It is the women’s wardrobe staple that always manages to capture the spirit of the times. Katya Foreman from BBC examines the enduring appeal of the Little Black Dress.
The little black dress, that Christmas party staple, is a bit of an enigma. It is both one of the blandest elements of a woman’s wardrobe – as the default option when stuck for what to wear for an occasion – and a stubbornly timeless, persistently revisited icon. Essentially a simple black cocktail dress, the garment goes by the affectionate nickname of LBD, which has its own entry in the dictionary.
According to André Leon Talley, a contributing editor at Vogue who recently staged an exhibition dedicated to the LBD, the term ‘little black dress’ first appeared in 1926, in an American Vogue illustration of Coco Chanel’s first black ‘Ford’. Vogue editors had named the dress after the era’s democratic black Model T automobile, predicting that the straight, long-sleeved design in unlined crèpe de chine accented with four diagonal stripes would “become sort of a uniform for all women of taste.” They were spot on.
The garment cut a radically modern figure, as much for its stark design as its sober shade, which since the Victorian era had been associated with mourning. For Chanel, black was the definition of simple elegance and, ever disregarding of conventions, she helped bring the colour into everyday wear. Among the displeased, rival couturier Paul Poiret is said to have sniped at Chanel in the street, “What are you in mourning for, Mademoiselle?” The equally scissor-tongued designer is said to have retorted: “For you, dear Monsieur.”
Frock and awe
To put it in context, three decades earlier, John Singer Sargent’s portrait of Madame Gautreau, better known as Madame X, in a black dress had provoked outrage in Paris. The jet-black look, with its skimpy straps and plunging décolleté, was considered indecent. “Displayed in the huge jury-selected exhibition, the Salon, in 1884, it horrified Parisians so much that the ignominy drove Sargent across the Channel to take refuge in Britain,” wrote the Guardian’s Jonathan Jones..
“In this case it wasn’t anything about the style, or the flash of naked shoulders, that upset a public used to ‘modern nudes’. It wasn’t the morbid paleness of the New Orleans-born high society personage Madame Pierre Gautreau… or even the impressionistic way in which Sargent, a friend of Monet, rejects the crispness of academic naturalism. No, it was the dress that caused distress.”
Fellow independent style maven, Wallis Simpson, the Duchess of Windsor, who owned several LBDs, once said of the versatile garment: “When a little black dress is right, there is nothing else to wear in its place.” And, swiftly embraced as a staple of French elegance in the 20s, the shape-shifting LBD nearly 90 years on is still going strong, with a family of icons still fuelling its myth. Notably, there is something about the slim sleeveless black dress worn by Audrey Hepburn in Breakfast at Tiffany’s that continues to mesmerise generations. Accessorised with black elbow gloves, a pearl choker, dark glasses and a cigarette holder, on Hepburn the gown transcended the sum of its parts.
“I am absolutely dumbfounded to believe that a piece of cloth which belonged to such a magical actress will now enable me to buy bricks and cement to put the most destitute children in the world into schools,” a tearful Dominique Lapierre told BBC News after auctioning off the dress for charity at Christie’s London in 2006, for £467,200 ($765,000) to an anonymous telephone bidder. Lapierre, a French writer and philanthropist, had been given the dress by its maker, French couturier Hubert de Givenchy. According to Christie’s, a second version of the dress remains in the Givenchy archives in Paris, while a third is in the Museum of Costume in Madrid.
Stitches in time
Deceptively simple, the LBD, with its morphing silhouettes and features, can be seen as a marker of shifting social codes. The va-va-voom black Versace safety pin dress worn by Elizabeth Hurley to the 1994 premiere of the film Four Weddings and a Funeral, for instance, encapsulated an era, as did Catherine Deneuve’s prim LBD by Yves Saint Laurent in Belle de Jour (1967), with its white silk French cuffs and collar.
“The little black dress has managed to adapt to all of the socio-political changes,” vintage specialist Didier Ludot has noted. He has been championing the cause since 1999, the year in which he created his line, La Petite Robe Noire, with a dedicated store in Paris’s Palais Royal. And designer Miuccia Prada, quoted in Talley’s aforementioned book said: “To me, designing a little black dress is trying to express in a simple, banal object, a great complexity about women, aesthetics, and current times.”
From the wearer’s stance, nothing is more flattering and versatile than the LBD. Offering new personalities in the tweaking of a neckline or sleeve length, it smoothes contours, serving as an inky frame to exposed areas of flesh. All lines and shadows, the LBD is an ally to curves. To Ludot it is “an iconic, magical garment as it enhances a woman’s features and erases imperfections”.
As the epitome of the blank canvas, the LBD has become a rite of passage for generations of designers, and a fixation for some, such as cult couturier Azzedine Alaia, whose roots lie in architecture. “The little black dress is interesting to designers because it is a wardrobe classic that we can experiment with and twist. The cut and the volume form the foundations, with the fabric bringing it to life. It’s a real creative exercise,” commented French couturier Alexis Mabille who was among five designers tapped by French lifestyle chain Monoprix to design a little black dress for this Christmas season, along with Giles Deacon, Hussein Chalayan, Anne-Valérie Hash and Yiqing Yin. Suited to all types, the affordable capsule, which premiered at the style emporium Colette in late November, once again reflects the codes of the black Ford Model T. From Hash’s split-personality design, which melds two styles of dress in one piece, to Deacon’s black satin t-shirt style with an oversized satin bow at the neckline, each offers a new take on a perennial wardrobe classic whose capacity for reinvention seems inexhaustible.– BBC
The Boss Up Story
Boss Up isn’t merely a brand name. It’s a manifestation of resilience and inner power in the form of a branding and social media marketing agency. Hafsa Killru, the Founder of Boss Up has a personal story and determination to ‘boss up’ that propelled her to launch her own venture to empower entrepreneurship, especially among small businesses.
The environment one grows up in has a remarkable effect on a young child’s mind. Watching two strong women in the family redefine the role of feminine power, a young Hafsa grew up ambitious too. Although brimming with the desire to create a change, her childhood was fraught with challenges that plague many children today – bullying. She was subject to severe bullying since the tender age of 10 at her places of education, which affected both her mental and physical health.
“I never fit in anywhere. I was never welcome among the cliques. But I didn’t let it affect my confidence. Keeping my circle small helped me stay focused on my studies. I’d spend this time alone in school libraries, often reading encyclopedias,” says Hafsa. “The bullying worsened in my teenage years. I was lonely but it worked out in my favour because I was never, and still not, someone who worries about ‘what will others say’ — a key obstacle in many people’s lives. Not having many friends meant I was not under peer pressure. This allowed me to be my authentic self.”
Hafsa’s writing career began quite unexpectedly when she was 17. Not only is she a content writer but also a poet who writes evocatively about mental health, healing and empowerment. But this didn’t come by easily either.
During her higher studies, those she considered to be her friends tried to crush her growth mindset, which eventually took a toll on her. It was only when she managed to remove herself from such environments did she become more self-aware and regain her confidence, thanks to the solitude it brought into her life.Yet again, a new set of obstacles awaited her in her early 20s. In 2019, she was turned down by over 20 companies within three months alone, which led to deep frustration and self-doubt. Although she had freelancing opportunities, the lockdown only added to her troubles.
But that’s when something clicked into place – an idea so obvious, so big and so right for her that Hafsa knew it was what all these adversities were pushing her towards. She realised the lockdown was putting undue pressure on businesses and it needed a solution. Especially small businesses were struggling to go online and create a sustainable brand, and that too at an affordable rate. How could they compete with incumbent brands with massive budgets and breakthrough technologies? She sought to give them the edge they needed and thus, Boss Up was born in October 2020.
“Inviting change, taking charge of the situation and choosing to do something on my own has to be, although scary, the most liberating decision I have ever made,” admits Hafsa. “The lockdown wasn’t the time for businesses to go silent. They needed business and marketing solutions that would help them overcome the situation.”
In today’s contemporary business world, a business of any size will only be running a losing race if it hasn’t developed a strong social media presence or a clear brand strategy. Hence, Boss Up ensures equal opportunities are given to entrepreneurs from all walks of life.
One and a half years into the business, Boss up is now global with its wings spread across countries like the UK, Canada, Dubai, Qatar, the Maldives and Australia, and is backed by a strong team of young and passionate minds.
Boss Up’s primary goal is to uplift entrepreneurs. The brand is also a strong advocate for inner power, confidence and resilience — the three main driving forces of ambition. It intends to help people who hail from struggling backgrounds; the ones who are inundated with a lack of support, seek self-sufficiency and are hungry to design a unique identity for themselves.The brand also strives to treat everyone at work with compassion and empathy whilst leading with kindness as it is crucial to reform work cultures that are hazardous to oneself.
Reach out to HAfsa via Instagram @hafsa_killru @bossup_srilanka or email email@example.com.
The Switch of Trend in Fashion After the Pandemic 2022
There has been an immense change in the Industry of Fashion after the pandemic struck us all hard. Currently, the trends of fashion have also taken a big turn towards affordable fashion trending styles and outfits. The Fashion boom has grown to become steadily slow for the seasonal styles and basic needs of clothing as well.
The current scenario of fashion life is always at a peak, and even after the Covid-19 pandemic, we have still seen slow growth in the need for fashion. There are of course certain aspects that have affected the industry and declined surplus. However, fashion and clothing have become a BASIC need for humans across the globe.
From shopping high-end couture to higher brand apparel, the trend has shifted to move on to sustainable clothing and organic clothing pieces. For example, we have become more aware of locally produced clothing brands and organic fabrics of our country. Made in India clothing and brands are emerging at a higher graph.Let’s take a look at the Current Change in Fashion Trends due to Pandemic 2022
Sustainable Outfits After the Pandemic
This is something most have been finding a basic need in clothing. Spending over and over again on the same kinds of clothing has and will reduce in the future. Buying clothing and fashion pieces that last for longer is the key to saving more than before. Buying pieces like basic Tees, Pants which may be styled over and over again is what the trend is shifting towards.
Budget Range of Fashion Brands are Accepted higher
Since the ban of Rowme and Shein-like brands and online websites in India, other national brands have started to make affordable fashion pieces for their customers. Styles and trends of fashion in the budget are what the people will be looking out for since the economic growth of people has dropped. Investing in fashion will never end until there will be a supply, the only difference is the budget range brands have a huge change of acceptance now since the pandemic.
Change of Styles worn to Work or Office Fashion after the Pandemic
Since the depression, people may have just stopped feeling happier may want to take the effort to dress like before. Styles of fashion in a simple and classy fashion will emerge largely than before. Choosing Plains or Solids overprints and pattern or neutrals over new trending colors and the print patterns is being seen for workwear fashion.
Change of Trends and Styles for Indian Festival Wear after the Pandemic
In the same way as the above point mentions, dressing special occasions will take a shift. Looking at the financial conditions currently, customers will be buying lesser for Festive wear than before. Styling the same pieces with a change of new additions of budget festive wear will be trending. Sarees and salwar suits in silks, choosing cotton, and linen kurta sets over the designer trends are to be seen this year during Indian festivals.
Choosing Budget Wedding Wear Over Designer Wedding Wear
When it comes to weddings, the cost goes to the highest for any customer. But the pandemic has changed how weddings will be taking place. The cost of weddings has declined drastically and shopping for Indian weddings has grown to choose mid-range wedding wear over high-end designer wear. Saving more during weddings, styles of lehengas, sarees, shalwar suits, or sherwanis for weddings that are in mid-range is a new trend.
From styling men’s kurta suits styles for the basic function of weddings to choosing classic or budget range sarees and suits for the bride’s ceremonies will take up a new fashion trend look. Making a choice of ONE heavy wear Lehenga and Sherwani may be what the soon-to-wed couples be looking for.Designer wear which can be restyled or reused and worn for other occasions and weddings is also a trend to grow rapidly. Saving much more for the bridal and groom’s outfit looks.
Shopping Online Increased for clothing after the Pandemic
The safer way to buy clothing has become a focus for all customers going towards online shopping. The percentage of online buyers has rapidly increased for clothes after the pandemic. From casual wear shopping online to fashion shopping for festivals and weddings, all have become much easier and more convenient for consumers.
Websites and businesses are working to grow even wider with Online Shopping. Connecting with customers personally for their shopping experiences to taking a new addition in budget clothing varieties for the customers is what’s taking place.
Online shopping has become a trend We have set an all-new trend for our customers It brings more trust and safety to customers. Shopping for wedding wear online only gets comfortable for all when sitting back home and shopping Fashion Shopping after the Pandemic via on-line shooping is what keeps all customers happier.
Captivating streetwear for today’s fashionable girls
The latest street fashion brand Girls by Dillys under the umbrella of Dilly’s was launched recently introducing trending new pieces to help girls carry the distinct personality and style to be the fashionable girl of today.
Girl by Dilly’s is a creative street fashion brand that focuses on vibrant colors, textures, and prints to bring out the youthful exuberance of today’s girls. The brand has emphasized on contrasting color combinations. The ethos of this brand is creativity and having fun. Girl by Dilly’s is dedicated to the free-spirited girls who have their own super powers and a bold attitude. Girls are encouraged to mix and create unique styles to introduce their own identity in a creative and playful way.
This brand is the new lifestyle for confident girls who love to enjoy freedom, youth and individuality. The brand has different style combinations from casual to evening wear to make the overall look fashionable and completely their own. The brand tagline ‘All about a Girl’ is a reminder to every girl that she is unique and beautiful.
To ensure glam and comfort, all Girl by Dilly’s products are crafted using quality fabrics and technical know-how. The brand offers a wide range of stylish ready-to-wear pieces, from tops, skirts, pants, shorts, dresses, rompers, jump suits, crop tops, and t-shirts. The brand has introduced batik into the collection with a fabulous finishing touch to elevate its signature styles. The brand is also introducing a comfortable t-shirt collection with inspirational slogans and line art to share a positive message with society.
Dilani Wijeyesekera – Director of Girl by Dilly’s stated, “We became aware of a notable gap in today’s market for fashionable streetwear clothing for girls. Today’s new generation of girls have a different youthful energy about them. They are fun, bold, carefree and energetic and they want the whole world to see that. Girl by Dilly’s is perfect for such girls as it helps them find their own identity through our collection of vibrant colours and creative styles that they can mix and match to come up with eye-catching outfits. Every piece of Girl by Dilly’s has the look and feel of fun and vibrancy.”
With the launch, Girl by Dilly’s is providing an introductory offer to all loyalty customers where they can avail themselves to a 15% discount on all products until 7th August 2022, both on online and at the flagship store. A selection of special giveaways has also been lined up in the coming weeks for all social media followers.
For the latest Girl by Dilly’s updates and new releases, follow them on Facebook, Instagram, and TikTok using @dillyandcarlo. The latest Girl by Dilly’s collections are available at the Flagship Store on the website www.dillyandcarlo.com.
Dilly’s was established in 1987 to cater to Colombo’s desire for high-end designer wear with a local twist. As the company grew, Dilly’s introduced its second brand to the market, this time to cater to menswear. Carlo was established in 2007 and exemplified stylish men’s clothing for all ages. The brand is housing its distinct designer ranges to cater to the entire wardrobe requirement of modern men and women.
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