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Sci-fi action with deeper themes of racism and prejudice

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Screamfest Best Short Film – ‘Vikaari’

By Sajitha Prematunge

The Sri Lankan produced short film ‘Vikaari’ won the Best Short Film award at the 20th annual Screamfest Horror Film Festival held in Hollywood, California, from October 6 to 15. WatchWorthy went behind the scenes of ‘Vikaari’ with Co-Writer, Producer and Director Sandun Seneviratne.

Known as the Sundance of horror, Screamfest is the largest and longest running horror film festival in the United States. Considered one of the best genre festivals in the world, it entertains horror, sci-fi and thriller films and screenplays. Cult classics such as ‘The Grudge’ and ‘Paranormal Activity’ premiered at Screamfest. This year’s Screamfest was a drive-in affair, showcasing the works of 91 independent filmmakers in the course of its 10-day series, including 83 short film directors, 67 short film producers, 11 feature film directors, and 13 feature film producers. Top movies, filmmakers, actors and screenplays for the year 2020 were awarded during the festival’s closing night on Thursday, October 15.

‘Vikaari’ was the first ever Sri Lankan produced movie accepted for screening at the festival and the award was a pleasant bonus for Co-Writer, Producer and Director Sandun Seneviratne. It clinched the Best Short Film award, beating 62 other, mostly US and European short films. Sandun Seneviratne explained that although there are many festivals in the circuit, it’s difficult to get selected for screening at a top-rated festival, let alone win an award. “I consider it not just a personal achievement, but one for the country,” said Seneviratne. ‘Vikaari’ has been selected for screening at the Lund International Fantastic Film Festival, in Sweden, at the end of the month.

The story of ‘Vikaari’ was conceived some 20 years ago. “In fact it was my first script,” said Seneviratne. The screenplay was co-written with Charlie Bray, his classmate from London Film Academy, adapted to the current context. The duo attended London Film Academy from 2006 to 2009.

Seneviratne describes ‘Vikaari’ as not ‘horror’ per se, but a sci-fi action-drama. He admitted that sci-fi is his forte and most of his previous projects are also of the sci-fi action drama genre. He was exposed to science fiction at an early age, when he was introduced to the works of Sir Arthur C. Clarke in his father’s library. Other than Clarke, Seneviratne was inspired by Isaac Asimov and Frank Herbert, whose ‘Dune’, the movie adaptation of which will be out soon, made quite an impression on Seneviratne.

Hollywood mutant movie franchises no doubt influenced the film’s makers to favour the title ‘Vikaari’, derived from the Sanskrit meaning of the word: ‘change’ or ‘an entity that can change. The film revolves around the births of a new generation of children with a similar set of disabilities, bordering on the supernatural, in countries devastated by war. Although the phenomenon sparks worldwide panic, ‘Vikaari’ focuses on the political and cultural turmoil brought on by the advent of the Vikaari in Sri Lanka, pushing the nation towards the brink of another violent conflict, just after the end of a three-decade long war. Some want to eliminate the ‘Vikaari’ while others have ulterior motives for wanting to keep them.

True to the genre, the kaleidoscope of visuals imbues the ‘Vikaari’ trailer with a ‘Blair Witch Project’-kind of eeriness. The soundtrack, reminiscent of the menacing ping in ‘Life’ and one that precedes the calm before all hell breaks lose in ‘Annihilation’, firmly establishes it in the sci-fi genre, while Robert Dee Richards’ very convincing Prof. David Hameroff provides it a documentary-style credibility. However, ‘Vikaari’ is not mere science fantasy. It deals with more socially relevant subject matter and deeper underlying themes such as racism and the cost of prejudice.

Most of ‘Vikaari’ was shot in Sri Lanka, while some sequences were shot in the UK. Written and directed by Seneviratne and Charlie Bray the film and stars Ashan Dias, Bimsara Premaratne and British actor Robert Dee Richards in leading roles along with a host of other Sri Lankan actors. Most of the movie is in English with some of the Sinhala dialogue accompanied by English subtitles.

Seneviratne has been making short films for nearly two decades and has a bank of stories he hopes to make into movies. His big breakthrough was Sri Lanka’s first big budget sci-fi web series ‘Seer: Death sight’. The 2007 short film revolved around a psychic hit man, in an apocalyptic future, who was trained to treat everything between him and his target as collateral. But his life is turned topsy-turvy when he meets a little girl. Seer: Death sight, in short film form was screened at many prestigious genre film festivals including The Phoenix Comic Con film festival, Intl Sci-FI and Fantasy Film Festival of Athens and Fantastic Planet: Sydney.

“The language of film-making is very easy, you shoot, get a few close-ups and piece them together and you have a movie. What’s difficult is making a good film,” said Seneviratne, which, according to him, took him a lifetime of study, experience and experimentation. Seneviratne hopes to locally produce Hollywood-inspired feature films that can compete in the international market in terms of production value and storytelling. “But it’s difficult to find resources for and finance them in Sri Lanka,” said Seneviratne, when asked why he has not yet made a feature-length film.

He finances his own films and many in the ‘Vikaari’ team was very understanding and supportive. The Vikaari child actors Nethuli Adihetti, Nithila Goonetilleke and Thinuga Adihetti also gave the audiences a run for their money. “Of course you can’t live off film-making in Sri Lanka,” said Seneviratne who runs his own business. He is the Director of Louvre International School in Nugegoda and Pannipitiya. “It’s difficult to maintain a large film industry in Sri Lanka, considering the small population, but the local film industry is doing the best it can, specially in the art house genre, although we’re lagging behind on commercial movies of international calibre.” Seneviratne hopes that upcoming young local film-makers can change that.

When asked what obstacles there are for a Sri Lankan to break into the international film industry, Seneviratne said, “It just never been done before.” But he explained that with platforms such as YouTube and internet usage being amongst the highest in the region, reaching audiences has ceased to be a challenge. Not to mention that such social media platforms take bureaucratic red tape, of getting a full-length movie approved, out of the equation. “Technology is improving and movie-making is becoming cheaper by the day. You can make a movie on your phone, which I did during the lockdown.” He pointed out that even visual effects are getting cheaper. But are they on par with that of Hollywood? “Yes, they are getting there.” in fact some of the visual effects for ‘Vikaari’ were done by a Sri Lankan company called ApexDfx.

However, will Sri Lankan artists, who’ve been heavily influenced by Indian cinema and soap opera, notorious for over-acting, hype and melodrama, be disciplined enough to pull off a Hollywood-level movie? “There’s nothing wrong with being influenced by different film cultures. It’s what you want to do that matters.” However, he explained that the art house film culture in Sri Lanka is very much influenced by Russian cinema. “Tarkovsky type of very abstract art house film-making, in particular,” pointed out Seneviratne.

“Besides, it’s not really a matter of discipline. It’s a matter of talent.” Seneviratne explained that such an acting style is encouraged in the way that Sri Lankan artistes are trained. “Our way of acting is different to that of Hollywood. It’s just a matter of bridging the two styles. It’s not like our actors are not talented and as long as you’re working with talented people, you can talk to them and mould them into what you want.”

But would Sri Lankan audiences, whose taste have been shaped by such influences accept such movies made by Sri Lankans, when there is already a proliferation of Hollywood originals in the market? He said that although he hopes that the movie would have a global reach, he also hopes that it will be embraced by Sri Lankan audiences. His idea of film is truly international, employing both eastern and western characters, set mainly in the Asian region. “People watched films like ‘Black Panther’ and ‘Slumdog Millionaire’ irrespective of location they were set in and who was acting. As long as it’s a good entertaining story, it will sell. He cited ‘Parasite’ as a good example for an Asian movie that was able to tap into the international market. “Besides science fantasy like superhero movies are in vogue, it’s hard to believe that somebody even in a remote corner of India or an island like Sri Lanka would not be able to identify with them.”

He said that sci-fi and action translate well across borders because one does not need to be able to understand the language in an action movie to be able to make sense of it and enjoy it. Although he opined that sci-fi and action share a universal language, few local science fiction have, in either book or movie form, gained international or even regional recognition. Seneviratne begged to differ, pointing out that Sri Lankan science fiction is gradually gaining momentum. “Amanda Jay for example, won the 2017 Fairway National Literary Award for her ‘The Other One'” Seneviratne identified Navin Weeraratne and Yudanjaya Wijeratne as two other promising science fiction writers. “Local sci-fi movies have not gained global or regional recognition, but that’s not a dilemma specific to Sri Lanka. In fact, only Hollywood can pull it off. It can’t be the huge budgets, because the budgets of Chinese movies are almost equal to those of Hollywood movies and their box office is likely to overtake Hollywood within five years, but they are virtually unheard of outside their country.”

He explained that the same applies to Bollywood films. “They are a multi-billion dollar industry, a close second to Hollywood. But again they are not very popular outside the Asian region.” Seneviratne opined that it’s all in the story telling. “There’s something in the way that Hollywood tells a story that appeals to mass audiences. If you master that art of story-telling, that’s half the battle.

 

 



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Cyclones, greed and philosophy for a new world order

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Floods caused by Cyclone Ditwah in Sri Lanka

Further to my earlier letter titled, “Psychology of Greed and Philosophy for a New World Order” (The Island 26.11.2025) it may not be far-fetched to say that the cause of the devastating cyclones that hit Sri Lanka and Indonesia last week could be traced back to human greed. Cyclones of this magnitude are said to be unusual in the equatorial region but, according to experts, the raised sea surface temperatures created the conditions for their occurrence. This is directly due to global warming which is caused by excessive emission of Greenhouse gases due to burning of fossil fuels and other activities. These activities cannot be brought under control as the rich, greedy Western powers do not want to abide by the terms and conditions agreed upon at the Paris Agreement of 2015, as was seen at the COP30 meeting in Brazil recently. Is there hope for third world countries? This is why the Global South must develop a New World Order. For this purpose, the proposed contentment/sufficiency philosophy based on morals like dhana, seela, bhavana, may provide the necessary foundation.

Further, such a philosophy need not be parochial and isolationist. It may not be  necessary to adopt systems that existed in the past that suited the times but develop a system that would be practical and also pragmatic in the context of the modern world.

It must be reiterated that without controlling the force of collective greed the present destructive socioeconomic system cannot be changed. Hence the need for a philosophy that incorporates the means of controlling greed. Dhana, seela, bhavana may suit Sri Lanka and most of the East which, as mentioned in my earlier letter, share a similar philosophical heritage. The rest of the world also may have to adopt a contentment / sufficiency philosophy with  strong and effective tenets that suit their culture, to bring under control the evil of greed. If not, there is no hope for the existence of the world. Global warming will destroy it with cyclones, forest fires, droughts, floods, crop failure and famine.

Leading economists had commented on the damaging effect of greed on the economy while philosophers, ancient as well as modern, had spoken about its degenerating influence on the inborn human morals. Ancient philosophers like Plato, Aristotle, and Epicurus all spoke about greed, viewing it as a destructive force that hindered a good life. They believed greed was rooted in personal immorality and prevented individuals from achieving true happiness by focusing on endless material accumulation rather than the limited wealth needed for natural needs.

Jeffry Sachs argues that greed is a destructive force that undermines social and environmental well-being, citing it as a major driver of climate change and economic inequality, referencing the ideas of Adam Smith, John Maynard Keynes, etc. Joseph Stiglitz, a Nobel Laureate economist, has criticised neoliberal ideology in similar terms.

In my earlier letter, I have discussed how contentment / sufficiency philosophy could effectively transform the socioeconomic system to one that prioritises collective well-being and sufficiency over rampant consumerism and greed, potentially leading to more sustainable economic models.

Obviously, these changes cannot be brought about without a change of attitude, morals and commitment of the rulers and the government. This cannot be achieved without a mass movement; people must realise the need for change. Such a movement would need  leadership. In this regard a critical responsibility lies with the educated middle class. It is they who must give leadership to the movement that would have the goal of getting rid of the evil of excessive greed. It is they who must educate the entire nation about the need for these changes.

The middle class would be the vanguard of change. It is the middle class that has the capacity to bring about change. It is the middle class that perform as a vibrant component of the society for political stability. It is the group which supplies political philosophy, ideology, movements, guidance and leaders for the rest of the society. The poor, who are the majority, need the political wisdom and leadership of the middle class.

Further, the middle class is the font of culture, creativity, literature, art and music. Thinkers, writers, artistes, musicians are fostered by the middle class. Cultural activity of the middle class could pervade down to the poor groups and have an effect on their cultural development as well. Similarly, education of a country depends on how educated the middle class is. It is the responsibility of the middle class to provide education to the poor people.

Most importantly, the morals of a society are imbued in the middle class and it is they who foster them. As morals are crucial in the battle against  greed, the middle class assume greater credentials to spearhead the movement against greed and bring in sustainable development and growth. Contentment sufficiency philosophy, based on morals, would form the strong foundation necessary for achieving the goal of a new world order. Thus, it is seen that the middle class is eminently suitable to be the vehicle that could adopt and disseminate a contentment/ sufficiency philosophy and lead the movement against the evil neo-liberal system that is destroying the world.

The Global South, which comprises the majority of the world’s poor, may have to realise, before it is too late, that it is they who are the most vulnerable to climate change though they may not be the greatest offenders who cause it. Yet, if they are to survive, they must get together and help each other to achieve self-sufficiency in the essential needs, like food, energy and medicine. Trade must not be via exploitative and weaponised currency but by means of a barter system, based on purchase power parity (PPP). The union of these countries could be an expansion of organisations,like BRICS, ASEAN, SCO, AU, etc., which already have the trade and financial arrangements though in a rudimentary state but with great potential, if only they could sort out their bilateral issues and work towards a Global South which is neither rich nor poor but sufficient, contented and safe, a lesson to the Global North. China, India and South Africa must play the lead role in this venture. They would need the support of a strong philosophy that has the capacity to fight the evil of greed, for they cannot achieve these goals if fettered by greed. The proposed contentment / sufficient philosophy would form a strong philosophical foundation for the Global South, to unite, fight greed and develop a new world order which, above all, will make it safe for life.

by Prof. N. A. de S. Amaratunga 
PHD, DSc, DLITT

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SINHARAJA: The Living Cathedral of Sri Lanka’s Rainforest Heritage

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Damp and thick undergrowth

When Senior biodiversity scientist Vimukthi Weeratunga speaks of Sinharaja, his voice carries the weight of four decades spent beneath its dripping emerald canopy. To him, Sri Lanka’s last great rainforest is not merely a protected area—it is “a cathedral of life,” a sanctuary where evolution whispers through every leaf, stream and shadow.

 “Sinharaja is the largest and most precious tropical rainforest we have,” Weeratunga said.

“Sixty to seventy percent of the plants and animals found here exist nowhere else on Earth. This forest is the heart of endemic biodiversity in Sri Lanka.”

A Magnet for the World’s Naturalists

Sinharaja’s allure lies not in charismatic megafauna but in the world of the small and extraordinary—tiny, jewel-toned frogs; iridescent butterflies; shy serpents; and canopy birds whose songs drift like threads of silver through the mist.

“You must walk slowly in Sinharaja,” Weeratunga smiled.

“Its beauty reveals itself only to those who are patient and observant.”

For global travellers fascinated by natural history, Sinharaja remains a top draw. Nearly 90% of nature-focused visitors to Sri Lanka place Sinharaja at the top of their itinerary, generating a deep economic pulse for surrounding communities.

A Forest Etched in History

Centuries before conservationists championed its cause, Sinharaja captured the imagination of explorers and scholars. British and Dutch botanists, venturing into the island’s interior from the 17th century onward, mapped streams, documented rare orchids, and penned some of the earliest scientific records of Sri Lanka’s natural heritage.

Smallest cat

These chronicles now form the backbone of our understanding of the island’s unique ecology.

The Great Forest War: Saving Sinharaja

But Sinharaja nearly vanished.

In the 1970s, the government—guided by a timber-driven development mindset—greenlit a Canadian-assisted logging project. Forests around Sinharaja fell first; then, the chainsaws approached the ancient core.

 “There was very little scientific data to counter the felling,” Weeratunga recalled.

“But people knew instinctively this was a national treasure.”

The public responded with one of the greatest environmental uprisings in Sri Lankan history. Conservation icons Thilo Hoffmann and Neluwe Gunananda Thera led a national movement. After seven tense years, the new government of 1977 halted the project.

What followed was a scientific renaissance. Leading researchers—including Prof. Savithri Gunathilake and Prof. Nimal Gunathilaka, Prof. Sarath Kottagama, and others—descended into the depths of Sinharaja, documenting every possible facet of its biodiversity.

Thilak

 “Those studies paved the way for Sinharaja to become Sri Lanka’s very first natural World Heritage Site,” Weeratunga noted proudly.

A Book Woven From 30 Years of Field Wisdom

For Weeratunga, Sinharaja is more than academic terrain—it is home. Since joining the Forest Department in 1985 as a young researcher, he has trekked, photographed, documented and celebrated its secrets.

Now, decades later, he joins Dr. Thilak Jayaratne, the late Dr. Janaka Gallangoda, and Nadika Hapuarachchi in producing, what he calls, the most comprehensive book ever written on Sinharaja.

 “This will be the first major publication on Sinharaja since the early 1980s,” he said.

“It covers ecology, history, flora, fauna—and includes rare photographs taken over nearly 30 years.”

Some images were captured after weeks of waiting. Others after years—like the mysterious mass-flowering episodes where clusters of forest giants bloom in synchrony, or the delicate jewels of the understory: tiny jumping spiders, elusive amphibians, and canopy dwellers glimpsed only once in a lifetime.

The book even includes underwater photography from Sinharaja’s crystal-clear streams—worlds unseen by most visitors.

A Tribute to a Departed Friend

Halfway through the project, tragedy struck: co-author Dr. Janaka Gallangoda passed away.

 “We stopped the project for a while,” Weeratunga said quietly.

“But Dr. Thilak Jayaratne reminded us that Janaka lived for this forest. So we completed the book in his memory. One of our authors now watches over Sinharaja from above.”

Jumping spide

An Invitation to the Public

A special exhibition, showcasing highlights from the book, will be held on 13–14 December, 2025, in Colombo.

“We cannot show Sinharaja in one gallery,” he laughed.

“But we can show a single drop of its beauty—enough to spark curiosity.”

A Forest That Must Endure

What makes the book special, he emphasises, is its accessibility.

“We wrote it in simple, clear language—no heavy jargon—so that everyone can understand why Sinharaja is irreplaceable,” Weeratunga said.

“If people know its value, they will protect it.”

To him, Sinharaja is more than a rainforest.

It is Sri Lanka’s living heritage.

A sanctuary of evolution.

A sacred, breathing cathedral that must endure for generations to come.

By Ifham Nizam

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How Knuckles was sold out

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Knuckles range

Leaked RTI Files Reveal Conflicting Approvals, Missing Assessments, and Silent Officials

“This Was Not Mismanagement — It Was a Structured Failure”— CEJ’s Dilena Pathragoda

An investigation, backed by newly released Right to Information (RTI) files, exposes a troubling sequence of events in which multiple state agencies appear to have enabled — or quietly tolerated — unauthorised road construction inside the Knuckles Conservation Forest, a UNESCO World Heritage site.

At the centre of the unfolding scandal is a trail of contradictory letters, unexplained delays, unsigned inspection reports, and sudden reversals by key government offices.

“What these documents show is not confusion or oversight. It is a structured failure,” said Dilena Pathragoda, Executive Director of the Centre for Environmental Justice (CEJ), who has been analysing the leaked records.

“Officials knew the legal requirements. They ignored them. They knew the ecological risks. They dismissed them. The evidence points to a deliberate weakening of safeguards meant to protect one of Sri Lanka’s most fragile ecosystems.”

A Paper Trail of Contradictions

RTI disclosures obtained by activists reveal:

Approvals issued before mandatory field inspections were carried out

Three departments claiming they “did not authorise” the same section of the road

A suspiciously backdated letter clearing a segment already under construction

Internal memos flagging “missing evaluation data” that were never addressed

“No-objection” notes do not hold any legal weight for work inside protected areas, experts say.

One senior officer’s signature appears on two letters with opposing conclusions, sent just three weeks apart — a discrepancy that has raised serious questions within the conservation community.

“This is the kind of documentation that usually surfaces only after damage is done,” Pathragoda said. “It shows a chain of administrative behaviour designed to delay scrutiny until the bulldozers moved in.”

The Silence of the Agencies

Perhaps, more alarming is the behaviour of the regulatory bodies.

Multiple departments — including those legally mandated to halt unauthorised work — acknowledged concerns in internal exchanges but issued no public warnings, took no enforcement action, and allowed machinery to continue operating.

“That silence is the real red flag,” Pathragoda noted.

“Silence is rarely accidental in cases like this. Silence protects someone.”

On the Ground: Damage Already Visible

Independent field teams report:

Fresh erosion scars on steep slopes

Sediment-laden water in downstream streams

Disturbed buffer zones

Workers claiming that they were instructed to “complete the section quickly”

Satellite images from the past two months show accelerated clearing around the contested route.

Environmental experts warn that once the hydrology of the Knuckles slopes is altered, the consequences could be irreversible.

CEJ: “Name Every Official Involved”

CEJ is preparing a formal complaint demanding a multi-agency investigation.

Pathragoda insists that responsibility must be traced along the entire chain — from field officers to approving authorities.

“Every signature, every omission, every backdated approval must be examined,” she said.

“If laws were violated, then prosecutions must follow. Not warnings. Not transfers. Prosecutions.”

A Scandal Still Unfolding

More RTI documents are expected to come out next week, including internal audits and communication logs that could deepen the crisis for several agencies.

As the paper trail widens, one thing is increasingly clear: what happened in Knuckles is not an isolated act — it is an institutional failure, executed quietly, and revealed only because citizens insisted on answers.

by Ifham Nizam

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