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Gehan makes Sri Lanka proud with ‘The Billionaire’

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The gifted and versatile actor Gehan Cooray makes Sri Lanka proud with his Hollywood movie “Billionaire” . This movie was awarded at the prestigious Burbank International film recently.

This film was Gehan Cooray’s very own adaptation of George Bernard Show’s play ‘The Millionairess’ Gehan’s milestone in producing, writing the screen play and his portrayal in the title role were great achievements.

Based in Los Angeles, Gehan Cooray is also an actor, independent filmmaker and a classical singer. The film ‘The Billionaire’ was officially submitted to the Academy of Motion Picture Arts and Sciences, and to the Hollywood Foreign Press Association in late 2020, after becoming eligible for both Oscar and Golden Globe awards nominations.

by Zanita Careem

How did you get involved in the movie The Billionaire”

At the tender age of three , my mother introduced me to Classic Hollywood films like ‘My Fair Lady’, ‘The Sound of Music’ and ‘Mary Poppins’, which left an indelible impression on my mind. Throughout my childhood, I was struck by how movies could offer the viewer a form of audio-visual escapism that was practically unrivalled. However, since there was no English film industry in Sri Lanka, I grew up performing on the stage, and didn’t seriously consider becoming a filmmaker until I attended the University of Southern California, in Los Angeles.

USC of course has the best cinematic arts school in the world, producing such Hollywood luminaries as George Lucas. Although I majored in Theatre and Psychology, I took as many cinema classes as I possibly could, and discovered a knack for filmmaking through class projects and such. It was several years after graduating from university, however, that a chance meeting with the famous director Jon Favreau in Hollywood set me on my current trajectory. Seeing my USC sweatshirt, he asked me if I was a filmmaker. My instinct at the time was to say “I’m an Actor and a Singer, but not really a filmmaker” – and yet, I subsequently said to myself….”If Mr. Favreau thinks I look like I could be making films, on top of being a performer, why not give it a go, since I’ve had such an excellent foundation at USC anyway?”

I started with a few short films, which got into some big film festivals in Los Angeles and Palm Springs. Having received that kind of recognition for my work, my mother felt it was time for me to take the plunge and make a feature length film – which is what led to “THE BILLION AIRE”. I wanted to make a film that hearkened back to the elegance and sophistication of the Old Hollywood films I grew up watching.

How long did you take to make research and make the film?

It took several years. It was definitely a marathon, not a sprint, and it sometimes felt like I would never reach the finish line, honestly, but by the Grace of God, I finally did, overcoming all kinds of obstacles that seemed insurmountable to the point of despair at the time – but my Patience and Perseverance won out.

What were the key challenges in making ‘The Billionaire’

I had a number of people try to take advantage of me and bleed me dry in the most unscrupulous of ways, and so I would say the key challenge was finding the right collaborators whom I could really trust, and who had the film’s best interests in mind, versus their own best interests. This is always a challenge when you are producing a film as an independent filmmaker.

On a more artistic note, editing the film also proved to be a challenge. The first cut of the film was 2 hours 40 minutes. It took me a long time to find an editor who could help me bring the film under two hours, without sacrificing the main essence and thrust of the story. It was someone at Warner Bros. Studios who referred me to such an editor, who understood what I was trying to accomplish with the film, and respected my vision, without merely slicing and dicing the footage.

Working and producing the movie in Hollywood, tell us your first time experience

The difference between making a short film and making a feature film is like the difference between crawling and running a marathon, and so the short films I had so successfully made prior to THE BILLIONAIRE did not prepare me for what was to come. What helped me from beginning to end, however, was the strength of my artistic convictions – I was not just trying to make a movie, as so many do, but create a work of art that had literary, dramatic and musical merit. The whole process might have been somewhat intimidating, had I not had believed so completely in what I was doing.

Is digital technology and opportunity or a threat?

Digital technology is certainly an opportunity for so many young creative people, but it can also be a threat because anyone can make anything and upload it online – regardless of their level of education or their artistic abilities. Hence, there is such an overabundance of content available online digitally, that finding a work of quality these days can be akin to finding a needle in a haystack. I am still adamant about releasing my film in cinemas first, before taking the digital route, because there is a level of quality control and discernment in cinemas that sadly can’t be found in the digital sphere.

What inspired you to produce and star in ‘The Billionaire’?

I wanted to produce and star in a feature film that portrayed South Asians like myself in an empowered manner, first and foremost. Too often, we see South Asians portrayed in a somewhat subservient manner in Western cinema. My Godmother in Colombo, Nishanthi Perera Pieris, had told me about George Bernard Shaw’s play “The Millionairess”, which was quite progressive in the 1930s, depicting an empowered and thoroughly independent female character. I realized that, by changing the gender and turning the 1930s millionairess into a 21st century billionaire of South Asian descent, I could represent my race in a truly formidable manner. Also, since I grew up watching “My Fair Lady”, which was also adapted from a George Bernard Shaw play, I felt an immense affinity to the kind of language that Shaw utilizes. It was a secondary goal of mine to showcase to the world that a South Asian actor like me could speak the Queen’s English as resplendently and majestically as any Caucasian actor.

What projects do you have coming up?

I am working on adapting an operetta to the big screen, as well as another play which is a more dramatic version of an old fairytale. I wouldn’t be able to produce either project as an independent filmmaker however. I would need to partner with a studio. On a more independent level, I am envisioning a project that might be shot in Sri Lanka, with a big Hollywood actor or actress starring in the film alongside me. Hopefully all of the above comes to fruition.

I have recorded my first album, which will be released in 2021. It was produced by Grammy Award winning musician Hussain Jiffrey, and features Operatic Arias, French and Italian Classical Melodies, as well as Old English Songs from the late 19th century and early 20th century Broadway Musicals. I can’t wait to share this with the world.

Why the movie stresses on Asexuality.

The movie stresses on Asexuality because I myself identify as an Asexual gentleman. This is something which most people are completely unaware of, because so much emphasis is placed on Heterosexuality and Homosexuality. I wanted audiences to become aware of the fact that not everyone likes, needs, or wants sex. I for one, most certainly do not. In THE BILLIONAIRE, for example, the title character whom I portray is attracted to men romantically, but not sexually, which means that none of his relationships are ever consummated – not even after marriage. Since this reflects my own disposition, I felt it was important to showcase to the world at large that two people can fall in love and even get married, but remain essentially pure and chaste. This is a beautiful and sublime thing.

In George Bernard Shaw’s original play ‘The Millionairess’, the title character’s pride and self-worth seemed to derive almost entirely from her wealth and status. I thought this was a rather flimsy characterization, especially in the 21st century, when the Class system is considered somewhat archaic, and so I thought it would be dramatically and psychologically fascinating if my character – THE BILLIONAIRE – drew HIS pride and self-worth as much from his chastity and purity, as he did from his status and wealth. An Asexual person is quasi-angelic, in the sense that such an individual has no desire for a sexual connection with anyone, and I felt this was a much stronger reason for my character to be so proud – above and beyond being rich and upper class.

A lot of people in the LGBTQ community have role models in the media to look up to these days, but Asexual individuals do not have those same role models as yet, unfortunately, and I thought it was high time we changed that.



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Elegant threads of traditio: Darshi Batik at Sheraton

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Surrounded by styles and smiles

As the Colombo skyline softens into golden hour “Sundown with Buddhi Batiks “at Sheraton Colombo unfolded as a seamless blend of heritage and contemporary elegance – an experience that felt both intimate and visually striking.

The evening drew a crowd that reflected the very essence of the brand it celebrated refined, creative and deeply connected with flowing silhouettes, to cultural and the quiet hum of conversation over curated cocktails.

Buddhi Batiks with Darshi Keerthisena is a label celebrated for transforming Sri Lankan batik into modern, wearable art. Her story telling through fabric where each piece reflected craftsmanship, culture, and a contemporary design language. The collection leaned into effortless elegance, resort ready kaftans, structured yet fluid dresses and statement pieces that moved as beautifully as they look. The atmosphere was electrifying. Guest sipped on delicated curated cocktails as soft music hummed in the background, creating an ambience that felt both exclusive and deeply relaxed.

More than aesthetics, Buddhi Batiks tells stores. Each motif, each gradation of colour carried a sense of place and memory.

Buddhi Batiks is proof that fashion can honour heritage without compromising on glamour, with every brush stroke of wax and every hand dyed.

The event, aptly named Sundown, was an ode to the timeless elegance of Sri Lankan craftsmanship, seamless fabrics woven into contemporary silhouettes that speak to a global sensibility.

The collection by Buddhi Batiks drew inspiration from Sri Lanka’s natural landscape, from the shimmering coastlines to the lush inland jungle, translated into vivid patterns and textures on display.

The brand celebrated Sri Lankan’s rich artistic legacy while embracing a global fashion vision.

There are designers who wear fashion and then there are designers who live fashion, Darshi Keerthisena, creative director and CEO of Buddhi Batiks, belongs to the latter. She hasn’t merely followed a family tradition. She has reimagined it, transforming Sri Lankan batiks from a cultural craft into a globally resonant fashion statement. Under Dharshi’s leadership, Buddhi Batiks has evolved far beyond traditional cotton saris. She has introduced silk, geogette and satin as canvasses for Batik, infusing pieces with contemporary silhouettes and subtle, sophisticated colour stories that appeal to international design sensibilities. Her innovations have taken batik onto global platforms.

Darshi’s innovation isn’t only stylistic, it is ethical. She has championed sustainable practises, such as digital printing on recycled textiles and eco friendly dyes, while keeping handmade batik at the heart of the brand.

Her career has been marked by accolades and awards Dharshi’s vision for batik is expansive. She sees it not just on runaway gowns or resort wear, but translated into interiors, accessories and everyday life, capable of transcending borders while keeping the soul of Sri Lankan artisan’s heritage alive.

Sheraton Colombo Sri Lanka’s most prestigious 5-star hotels with Paul Sun, General Manager and his dedicated team, [played a key role and the hotel’s assistance went beyond providing a venue, it was a seamless blend of hospitality, event management and creative support.

By Zanita Careem

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Farzana redefining power and purpose for women

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Farzana on celebrating women’s strength

Farzana Baduel stands as a powerful voice in global communication and a passionate advocate for women’s empowerment making her perspective especially relevant on International Women’s Day. As CEO of Curzon PR,in UK she has built a career defined by influence, resilience and purpose championing the advancement of women’s leadership.

(Q) How would you describe the role of women in the UK today and how does it compare to women’s role in Sri Lanka?

(A) Women in the UK today hold positions of real influence across politics, business, media, academia and the creative industries. There are strong legal protections around equality and conversations about gender parity have become mainstream. But equality in law does not always translate to equality in lived experience, particularly when it comes to pay gaps, the weight of childcare, and who actually occupies the most senior positions.

Sri Lanka presents a genuinely fascinating paradox. It elected the world’s first female Prime Minister in 1960, yet many women still face structural and cultural constraints, especially outside urban centres. What strikes me about Sri Lankan women is their extraordinary resilience and entrepreneurial spirit, often demonstrated within more traditional frameworks. That combination of ambition and adaptability is something I find deeply impressive.

Both countries are progressing. But both still have considerable work to do.

(Q) Are there areas where UK women face challenges that Sri Lankan women may not, or vice versa?

(A) In the UK, one of the most persistent challenges is what I would describe as the double burden: professional ambition sitting alongside disproportionate domestic responsibility. There is also the very modern pressure of digital culture, the weight of image, comparison, online abuse and public scrutiny that affects women in ways men rarely experience to the same degree.

In Sri Lanka, the challenges tend to be more structural. Economic instability, limited access to opportunity in rural areas, and in some cases stronger social conservatism around gender roles all shape what is possible for women. And yet extended family networks in Sri Lanka can offer something many women in the UK genuinely lack: built in childcare, intergenerational support, a community that holds you.

The pressures differ. But the underlying theme is remarkably consistent. Women everywhere are negotiating expectations that men are simply not asked to meet.

(Q) How do you define what it means to be a woman today, and have there been moments where your gender shaped your opportunities or challenges?

(A) To me, being a woman today means navigating complexity with strength. It means holding ambition and empathy in the same space without apologising for either. It means being commercially sharp and emotionally intelligent. Above all, it means resilience.

There have certainly been moments in my career where being a woman changed the dynamic in a room, particularly in senior advisory spaces involving government or corporate leadership. Early on, I sometimes had to prove competence before being taken seriously. Over time I came to understand that credibility does not come from changing who you are. It comes from deep expertise and calm authority.

Gender shapes experience. But it does not have to define potential.

(Q) How can women lift each other up in workplaces, communities and society at large?

(A) By being genuinely generous with opportunity. Sponsorship matters far more than mentorship. It is powerful when senior women actively advocate for other women in rooms those women are not in. That kind of invisible advocacy changes careers.

By rejecting scarcity thinking. There is not only one seat at the table.

And by modelling integrity. When women support each other publicly and privately, it does not just help individuals. It changes workplace cultures entirely.

(Q) Do you believe women are getting enough representation in leadership roles? If not, what needs to change?

(A) Progress has been made. But representation at the very top, in boardrooms and in global political leadership, remains deeply uneven. And the solution is not simply about recruiting more women. It is about changing the systems they are recruited into: flexible leadership structures, normalised parental leave for both men and women, transparent promotion criteria, and zero tolerance for the kind of subtle bias that is so easy to dismiss but so corrosive over time.

Representation is not about optics. It is about influence. Those are not the same thing.

(Q) What societal expectations or stereotypes have you personally encountered as a woman?

(A) The most persistent one is the idea that women must choose between warmth and authority, that being decisive risks being labelled difficult. Men are rarely subjected to that framing. A decisive man is simply a leader.

There is also the expectation that women should balance everything effortlessly, as though the juggle should be invisible. The reality is that balance is dynamic, often imperfect, and occasionally held together by nothing more than determination and strong coffee.

(Q) What challenges do women face in accessing healthcare or support, and how can society improve this?

(A) Even in developed countries, women’s health is frequently under researched and under prioritised, particularly around reproductive health, menopause and mental health. This is not a niche issue. It affects half the population.

Improvement requires sustained investment in research, workplace policies that recognise women’s health realities, and a collective willingness to remove the stigma that still clings to these conversations. Health is not a private inconvenience. It is a public priority.

(Q) Do you feel women are encouraged enough to pursue their passions alongside family and work responsibilities?

(A) The encouragement exists in rhetoric. The practical support frequently does not. True encouragement requires structural foundation: affordable childcare, flexible working arrangements, and a cultural acceptance that ambition in women is not selfish. It is not something that requires justification.

Women should never feel they must apologise for aspiration.

(Q) How do media portrayals of women impact society’s perception of them?

(A) Media shapes norms in ways we often do not notice until we look back. When women are portrayed primarily through the lens of appearance, domestic roles or conflict narratives, it quietly narrows the public imagination about what leadership looks like.

When media platforms showcase women as thinkers, strategists, innovators and policymakers, something opens up, especially for young girls who are watching and deciding, consciously or not, what is possible for them. Representation shapes expectation. That is not a small thing.

(Q) What changes would you most like to see for women in the next decade?

(A) Economic parity, not just participation. Greater support for women entrepreneurs. More women shaping foreign policy and global governance. A healthier and kinder public discourse online.

But most importantly, I would like to see confidence. Young women growing up without internalised limits, without the quiet voice that tells them to take up less space. That, more than any policy change, is what transforms the next generation.

(Q) And finally, how do you define what it means to be a woman today?

(A) To be a woman today is to stand fully in your capability without shrinking for anyone’s comfort. It is to embrace both strength and compassion, not as opposites but as complements. It is to define yourself rather than accept the definitions others impose upon you.

And perhaps most importantly, it is to leave the path a little wider for the women who come after you.

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From Hanoi to Colombo: Women leading change across borders

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Ambassador of Vietnam in Colombo Trinh Thi Tam talks about women connecting across borders

Grace, resilience and quiet determination define the women of both Vietnam and Sri Lanka, two nations bound not only by rich cultural heritage, but by the enduring strength of their women. As the world marked International Women’s Day, the interview with the Vietnamese Ambassador in Sri Lanka offers a compelling lens into how tradition and modernity intervine to shape the lives of women across these societies Women in Vietnam and Sri Lanka continue to redifine their roles, balancing family, career and ambition with remarkable pause. While their journeys were shaped by distinct histories and cultural naunces there is a shared narrative of perseverance, adaptability and progress. In this interview the envoy reflects on these parallels and contrasts, offering insight into the evolving status of women. The challenges, they face and the inspiring strides being made towards equality.

Q How would you describe the role of women in Vietnam compared to Sri Lankan women?

A Women in Vietnam and Sri Lanka share many important similarities. In both societies, women are known for their diligence, resilience, and strong sense of responsibility toward family and community. Having experienced periods of war, conflict, and economic hardship, women in both countries deeply understand the values of sacrifice, solidarity, and perseverance. They often carry multiple roles at the same time—caregivers, income earners, and community supporters. In both countries, there has been an increasingly active participation of women in the workforce, including trade, manufacturing, SMEs, as well as in the leadership. It is meaningful to recognize these shared qualities that quietly but steadily contribute to social stability and national development.

Q From your personal experience, what defines a modern woman in your country?

A From my personal experience, a modern woman is someone who strives for balance rather than choosing between roles. She values education, independence, and self-development, while remaining deeply committed to her family and social responsibilities. She is confident, adaptable, and increasingly comfortable using technology and global networks. At the same time, she respects cultural values and traditions, selecting what is meaningful rather than rejecting them entirely. Modern women today are not defined only by career success, but by their ability to manage multiple responsibilities with empathy, resilience, and purpose.

Q Have you seen a significant change in women’s roles over the past decade?

A Yes, there have been noticeable and positive changes over the past decade. More women are pursuing higher education, entering diverse professional fields, and participating actively in economic and social life. Attitudes toward women’s leadership and decision-making roles have gradually improved, especially among younger generations. At the same time, women continue to shoulder major responsibilities within the family. This dual role has become more visible and more openly discussed. While challenges remain, the growing recognition of women’s contributions—both at work and at home—reflects a meaningful shift toward a more inclusive understanding of development.

Q Women in Vietnam are often visible in trade and entrepreneurship. How does this compare with Sri Lanka?

A Women in both Vietnam and Sri Lanka demonstrate a strong entrepreneurial spirit, particularly in trade, services, and family-based businesses. Many women engage in economic activities not only for personal ambition, but also to support their families and contribute to their communities. In both countries, women entrepreneurs are known for their adaptability, hard work, and practical approach to business. While the scale and sectors may differ, the underlying motivation and resilience are remarkably similar. With better access to finance, markets, and mentoring, women in both societies have great potential to further expand their entrepreneurial impact.

Q Do you think society equally values women’s economic contributions in both countries?

A Societal recognition of women’s economic contributions has improved, but full equality has not yet been achieved in either country. Women’s income is increasingly important for household stability, yet their unpaid care work often remains invisible. Professional success is respected, but women are still expected to prioritize family responsibilities. This creates pressure to constantly balance multiple roles. It is important to acknowledge that true equality means valuing both paid and unpaid work, and creating supportive environments that allow women to contribute economically without compromising their well-being or family life.

Q Vietnam has relatively strong female participation in governance. What drives this? Why is female representation still low in Sri Lanka?

A Both Vietnam and Sri Lanka recognize the importance of women’s participation in governance, and both have many capable women leaders. Differences in representation are largely shaped by institutional structures and political culture rather than women’s ability or commitment. Where supportive frameworks, mentoring, and clear pathways exist, women are more likely to enter public leadership.

In Sri Lanka, many talented women also serve their communities in different ways, though public roles can be more demanding to combine with family responsibilities. Creating more supportive and flexible pathways can help more women step forward and share their perspectives, enriching decision-making and social cohesion.

Q What are the most pressing issues women still face today?

A One of the most pressing challenges women face today is achieving a healthy balance between work, family responsibilities, and personal life. Women continue to carry a disproportionate share of caregiving and household duties, even when they are fully engaged in professional work. Gender inequality in wages, leadership opportunities, and decision-making persists. Social expectations often require women to excel in all areas simultaneously, creating emotional and physical strain. Addressing these issues requires not only policy support—such as childcare and flexible work—but also cultural change that encourages shared responsibility and mutual respect.

Q Do globalization and social media help accelerate gender equality?

A Globalization and social media can play a positive role in accelerating gender equality by expanding access to information, markets, and role models. They allow women to connect, learn, and express their voices beyond traditional boundaries. Many women entrepreneurs and professionals have benefited from digital platforms. However, these tools also bring challenges, including online harassment and unrealistic social pressures. Their impact depends on how responsibly they are used and supported. When combined with education, digital literacy, and safeguards, globalization and social media can become powerful tools for women’s empowerment.

Q How do you see the future of women evolving in the next 10 years?

A Over the next decade, I expect women to play an even more visible role in leadership, entrepreneurship, and innovation. Flexible work models and digital technologies will help more women participate in the economy while managing family responsibilities. Younger generations are already embracing more balanced views on gender roles and shared caregiving. While challenges will remain, especially in achieving true equality, the overall direction is positive. With sustained support from institutions, families, and society, women’s contributions will continue to shape more inclusive and resilient communities.

Q What can Sri Lanka learn from Vietnam in terms of empowering women economically?

A Sri Lanka can draw useful lessons from Vietnam’s emphasis on integrating women into value chains, supporting small businesses, and linking skills training with market access. Practical support—such as simplified procedures, access to finance, and business networks—helps women move from informal activities to sustainable enterprises. Equally important is recognizing women’s economic roles publicly and socially. Empowerment is most effective when economic opportunity is combined with family support and social respect. These shared principles are especially meaningful and highlight when celebrated International Women’s Day on 8 March.

By Zanita Careem

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