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” Write Until You Feel Right ” :  Savin Edirisinghe’s Katakata Wins the 32nd Gratiaen Prize

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Savin with his parents

When 25-year-old Savin Edirisinghe stepped onto the stage to receive the 32nd Gratiaen Prize for his debut short story collection Katakata, he brought with him more than just a book. He brought an entire generation of young Sri Lankans who write in English yet dream in multiple languages, who navigate everyday life with a poet’s soul, and who find inspiration in the most unlikely places—buses, petticoats, whispered gossip, and quiet suffering.

For Edirisinghe, the win was not just personal triumph—it was, in many ways, a statement of cultural evolution. Speaking to The Sunday Island, he said:”If I can win the Gratiaen, anyone can,” he said with a smile that belied both humility and disbelief. “English is not my mother tongue. I didn’t grow up immersed in English literature. But I write in English because it’s one of the languages I feel most at home in.”

The Gratiaen Prize, Sri Lanka’s most prestigious literary award for writing in English, has over the years served as a springboard for some of the country’s most acclaimed voices. Yet this year’s winner represents something refreshingly new: a voice grounded in urban and semi-urban life, unapologetically local, but delivered with literary elegance and poetic flair.

The Power of Gossip and Story Telling

The title Katakata—a Sinhala word that loosely translates to “gossip” or “chatter”—was carefully chosen. “That was my marketing brain at work,” Edirisinghe smiles. “I work in advertising during the day, so I know how important a good title is. But it also fits the stories. These are tales stitched together from things I’ve overheard, stories shared in passing, or little dramatic moments I’ve imagined based on real people.”

Despite the gossipy premise, Katakata is not sensational. It is introspective and rich with emotional texture. “I think we gossip because we want to live, for a moment, inside someone else’s life,” he explains. “It’s a way to understand desire, frustration, dreams—everything we suppress in ourselves. Writing is like that too. It’s about living other people’s lives in a very intimate way.”

The characters in Katakata—while often surreal or absurd—are inspired by real individuals. Friends, acquaintances, strangers on public transport. “They won’t recognise themselves,” Edirisinghe insists. “They’ve been altered, reshaped, sometimes exaggerated. But they all began as someone real.”

The collection, sprinkled with magical realism and absurdism, explores themes of desire, repression, identity, and societal contradictions—particularly the unseen lives of Sri Lanka’s working and middle classes. What makes the work stand out is how Edirisinghe blends lyrical prose with earthy, grounded subject matter.

Savin

A Poet First, a Storyteller Always

Edirisinghe prefers to be called a poet. “I write more poetry than prose,” he says. “Even when I write fiction, the poetic rhythm sneaks in. That’s how I express myself best.”

His literary influences reflect this dual sensibility. “Oscar Wilde, Aldous Huxley, George Orwell, and of course Shakespeare,” he lists, adding Sri Lankan names with equal reverence: Mahagama Sekara, Yamuna Malini, and lyricist Rathna Sri. “I admire people who can take language and make it sing.”

His childhood, he recalls, was steeped in stories—thanks to his father, a dramatist, writer, and journalist. “To get me to sleep, he’d tell me two or three stories each night. And when he ran out of real stories, he made up new ones. I always knew which ones were made up—but I loved them even more.”

From those early beginnings came a young boy scribbling stories on A4 sheets, cutting and pasting images from magazines, and rewriting the endings of books he’d already read. That instinct to take the familiar and reshape it still defines his work today.

A Complicated Love Affair with Writing

“I have a toxic relationship with writing,” Edirisinghe says candidly. “But it’s filled with passion. It’s the only thing I know how to do.”

He compares his relationship with writing to Lionel Messi’s with football. “It’s like breathing for him. And for me, writing feels the same. If you took it away from me, I wouldn’t know who I was.”

Yet it’s not always easy. “Sometimes I want to write something so badly, but I just can’t get it right. That leads to frustration, even anxiety. But I keep at it. Because that’s what you do when you love something.”

His advice to young writers? “Write until you feel right. You may never feel completely satisfied—but in the process, you’ll create stories, poems, maybe even a script or a novel. Just keep writing.”

Writing What You Know

In his acceptance speech, Edirisinghe urged writers to write about what they know. “I can’t write about tulips or winter—I’ve never experienced them. But I can write about bus rides, petticoats, and the absurd things we encounter every day.”

That doesn’t mean he’s limited by reality. “Even sci-fi is believable when the emotions are true. You don’t need to live in space to write a compelling story. You just need to find a connection—something that makes the story feel alive.”

This is perhaps Katakata’s greatest strength: its ability to turn the mundane into the magical, to find poetry in the ordinary, and to reflect deep truths without sounding didactic or moralising.

Book that won acclaim

A Platform for the Youth

Edirisinghe credits the Future Writers Programme—a mentorship initiative—for helping him find his voice. “That was my first real exposure to the English literary scene in Sri Lanka. I met mentors like Professor Lal Medawattegedera and Ashok Ferrey. They gave me the courage to edit, to submit, and to believe I had something worth saying.”

He won the Future Writers Programme last year. This year, he took the Gratiaen Prize. “I think the Programme is a great stepping stone. It should be expanded and continued. If I hadn’t gone through that, I wouldn’t be here.”

For him, the Gratiaen win isn’t just validation—it’s an opportunity to open doors for others. “This award is often seen as something for Colombo elites. But now, people from outside the city—people who don’t even read in English—are talking about it.”

He recounts a call he received after the awards ceremony—from the man who used to read the electricity meter in his neighbourhood. “He found my number and called to say thank you for writing these stories. He said, ‘It’s refreshing to see someone like you win.’ That meant everything.”

Literature as a Soft Power

Beyond personal glory, Edirisinghe sees literature as a nation’s soft power—one that Sri Lanka must harness. “Look at what Shyam Selvadurai, Michael Ondaatje, and more recently Shehan Karunatilaka have done. Sri Lankan literature has global potential.”

He points to India’s thriving literary scene, and even Sri Lanka’s youth making waves on global platforms—from Anagi Perera at Miss World to Sri Lankans on the Forbes list. “We are showcasing the diversity of Sri Lanka—not just in identity, but in talent. Literature should be part of that.”

He dreams of a day when Sri Lankan literature—particularly English writing by locals—finds a global readership. “We have stories that the world needs to hear. But we need platforms, we need visibility, and we need writers who dare to write authentically.”

A New Chapter Begins

With Katakata, Savin Edirisinghe has opened more than a door for himself—he’s cracked open a window for a new kind of English literature in Sri Lanka: playful yet profound, deeply local yet accessible to all.

“I wanted to be different,” he says. “My father always said, ‘Be extraordinary among the extraordinary.’ That stuck with me. Even when I wish someone a happy birthday, I don’t just say it—I find a new way to say it.”

That same philosophy defines his writing: unexpected, lyrical, sincere. In Katakata, the mundane becomes magical, the gossip becomes gold, and every sentence pulses with life.

The award may have gone to one young writer, but the ripple effect could shape an entire literary landscape. “Now people who never imagined themselves submitting to the Gratiaen might just try,” he says. “That’s a win for all of us.”

By Ifham Nizam ✍️



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Elegant threads of tradition: Darshi Batik at Sheraton

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Surrounded by styles and smiles

As the Colombo skyline softens into golden hour “Sundown with Buddhi Batiks “at Sheraton Colombo unfolded as a seamless blend of heritage and contemporary elegance – an experience that felt both intimate and visually striking.

The evening drew a crowd that reflected the very essence of the brand it celebrated refined, creative and deeply connected with flowing silhouettes, to cultural and the quiet hum of conversation over curated cocktails.

Buddhi Batiks with Darshi Keerthisena is a label celebrated for transforming Sri Lankan batik into modern, wearable art. Her story telling through fabric where each piece reflected craftsmanship, culture, and a contemporary design language. The collection leaned into effortless elegance, resort ready kaftans, structured yet fluid dresses and statement pieces that moved as beautifully as they look. The atmosphere was electrifying. Guest sipped on delicated curated cocktails as soft music hummed in the background, creating an ambience that felt both exclusive and deeply relaxed.

More than aesthetics, Buddhi Batiks tells stores. Each motif, each gradation of colour carried a sense of place and memory.

Buddhi Batiks is proof that fashion can honour heritage without compromising on glamour, with every brush stroke of wax and every hand dyed.

The event, aptly named Sundown, was an ode to the timeless elegance of Sri Lankan craftsmanship, seamless fabrics woven into contemporary silhouettes that speak to a global sensibility.

The collection by Buddhi Batiks drew inspiration from Sri Lanka’s natural landscape, from the shimmering coastlines to the lush inland jungle, translated into vivid patterns and textures on display.

The brand celebrated Sri Lankan’s rich artistic legacy while embracing a global fashion vision.

There are designers who wear fashion and then there are designers who live fashion, Darshi Keerthisena, creative director and CEO of Buddhi Batiks, belongs to the latter. She hasn’t merely followed a family tradition. She has reimagined it, transforming Sri Lankan batiks from a cultural craft into a globally resonant fashion statement. Under Dharshi’s leadership, Buddhi Batiks has evolved far beyond traditional cotton saris. She has introduced silk, geogette and satin as canvasses for Batik, infusing pieces with contemporary silhouettes and subtle, sophisticated colour stories that appeal to international design sensibilities. Her innovations have taken batik onto global platforms.

Darshi’s innovation isn’t only stylistic, it is ethical. She has championed sustainable practises, such as digital printing on recycled textiles and eco friendly dyes, while keeping handmade batik at the heart of the brand.

Her career has been marked by accolades and awards Dharshi’s vision for batik is expansive. She sees it not just on runaway gowns or resort wear, but translated into interiors, accessories and everyday life, capable of transcending borders while keeping the soul of Sri Lankan artisan’s heritage alive.

Sheraton Colombo Sri Lanka’s most prestigious 5-star hotels with Paul Sun, General Manager and his dedicated team, [played a key role and the hotel’s assistance went beyond providing a venue, it was a seamless blend of hospitality, event management and creative support.

By Zanita Careem

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Farzana redefining power and purpose for women

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Farzana on celebrating women’s strength

Farzana Baduel stands as a powerful voice in global communication and a passionate advocate for women’s empowerment making her perspective especially relevant on International Women’s Day. As CEO of Curzon PR,in UK she has built a career defined by influence, resilience and purpose championing the advancement of women’s leadership.

(Q) How would you describe the role of women in the UK today and how does it compare to women’s role in Sri Lanka?

(A) Women in the UK today hold positions of real influence across politics, business, media, academia and the creative industries. There are strong legal protections around equality and conversations about gender parity have become mainstream. But equality in law does not always translate to equality in lived experience, particularly when it comes to pay gaps, the weight of childcare, and who actually occupies the most senior positions.

Sri Lanka presents a genuinely fascinating paradox. It elected the world’s first female Prime Minister in 1960, yet many women still face structural and cultural constraints, especially outside urban centres. What strikes me about Sri Lankan women is their extraordinary resilience and entrepreneurial spirit, often demonstrated within more traditional frameworks. That combination of ambition and adaptability is something I find deeply impressive.

Both countries are progressing. But both still have considerable work to do.

(Q) Are there areas where UK women face challenges that Sri Lankan women may not, or vice versa?

(A) In the UK, one of the most persistent challenges is what I would describe as the double burden: professional ambition sitting alongside disproportionate domestic responsibility. There is also the very modern pressure of digital culture, the weight of image, comparison, online abuse and public scrutiny that affects women in ways men rarely experience to the same degree.

In Sri Lanka, the challenges tend to be more structural. Economic instability, limited access to opportunity in rural areas, and in some cases stronger social conservatism around gender roles all shape what is possible for women. And yet extended family networks in Sri Lanka can offer something many women in the UK genuinely lack: built in childcare, intergenerational support, a community that holds you.

The pressures differ. But the underlying theme is remarkably consistent. Women everywhere are negotiating expectations that men are simply not asked to meet.

(Q) How do you define what it means to be a woman today, and have there been moments where your gender shaped your opportunities or challenges?

(A) To me, being a woman today means navigating complexity with strength. It means holding ambition and empathy in the same space without apologising for either. It means being commercially sharp and emotionally intelligent. Above all, it means resilience.

There have certainly been moments in my career where being a woman changed the dynamic in a room, particularly in senior advisory spaces involving government or corporate leadership. Early on, I sometimes had to prove competence before being taken seriously. Over time I came to understand that credibility does not come from changing who you are. It comes from deep expertise and calm authority.

Gender shapes experience. But it does not have to define potential.

(Q) How can women lift each other up in workplaces, communities and society at large?

(A) By being genuinely generous with opportunity. Sponsorship matters far more than mentorship. It is powerful when senior women actively advocate for other women in rooms those women are not in. That kind of invisible advocacy changes careers.

By rejecting scarcity thinking. There is not only one seat at the table.

And by modelling integrity. When women support each other publicly and privately, it does not just help individuals. It changes workplace cultures entirely.

(Q) Do you believe women are getting enough representation in leadership roles? If not, what needs to change?

(A) Progress has been made. But representation at the very top, in boardrooms and in global political leadership, remains deeply uneven. And the solution is not simply about recruiting more women. It is about changing the systems they are recruited into: flexible leadership structures, normalised parental leave for both men and women, transparent promotion criteria, and zero tolerance for the kind of subtle bias that is so easy to dismiss but so corrosive over time.

Representation is not about optics. It is about influence. Those are not the same thing.

(Q) What societal expectations or stereotypes have you personally encountered as a woman?

(A) The most persistent one is the idea that women must choose between warmth and authority, that being decisive risks being labelled difficult. Men are rarely subjected to that framing. A decisive man is simply a leader.

There is also the expectation that women should balance everything effortlessly, as though the juggle should be invisible. The reality is that balance is dynamic, often imperfect, and occasionally held together by nothing more than determination and strong coffee.

(Q) What challenges do women face in accessing healthcare or support, and how can society improve this?

(A) Even in developed countries, women’s health is frequently under researched and under prioritised, particularly around reproductive health, menopause and mental health. This is not a niche issue. It affects half the population.

Improvement requires sustained investment in research, workplace policies that recognise women’s health realities, and a collective willingness to remove the stigma that still clings to these conversations. Health is not a private inconvenience. It is a public priority.

(Q) Do you feel women are encouraged enough to pursue their passions alongside family and work responsibilities?

(A) The encouragement exists in rhetoric. The practical support frequently does not. True encouragement requires structural foundation: affordable childcare, flexible working arrangements, and a cultural acceptance that ambition in women is not selfish. It is not something that requires justification.

Women should never feel they must apologise for aspiration.

(Q) How do media portrayals of women impact society’s perception of them?

(A) Media shapes norms in ways we often do not notice until we look back. When women are portrayed primarily through the lens of appearance, domestic roles or conflict narratives, it quietly narrows the public imagination about what leadership looks like.

When media platforms showcase women as thinkers, strategists, innovators and policymakers, something opens up, especially for young girls who are watching and deciding, consciously or not, what is possible for them. Representation shapes expectation. That is not a small thing.

(Q) What changes would you most like to see for women in the next decade?

(A) Economic parity, not just participation. Greater support for women entrepreneurs. More women shaping foreign policy and global governance. A healthier and kinder public discourse online.

But most importantly, I would like to see confidence. Young women growing up without internalised limits, without the quiet voice that tells them to take up less space. That, more than any policy change, is what transforms the next generation.

(Q) And finally, how do you define what it means to be a woman today?

(A) To be a woman today is to stand fully in your capability without shrinking for anyone’s comfort. It is to embrace both strength and compassion, not as opposites but as complements. It is to define yourself rather than accept the definitions others impose upon you.

And perhaps most importantly, it is to leave the path a little wider for the women who come after you.

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From Hanoi to Colombo: Women leading change across borders

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Ambassador of Vietnam in Colombo Trinh Thi Tam talks about women connecting across borders

Grace, resilience and quiet determination define the women of both Vietnam and Sri Lanka, two nations bound not only by rich cultural heritage, but by the enduring strength of their women. As the world marked International Women’s Day, the interview with the Vietnamese Ambassador in Sri Lanka offers a compelling lens into how tradition and modernity intervine to shape the lives of women across these societies Women in Vietnam and Sri Lanka continue to redifine their roles, balancing family, career and ambition with remarkable pause. While their journeys were shaped by distinct histories and cultural naunces there is a shared narrative of perseverance, adaptability and progress. In this interview the envoy reflects on these parallels and contrasts, offering insight into the evolving status of women. The challenges, they face and the inspiring strides being made towards equality.

Q How would you describe the role of women in Vietnam compared to Sri Lankan women?

A Women in Vietnam and Sri Lanka share many important similarities. In both societies, women are known for their diligence, resilience, and strong sense of responsibility toward family and community. Having experienced periods of war, conflict, and economic hardship, women in both countries deeply understand the values of sacrifice, solidarity, and perseverance. They often carry multiple roles at the same time—caregivers, income earners, and community supporters. In both countries, there has been an increasingly active participation of women in the workforce, including trade, manufacturing, SMEs, as well as in the leadership. It is meaningful to recognize these shared qualities that quietly but steadily contribute to social stability and national development.

Q From your personal experience, what defines a modern woman in your country?

A From my personal experience, a modern woman is someone who strives for balance rather than choosing between roles. She values education, independence, and self-development, while remaining deeply committed to her family and social responsibilities. She is confident, adaptable, and increasingly comfortable using technology and global networks. At the same time, she respects cultural values and traditions, selecting what is meaningful rather than rejecting them entirely. Modern women today are not defined only by career success, but by their ability to manage multiple responsibilities with empathy, resilience, and purpose.

Q Have you seen a significant change in women’s roles over the past decade?

A Yes, there have been noticeable and positive changes over the past decade. More women are pursuing higher education, entering diverse professional fields, and participating actively in economic and social life. Attitudes toward women’s leadership and decision-making roles have gradually improved, especially among younger generations. At the same time, women continue to shoulder major responsibilities within the family. This dual role has become more visible and more openly discussed. While challenges remain, the growing recognition of women’s contributions—both at work and at home—reflects a meaningful shift toward a more inclusive understanding of development.

Q Women in Vietnam are often visible in trade and entrepreneurship. How does this compare with Sri Lanka?

A Women in both Vietnam and Sri Lanka demonstrate a strong entrepreneurial spirit, particularly in trade, services, and family-based businesses. Many women engage in economic activities not only for personal ambition, but also to support their families and contribute to their communities. In both countries, women entrepreneurs are known for their adaptability, hard work, and practical approach to business. While the scale and sectors may differ, the underlying motivation and resilience are remarkably similar. With better access to finance, markets, and mentoring, women in both societies have great potential to further expand their entrepreneurial impact.

Q Do you think society equally values women’s economic contributions in both countries?

A Societal recognition of women’s economic contributions has improved, but full equality has not yet been achieved in either country. Women’s income is increasingly important for household stability, yet their unpaid care work often remains invisible. Professional success is respected, but women are still expected to prioritize family responsibilities. This creates pressure to constantly balance multiple roles. It is important to acknowledge that true equality means valuing both paid and unpaid work, and creating supportive environments that allow women to contribute economically without compromising their well-being or family life.

Q Vietnam has relatively strong female participation in governance. What drives this? Why is female representation still low in Sri Lanka?

A Both Vietnam and Sri Lanka recognize the importance of women’s participation in governance, and both have many capable women leaders. Differences in representation are largely shaped by institutional structures and political culture rather than women’s ability or commitment. Where supportive frameworks, mentoring, and clear pathways exist, women are more likely to enter public leadership.

In Sri Lanka, many talented women also serve their communities in different ways, though public roles can be more demanding to combine with family responsibilities. Creating more supportive and flexible pathways can help more women step forward and share their perspectives, enriching decision-making and social cohesion.

Q What are the most pressing issues women still face today?

A One of the most pressing challenges women face today is achieving a healthy balance between work, family responsibilities, and personal life. Women continue to carry a disproportionate share of caregiving and household duties, even when they are fully engaged in professional work. Gender inequality in wages, leadership opportunities, and decision-making persists. Social expectations often require women to excel in all areas simultaneously, creating emotional and physical strain. Addressing these issues requires not only policy support—such as childcare and flexible work—but also cultural change that encourages shared responsibility and mutual respect.

Q Do globalization and social media help accelerate gender equality?

A Globalization and social media can play a positive role in accelerating gender equality by expanding access to information, markets, and role models. They allow women to connect, learn, and express their voices beyond traditional boundaries. Many women entrepreneurs and professionals have benefited from digital platforms. However, these tools also bring challenges, including online harassment and unrealistic social pressures. Their impact depends on how responsibly they are used and supported. When combined with education, digital literacy, and safeguards, globalization and social media can become powerful tools for women’s empowerment.

Q How do you see the future of women evolving in the next 10 years?

A Over the next decade, I expect women to play an even more visible role in leadership, entrepreneurship, and innovation. Flexible work models and digital technologies will help more women participate in the economy while managing family responsibilities. Younger generations are already embracing more balanced views on gender roles and shared caregiving. While challenges will remain, especially in achieving true equality, the overall direction is positive. With sustained support from institutions, families, and society, women’s contributions will continue to shape more inclusive and resilient communities.

Q What can Sri Lanka learn from Vietnam in terms of empowering women economically?

A Sri Lanka can draw useful lessons from Vietnam’s emphasis on integrating women into value chains, supporting small businesses, and linking skills training with market access. Practical support—such as simplified procedures, access to finance, and business networks—helps women move from informal activities to sustainable enterprises. Equally important is recognizing women’s economic roles publicly and socially. Empowerment is most effective when economic opportunity is combined with family support and social respect. These shared principles are especially meaningful and highlight when celebrated International Women’s Day on 8 March.

By Zanita Careem

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