Foreign News
Child damages €50m Rothko painting in Dutch museum
A child has damaged a painting worth millions of pounds by the American artist Mark Rothko at a museum in Rotterdam.
A spokesperson for the Museum Boijmans Van Beuningen said it was considering the “next steps” for the treatment of Rothko’s Grey, Orange on Maroon, No. 8.
The damage occurred during an “unguarded moment”, a museum spokesperson told the Dutch media outlet Algemeen Dagblad (AD) last week.
A spokesperson for the museum told the BBC the damage was “superficial”, adding: “Small scratches are visible in the unvarnished paint layer in the lower part of the painting”.
The abstract painting is estimated to be worth up to €50m (£42.5m), according to newspaper AD.
“Conservation expertise has been sought in the Netherlands and abroad. We are currently researching the next steps for the treatment of the painting”, the museum spokesperson told the BBC.
“We expect that the work will be able to be shown again in the future,” they added.
Sophie McAloone, the conservation manager at the Fine Art Restoration Company, said that “modern unvarnished” paintings like Rothko’s Grey, Orange on Maroon, No. 8 are “particularly susceptible to damage”.
This is “owing to a combination of their complex modern materials, lack of a traditional coating layer, and intensity of flat colour fields, which make even the smallest areas of damage instantly perceptible,” she said.
“In this case, scratching of the upper paint layers can have a significant impact on the viewing experience of the piece,” Ms McAloone said.
The Rothko painting was hanging in the museum’s Depot – a publicly accessible storage facility beside the main museum – as part of an exhibition displaying a selection of “public favourites” from the gallery’s collection.
Jonny Helm, a marketing manager at the art restoration service Plowden & Smith, said the incident had implications for UK institutions such as V&A East and the British Museum, which are considering “opening up the display of things that would otherwise be obscured in archives.”
“How will this event affect other UK institutions who are opening up their archives in the same way?” Mr Helm said.
Restoring a Rothko painting is a difficult task because “Rothko’s mixture of pigments and resins and glues were quite complex”, Mr Helm said.
He said the fact the painting is unvarnished – meaning it is “open to the environment” – will pose an additional challenge to conservators.
Conservators working to restore the painting will now likely be in the process of documenting the extent of the damage and researching “historic successful treatments” of Rothko paintings.
“Rothko works seem to have terrible luck – this isn’t the first damaged Rothko we’ve heard about,” Mr Helm said.
Rothko’s 1958 work, Black on Maroon, was deliberately vandalised by Wlodzimier Umanjec at London’s Tate Modern gallery in October 2012. Umaniec was sent to prison for two years and subsequently apologised for his actions.
During his trial, prosecuting barrister Gregor McKinley said the cost of repairing the work would be about £200,000. It took conservators 18 months to repair the painting.

Rachel Myrtle, Head of Specie and Fine Arts at Aon, a company that offers insurance broking to its clients, said fine art insurance policies typically cover “all risks associated with physical loss and damage to artwork”.
This includes “accidental damage caused by children or visitors, albeit with certain exclusions”, she said.
She said that when an artwork is damaged, a gallery’s insurer will appoint a specialist fine art loss adjuster to visit the museum.
The loss adjustor typically “reviews the damage to the artwork, examines any CCTV footage to determine the exact cause of the loss, and assesses conservation options”, Ms Myrtle said.
The museum did not comment on who will be held liable for the damage to the 1960 painting, which the gallery reportedly bought in the 1970s.
The Museum Boijmans Van Beuningen has previously billed visitors who have caused damage to artworks on display.
In 2011, the museum asked an unsuspecting tourist who stepped on Wim T. Schippers’ peanut butter floor artwork, called Pindakaasvloer, to pay for repairs to the work. Sharon Cohen, a spokesperson for the museum at the time, wax quoted by AD as saying “It is normal procedure for people to pay if they damage art.”
The Rothko painting is described by the museum as an example of colour field painting, a term used to describe art characterised by large blocks of flat, solid colour spread across a canvas.
Rothko’s Grey, Orange on Maroon, No. 8 painting is one of several works of modern art that have been damaged in the Netherlands in recent years.
In November 2024, multiple screen prints by the US pop artist Andy Warhol were damaged by thieves during an attempted robbery of the MPV art gallery in the town of Oisterwijk.
In another incident, a Dutch town hall admitted it most likely disposed of 46 artworks by accident – including an Andy Warhol print of the former Dutch queen – during renovation works last year.
Museums have different policies when responding to damage caused by children.
In August last year, a four year old boy accidentally smashed a 3,500 year old jar into pieces at the Hecht Museum in Israel. At the time, Hecht Museum worker Lihi Laszlo told the BBC the museum would not treat the incident “with severity” because “the jar was accidentally damaged by a young child”.
The family were invited back to the exhibition for an organised tour shortly after the incident occurred.
[BBC]
Foreign News
Human rights court orders reparations for forced sterilization case in Peru
The Inter-American Court of Human Rights (IACHR) has ordered Peru to pay reparations to the family of Celia Ramos, a mother of three whose death resulted from a campaign of forced sterilizations during the 1990s.
Thursday’s landmark ruling stated that the 34-year-old Ramos was coerced into sterilization against her will, causing an allergic reaction that led to her death.
The court ordered Peru to pay her family $340,000 as part of the ruling.
It noted that the Peruvian government had “failed to fulfill its obligation to initiate and conduct a thorough investigation” into Ramos’s case, heightening the strain on her family.
“Ms Ramos Durand’s family members — especially her three daughters, who were children at the time of the events — suffered profound harm as a consequence of the sterilization and death of Celia Edith Ramos Durand and the impunity surrounding the case,” the IACHR wrote in its decision.
Peru’s campaign of forced sterilization took place under the late President Alberto Fujimori, whose tenure included widespread human rights abuses that continue to cast a shadow over the country.
The scheme largely targeted poor and Indigenous women who were often tricked or coerced into sterilisation procedures.
This week’s ruling is the first time the human rights court has weighed in on the issue, which has been the subject of years of legal contestation in Peru.
“After almost 30 years of searching for justice, the Inter-American Court of Human Rights recognised the responsibility of the Peruvian state in the forced sterilization and death of Celia Ramos,” the Peruvian feminist organisation DEMUS said in a social media post, celebrating the ruling.
“This ruling marks a fundamental step in reparations for Celia, her family and the thousands of victims of forced sterilizations in Peru.”
As many as 314,000 women and 24,000 men were sterilized against their will in Peru under Fujimori’s government, which sought to forcibly lower the birth rate as a means of addressing poverty.
The procedures were particularly invasive for the women involved, and some suffered long-term complications, including death.
Family members often received little information about the circumstances that led to loved ones dying after the unnecessary operations. Some survivors did not realise what had happened to them until years later, when they discovered they were unable to have children.
In Ramos’s case, the 34-year-old mother had gone to a state health clinic for medical assistance on July 3, 1997, but was instead forced to undergo tubal ligation.
Ramos, however, suffered a severe allergic reaction during the procedure. She was placed in a recovery room, but the clinic was not able to treat her adequately.
In its decision, the IACHR explained that the clinic “lacked the necessary equipment and medications for adequate risk assessment or to handle emergencies”.
Ramos was ultimately transferred to an intensive care unit in the city of Piura, where she died 19 days later, on July 22, 1997.
The state did not carry out an autopsy and declined to share details with her family.
The compensation outlined in this week’s ruling includes reimbursement for the costs of medical procedures conducted to save Ramos’s life and the estimated loss of income from her death.
In October 2024, the Committee on the Elimination of Discrimination against Women at the United Nations ruled that Peru’s sterilization programme amounted to sex-based violence and discrimination against poor, rural and Indigenous women.
The committee’s statement cited a lack of adequate medical facilities and a lack of informed consent, just as the IACHR did in its decision this week.
“The victims described a consistent pattern of being coerced, pressured, or deceived into undergoing sterilizations at clinics lacking proper infrastructure or trained personnel,” committee member Leticia Bonifaz said.
“The procedures were carried out without informed consent from these victims, with some of them, especially those from remote areas, unable to read and speak Spanish, or fully understand the nature of the procedure.”
Scholars have concluded that Fujimori’s sterilization campaign was driven, in part, by racist views among government officials who saw rural, Indigenous communities as an obstacle to economic modernisation.
[Aljazeera]
Foreign News
Cost to US for war on Iran is $3.7bn in first 100 hours, says think tank
The United States-Israeli war on Iran is estimated to have cost Washington $3.7bn so far in its first 100 hours alone, or nearly $900m a day, driven largely by the huge expenditure of munitions, according to new research.
An analysis by Washington-based think tank the Center for Strategic and International Studies (CSIS) underlined the colossal cost of the war, which entered its seventh day on Friday, as the US attacks Iran with stealth bombers and advanced weapons systems.
Researchers Mark Cancian and Chris Park said only a small amount of the estimated $3.7bn cost of the war in the first 100 hours – or $891.4m each day – was already budgeted for, while most of the costs – $3.5bn – were not.
That meant the Pentagon would likely need to request more funding soon to cover the unbudgeted costs, they said, which was likely to prove a political challenge for the Trump administration and provide “a focal point for opposition to the war,” they said.
Domestic cost-of-living concerns, inflation, and now a knock-on effect of rising gas prices due to the conflict are likely to further diminish support among US citizens for the war. It is also dividing Trump’s “America First” base, which he had promised in his presidential campaigns to not enter “foreign wars”.
Noting that the US Department of Defense had released limited specifics on its operations, the researchers said their analysis drew on Congressional Budget Office (CBO) estimates of the operations and support costs for each unit, adjusting for inflation and unit size, and adding 10 percent for costs of “a higher operational tempo”.
Their analysis said the US had expended more than 2,000 munitions of various types in the first 100 hours of the war, and estimated it would cost $3.1bn to replenish the munitions inventory on a like-for-like basis, with the costs increasing by $758.1m a day.
(Aljazeera)
Foreign News
Britney Spears arrested on suspicion of driving under the influence
Britney Spears has been arrested in California under suspicion of driving under the influence.
The singer was detained by California Highway Patrol at around 21:30 local time (05:30 GMT) on Wednesday. A representative for her told the BBC: “This was an unfortunate incident that is completely inexcusable.”
She was released in the early hours of Thursday morning and is due to appear at Ventura County Superior Court on 4 May.
The reason for the singer’s arrest was confirmed to CBS, the BBC’s US partner, by the Ventura County Sheriff’s Office in southern California.
Spears’ representative told the BBC: “Britney is going to take the right steps and comply with the law and hopefully this can be the first step in long overdue change that needs to occur in Britney’s life.
“Hopefully, she can get the help and support she needs during this difficult time.
“Her boys are going to be spending time with her. Her loved ones are going to come up with an overdue needed plan to set her up for success for well being.”
The pop star appeared to have deleted her Instagram account on Thursday as news of her arrest broke.
Spears is one of the most successful pop stars ever, with hits such as Baby One More Time, Toxic, Everytime, Gimme More, Womanizer, and Stronger.
The singer said in January 2024 that she would “never return to the music industry”. Her last song was a duet with Elton John in 2022.
However, in a since-deleted social media post from earlier this year, Spears indicated that, although she would not perform in the US again, she was hoping to play live in the UK and Australia in the near future.
For 13 years until 2021, Spears was in a conservatorship – a legal guardianship that saw her finances and personal life controlled by her father.
The singer published her memoir in 2023 titled The Woman in Me, which saw her reflect on her career and detail her struggles living under the conservatorship.
Her ex-husband, Kevin Federline, released his own memoir, You Thought You Knew, at the end of 2025.
[BBC]
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