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Story of two friends

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Play by Jack Heifner

by Dinali Fernando

‘Play by Jack Heifner (Performed by Clutch Plays Theatre) Jack Heifner’s Boys Play, a little known play by a little known American playwright (at least to many of us), came to life under pandemic conditions recently.

Set in an unnamed American town in the middle of the 20th century, it is the story of two friends, 16 year old Tom and Joe, who decide to camp in the clearing of a swampy jungle. Tom (Heshal Peiris) is the all-American football hero, butch, brazen but hurting inside, contrasting with the smaller, sensitive, and the really more gutsy and reflective Joe (Mohammed Nismeth). 

They talk through the night, grappling with complicated issues of growing up, with a mix of bravado, raw emotion, tenderness and sexual tension, each one facing, in his own way, the prospect of an unknown adulthood. The complications of Tom’s young life unfold in emotionally charged outbursts, Joe the perfect counterpoint and the dramatic foil. The possibility of physical violence, even sexual violence, is ever present. The conversation is poignant, and at times even predictable, until their yearnings merge with the surreal myths of the jungle swamp into the future of the surprise ending. 

All this takes place in the atmospheric setting of a modern meda midula of a suburban house,  with a tiny audience of 20 seated on three sides of this architectural clearing.  The carefully observed pandemic regulations lent to the atmosphere. We were masked voyeurs, silent and complicit in our indifference to the universal vulnerability of youth, but at only two rows deep, close enough to feel some of that raw emotion.

The dialogue was earthy, realistic, and the two young actors handled their roles with easy confidence, holding our attention for nearly an hour. Physical movements were deft, but silences and pauses could have been better exploited, especially in some of the tense moments of the play (one felt like shouting “slow down!” a couple of times, like a backseat driver). But all in all, this slick, minimalist production – no maudlin background music, thank goodness – that I saw almost by chance on the second day (often the best day) of a four-day run was an unexpectedly pleasant theatrical experience.  It is a promising start for a new theatre company in the middle of a pandemic, when the theatres remain closed, and theatre-goers have been rather starved of non-virtual entertainment.  I hope director Mayaan Haputantri and his group will visit a few more meda midulas with this play, and I am cautiously excited about what they will do next.

Boys Play by Jack Heifner was performed privately by Clutch Plays Theatre last month. Directed by Mayan Haputantri. 

Cast:

Tom – Heshal Peiris

Joe – Mohammed Nismath 

Director – Mayaan Haputantri 

Assistant Director – Rivi Wijesekera

Company: Clutch Plays Theatre 

\President – Mayaan Haputantri 

Secretary – Saranie Wijesinghe 

Treasurer – Ashiq Dole

Vice-President – Pravin Jayasundere

 

 

 



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Features

Her Majesty The Queen, A Style Legacy

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The familiarity of the hats, the quietly diplomatic choice of brooch, the shocks of colour and the sensible worn-in shoes will remain bastions of the 20th and 21st century style With the close of the modern Elizabethan era, legacy is a word that is reverberating strongly following the news of Her Majesty Queen Elizabeth’s death. She was 96-years-old.

As the role of the monarchy shifted during her 70-year reign, and the entire understanding of its existence was increasingly questioned, Her Majesty remained a popular, recognisable figure of quintessential Britishness. For those of us that have known no other British monarch, we are left with a legacy that will be marked by her inescapable sense of duty to the Crown and country, but also a decidedly strong sense of self and identity that feels singular in a world of chameleonic idols and a quickening trend cycle.

Few before, and likely few after, will have spent as long as a recognisable figure in the public eye, with such a reaching global impact. Like the tone of her reign, Her Majesty’s sartorial approach was informed by a quiet confidence and an assured concept of self that prized personal style over trends and fads. Sure, she might not have had the glamorous allure of a Hollywood star or the subversive ability to shift our notion of dress like others have done, but Her Majesty’s legacy will be a fashion journey that proves a lesson in unwavering integrity of identity.

The Queen’s fashion legacy will also be marked by a savvy, often understated, means of communicating with her people, which dates back to her coming of age in a post-war Britain. Married at Westminster Abbey in November 1947, her wedding dress was assembled using duchess satin bought with ration vouchers. Of course, unlike her peers, it was Norman Hartnell that designed the 13-foot gown, but the message of her purchasing her fabric through this ‘just like us’ nature was one of kinsmanship not lost on a recovering Britain.

Throughout her reign, other fashion choices have needed to be more diplomatic and significant in message. Arriving in Ireland in 2011, the first British monarch to do so in 100 years, the Queen wore a very specific shade of green. Not too emerald, not too bold, it was a careful choice that didn’t assume Her Majesty to be reclaiming Ireland, but instead proved a sensitive homage in the landmark moment.

Other sartorial decisions had a more sentimental attachment. Consider her brooch for the Duke and Duchess of Cambridge’s 2011 nuptials. From amongst her wealth of heritage jewels she chose The True Lover’s Knot, the largest in her hefty collection. Its sweet bow-like design was an emblem of the day’s significance in her life as a proud grandmother and for the line of succession.

Brooches, like dress suits, brimmed hats, patent pumps and top-handle Launer handbags, are amongst the pieces that made up Her Majesty’s uniform-like approach to her on-duty wardrobe. A dedicated Monarch, who always placed service first and foremost, it made sense that she treated her approach to dress with such regimented formula. It must also be noted how traditionally feminine these pieces are. The message she sent to the commonwealth and the wider world was one of feminine strength, never intimidated by the meetings of senior dignitaries her diary scheduled or falling victim to needing to dress to ‘keep up with the boys.’

In a more contemporary time, the Queen’s style legacy has impacted nowhere more than in the wardrobes of her family members. As protocol dictates, her tiaras and jewellery have often been borrowed by the family members for wedding days or state affairs, with Princess Beatrice even opting for one of granny’s dresses for her 2020 nuptials, but Her Majesty’s influence extended to the day-to-day too.

Look to the wardrobes of Duchesses Cambridge and Sussex and you’ll notice the Queen’s approach to colour permeating. A long-time fashion tool employed by Her Majesty, it has proven particularly useful in ensuring that royals can be spotted by those even at the farthest end of the waiting crowds. It’s clear to see that Catherine and Meghan have taken note.

The overarching message that the Queen’s wardrobe told was one of a quieter, more subtle influence. It’s long been clear that Her Majesty, who was most happy in her headscarf, Barbour and kilt in the countryside, was never as fussed about the flashier side of royal privilege as perhaps her sister, the Dior-wearing Princess Margaret, was.

For the last 20 years, Angela Kelly has been at the helm of the Queen’s wardrobe, becoming a close confidante of Her Majesty’s in the process. Yet, you couldn’t ever have imagined the pair conspiring — to use a modern glam squad term — to create a ‘moment’ throughout their time working together. As she entered her latter years, the formula that worked didn’t flinch apart from moving through the rainbow. But that’s not to say Her Majesty didn’t have fun with her wardrobe.

With what was arguably the world’s greatest dressing-up box at her disposal, there were flashes of experimentation and brilliance that hinted at a bolder experimentation. Think harlequin sequins, floral turbans or diaphanous candy pink gowns and fur stoles paired with dazzling diadems and parures. But the greatest smiles and moments of clear sartorial satisfaction were when Her Majesty was buttoned up in her cardigans, her signature neat perm wrapped in an Hermes scarf and heading out into the Highlands.

Though fashion is quick to praise reincarnation, Her Majesty will be celebrated for her opposite approach. The familiarity of the hats, the quietly diplomatic choice of brooch, the shocks of colour and the sensible worn-in shoes will remain bastions of the 20th and 21st century in style, no matter what else moved quicker or louder around it. The phrase style icon is too often touted or wasted on those that have spent little more than 18 months in the public eye, but, when it comes to Her Majesty The Queen, here is a chance to use it for all its worth. – Elle Mag

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Features

Mexico’s DJs make waves in Colombo

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Leading DJs from Mexico who have entertained crowds across Europe, North and South America, Marisol and Ivonne Grajales were touring Sri Lanka recently, storming some of Colombo’s most happening venues. The sisters, who have spun their vibrant sounds to full houses and performed at epic DJ sets across the world including the USA, Brazil, Honduras, Ecuador, Germany and Spain; kept the Sri Lankan party set grooving at some of the most exciting night spots in town over the last two weeks.

Marisol is ranked seventh as a DJane in Mexico and 38th in North America, has a degree in music production and released 12 singles which are featured on Beatport and Traxsource.

They performed at venues around Colombo including at The Love Bar, Industri, Botanik, Kava, The Travelling Bruncher and the Flamingo Breeze Pool Party, the latter which has fast become a trendy, sought after monthly event. In addition, Marisol and Ivonne spun discs at the chilled-out Sunday Smooth Drunch. Both these events were at the poolside of Cinnamon Grand.

The DJ sisters performed at C VIBES with renowned Sri Lankan artistes – ACE, Clifford, TrevD, Binu, Madaid and Shan. C VIBES is an entertainment entity which curates and hosts events at popular venues in Colombo which includes a roster of international DJs and artistes performing at select venues and a number of exciting party additions which promise great revelry and celebrations.

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Features

The future of shopping in Kandy

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Softlogic Holdings PLC launched its newest retail development – ‘ODEL Mall Kandy’, recently The 91,414 sq ft retail development is poised to be Kandy’s most sought-after state-of-the-art, premium lifestyle shopping destination situated at the heart of Sri Lanka’s hill capital.

Located at , Sirimavo Bandaranaike Mawatha, Peradeniya Road, Kandy, the retail development will house a premium collection of Softlogic’s most celebrated brands such as ODEL (the largest fashion retailer in Sri Lanka, that hosts an array of world renowned international fashion, jewellery, skincare and lifestyle brands); Baskin Robbins (the world’s largest chain of specialty ice cream operating over 5,000 parlours in 50+ countries); GLOMARK (Sri Lanka’s first inspirational global market which aims at revolutionising the country’s modern retail trade landscape; and POPEYES (one of the world’s leading fast-food chains)

The retail mall will in-turn launch two fast-popular brands, for the first time in Kandy – GLOMARK – which houses the widest selection of items sourced across the globe and uses the best of modern storage facilities, design and upgraded technology for a superlative consumer experience; and POPEYE’s – known for its signature slow cook method where fresh, locally sourced, chicken is marinated for 12 hours with a rich blend of proprietary seasoning and spices, and thereafter hand battered and breaded to produce chicken that is juicy on the inside while retaining a crispier crust on the outside, transporting customer taste buds to the wholesome goodness of Louisiana.

Commenting on the announcement, Chairman, Softlogic Holdings PLC – Ashok Pathirage stated: “We are pleased to announce the launch of ODEL Mall Kandy, which has been met with much excitement and support by the local community within Kandy and Kurunegala. Through the introduction of the mall, we look to enhance the retail and entertainment experiences available to both residents and tourists of this sacred and famous city.”

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