tie. Behind him are female and male models wearing bright clothes.
Paul Costelloe and models pose on the runway at the Paul Costelloe presentation during London Fashion Week September 2017 [BBC]

He was criticised in 1998 when he said that Irish women lacked style.

“Irish women have difficulty with style because it’s not in their inner nature… like the Italians,” he said at the time

However, during an interview with Irish broadcaster RTÉ this year, he said he felt that Ireland was more European than years ago.

Taoiseach (Irish PM) Micheál Martin said he was “very saddened to learn of the passing of Paul Costelloe”.

“An icon of design, Paul elevated Irish fashion to the global stage,” he said.

Tánaiste (deputy PM) Simon Harris said Costelloe had “led a remarkable life”.

Harris added: “He built a hugely successful business through incredible talent, discipline, and an unwavering commitment to quality.

“He leaves behind a body of work that shaped modern Irish fashion and will continue to shape it in the years to come. He will be greatly missed and warmly remembered.”

[BBC]

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Fashion legacy: CFW celebrates 22 years in style­

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Colombo Fashion Week CFW marked a glittering milestone this season -22 glamorous years of elevating Sri Lankan fashion. CFW ‘s evolving platform has shaped designers,nurtured creativity and positioned the island on the global style map

While becoming one of the most influential style platforms in South Asia,what began as a visionary initiative has grown into a movement shaping designers, nurturing talent, reviving craftsmanship and bringing global attention to the region’s extraordinary design language.

This anniversary will shimmer with nostalgia, innovation and unmistakable South Asian flow.

From handwoven saris reimagined for the modern woman to bold menswear, resort wear, sustainable collections and couture dipping in embellishments.

CFW has proved once again that Sri Lanka stands proudly among the region’s fashion capitals.

Over the past decades CFW has redefined the region’s fashion identity.it created opportunities for young designers to open pathways to international markets, revived craft communities, and built a culture where fashion is both creative and responsible.

Today, its influence extends beyond Sri Lanka attracting designers and fashion lovers from India, Pakistan, Bangladesh, Nepal and the wider South Asian sphere.

No celebration is complete without acknowledging the artistry of Raman Fernando, whose beauty direction has shaped the CFW aesthetic since its inception.Her partnership has been integral to elevating the event’s aesthetic from the backstage transformations to the signature looks that complemented each designer’s wish.

Twenty two years on CFW, remains more than a fashion show, it has shaped Sri Lanka’s design voices, contributed to the region’s fashion economy and created a dynamic bridge connecting South Asian talent with the world.

As CFW celebrates its 22 year journey one great thing is clear – the next chapter promises more brilliance, innovation and South Asian glamour. CFW continues to champion young talent through its emerging designer programmes giving newcomers the guidance needed to enter the industry with confidence.

This November Colombo fashion week steps into a bold new chapter with the launch of its latest season titled Couture and Trousseau .a refined platform dedicated to craftsmanship, luxury and modern elegance. This new edition will spotlight Sri Lankan and South Asian designers who specialise in refined couture techniques, artisanal detailing and timeless elegance.

The Couture and Trousseau Edition aims to showcase fashion as both art and heritage where modern silhouettes meet meticulous handicrafts and where designers elevate their creations to the realms of treasured pieces.

The new theme, I am sure will promise a unique runaway rich in sophistication, drama and the signature glamour for which CFW is known for

Couture and Trousseau – the season that redefines Sri Lanka fashion

A new era of elegance, couture and trousseau takes over

Beyond the runway presentations, CFW has established a substantive track record with at least 80% of featured designers having emerged from its ecosystem, with particular emphasis on nurturing Sri Lankan talent. Designers who have developed their craft through CFW have subsequently achieved international recognition, demonstrating that sustained commitment and strategic focus deliver results in an industry often characterized by transient trends.

At 22 years, CFW stands as one of only four fashion weeks in Asia to surpass the two-decade mark, a feat that underscores both its resilience and its relevance. Unlike many regional events that have come and gone, CFW has evolved into a diplomatic force, fostering reciprocal partnerships with fashion weeks across the BRICS nations, the Commonwealth, and South Asia.

This extends beyond runway presentations. CFW generates measurable economic impact through tourism, hospitality infrastructure development, and the creation of business opportunities that benefit host cities and their broader communities. The platform’s model demonstrates how strategic cultural investment can drive commercial growth across multiple sectors simultaneously.

Since 2003, CFW has systematically expanded its scope, inviting designers from neighbouring nations to share the platform with Sri Lankan counterparts. The result is a distinctive space where regional diversity is celebrated rather than marginalized and where collaboration supersedes competition. In a geopolitical climate frequently defined by division, CFW presents an alternative narrative: fashion as shared language, commerce as common ground.

This November 2025, CFW’s new season titled ‘Couture and Trousseau,’ strategically focusing on a segment of fashion that presents significant growth opportunities for Sri Lankan designers: bridal and destination weddings. This expansion reflects South Asia’s burgeoning bridal market and positions Sri Lankan designers to capture a larger share of this lucrative sector. By identifying and activating relevant commercial opportunities prior to each season, CFW continues to demonstrate that regional collaboration and sustained investment in creative talent can reshape not only an industry, but the economic landscape of an entire region.

The Couture + Trousseau season of CFW was presented in partnership with Nations Trust Bank American Express, Cinnamon Grand, Lanka Tiles, IDL, Vision Care, Hameedia, ITC, Beauty by Rosh, Ramani Fernando Salons, , Emerging Media, Hardtalk and Acorn whose continued collaboration strengthens CFW’s commitment to celebrating innovation, creativity, and craftsmanship within Sri Lanka’s fashion industry.

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Two Miss Universe judges quit scandal-hit pageant, as one claims it’s rigged

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The 74th Miss Universe will be crowned in Bangkok, Thailand on 21 November [BBC]

Two Miss Universe judges have resigned days before the annual beauty pageant, with one of them accusing organisers of rigging the selection process.

Lebanese-French musician Omar Harfouch, who announced his resignation from the eight-member jury on Instagram, alleged that an “impromptu jury” had pre-selected finalists ahead of the competition, set to be held on Friday in Thailand.

Hours later, French football manager Claude Makélélé also announced he’d pulled out, citing “unforeseen personal reasons”.

The resignations come two weeks after several Miss Universe contestants walked out of a pre-pageant event over controversial comments made by an official from host nation Thailand.

“An impromptu jury has been formed to select 30 finalists from among the 136 participating countries, without the presence of any of the real eight members of the jury, including me,”  Harfouch wrote in an Instagram post on Tuesday, saying he had discovered this via social media.

The unofficial jury comprises “individuals with a significant potential conflict of interest due to some personal relationships with some of the Miss Universe contestants”, he claimed.

Harfouch did not elaborate on how this “impromptu jury” would function, or how it would override the official jury’s decision.

The Miss Universe Organisation on Tuesday put out a statement to rebuff Harfouch’s claims, saying that “no external group has been authorised to evaluate delegates or select finalists”.

It suggested that  Harfouch may have been referring to the Beyond the Crown programme: a “social impact initiative” that operates independently from the Miss Universe competition, and has a separate selection committee.

The Miss Universe Organisation announced the Beyond the Crown selection committee on Monday. In its statement on Tuesday, the organisation said that  Harfouch’s allegations had “mischaracterised” the programme.

Mr Makélélé, who also announced his resignation via Instagram, described it as a “difficult decision”. “I hold Miss Universe in the highest regard. The platform represents empowerment, diversity, and excellence – values I have always championed throughout my career,” he wrote.

The beauty pageant drew backlash earlier this month after its Thailand director Nawat Itsaragrisil publicly berated Miss Mexico, Fatima Bosch, at a pre-pageant event for not posting promotional content on her social media platforms.

In videos that have since gone viral, Ms Bosch and several other contestants could be seen walking out of the event, and some could be heard shouting at Nawat.

Mr Nawat later claimed that some of his words were misunderstood – but his conduct nevertheless prompted a stern rebuke from the Miss Universe Organisation, which has since sent a delegation of international executives to take over running the competition.

[BBC]

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