Connect with us

Features

Country music scene for Sri Lankans in LA

Published

on

NuAsia Country: Doing it with three Sri Lankans, a Japanese, Filipino and Vietnamese

Country music is a big scene, the world over, and, I believe, America takes the top spot where country music is concerned.

However, I’ve not heard of Sri Lankans, based overseas, doing the country music scene in a big way.

When I was told about a group, calling themselves NuAsia Country, and operating in the States, I thought I need to check this out because Sri Lankans are also involved in this setup.

Well, this is their scene…

NuAsia Country is a mix of extremely talented country music loving musicians, of Asian heritage, from Los Angeles, who came together to produce an incredibly powerful story-telling Modern Country POP album, titled ‘Quiet Violence.’

They say the album contains music that is a testament to the fact that there are millions of Asians that love country music and NuAsia Country will be the pioneers of something new, and special, that will remain relevant forever.

Says Roshan Seresinhe, the leader and visionary for this album: “’NuAsia’ means we are New and Asian, and ‘Country’ means we love country music and we are not just bringing ‘Country’, we are bringing an entire ‘Continent’, with a population of 4.5 billion people, to love and enjoy Country POP Music.”

NuAsia Country is made up of – on lead vocals, 22-year-old Saint Cloud, who is of Vietnamese decent. She is also a co-songwriter on all the original tracks. On keyboards is Isamu MacGregor, of Japanese descent. On lead guitar is Mark Flores, from the Philippines, and the three Sri Lankans are Dhammika (DJ) Jayasinghe on bass guitar, Janesh Ruwanpathirana on percussion, and Roshan Seresinhe on drums.

Five, of the seven tracks, on ‘Quiet Violence’, unwind the trials, tribulations and triumphs of a relationship, going from trouble times into the future, where it has overcome the many hurdles faced.

Each track has a unique melody to match the mood and story of the song. The album title song ‘Quiet Violence’, is a ballad that depicts one of the partners in a relationship being ignored and neglected by the other, thus quietly delivering violence. The next chapter of the story is a mid-tempo song ‘Why Are You Back’, where the troubled partner is being contacted by an ex-lover, but, however, wants to hang on to the current relationship. The song ‘Take Me Home’, another ballad, where the relationship is in the mending stage and being taken back home. ‘Lovesick The Way, I’m loving you’, a high energy a song, where the relationship is now back in full gear. Closing out the story, another dance tune ‘Lost and Found We’re Ok’ is looking back at the relationship and saying we are now Ok.

The album also includes a modern rendition of the timeless classic ‘Islands in the Stream’, ‘This Country of Mine’, ‘Why Are You Back’, and ‘Take Me Home’.

Referring to future plans, Roshan Seresinhe said that they are waiting to see how their first couple of releases fare and then approach a recording company.

“There is a label, in Nashville, that has shown some interest. However, everything depends on how are initial releases perform.”



Continue Reading
Click to comment

Leave a Reply

Your email address will not be published. Required fields are marked *

Features

Clean Sri Lanka and Noise Pollution (Part I)

Published

on

Noise pollution

by (Dr) Jayampathy Wickramaratne,
President’s Counsel

One area of focus of the ‘Clean Sri Lanka’ programme, initiated by the new government, that has enthused the people at large is the drive to clean the environment. People affected by intense noise hope that cleaning the environment will not be limited to keeping public spaces clean but will also address the issue of noise pollution. This is evident from letters to newspapers and social media posts calling upon the authorities to deal with noise pollution from varied sources, such as entertainment, places of religious worship, vehicular traffic, construction and industrial activities as part of ‘Clean Sri Lanka’.

I write this piece not only as one having an interest in fundamental rights but also as a victim of noise pollution. In the locality where I live, off Rajagiriya, residents have for years been subjected to intense noise forced upon them, mainly by music but also by fireworks, emanating from events conducted on the premises of a government-owned institution. Complaints to the institution, as well as to the Police, bore no results. I refrain from naming the institution as the matter is under investigation by the Human Rights Commission, and the new management of the institution has promised us that remedial measures will be taken.

While the ‘Clean Sri Lanka’ programme was in full swing, a group of tourists, participating in a musical event in the Weligama area, had objected vociferously to the Police prohibiting the use of loudspeakers after 10 p.m. when the period for which a permit had been issued ran out. One female tourist is heard, in a video of the incident, saying that not allowing the use of loudspeakers will adversely affect tourism.

Reacting to the incident, two government spokespersons said that the present government cannot be blamed as the Police were only giving effect to a judgment of the Supreme Court. Not stopping at that, they said that steps would be taken to have the judgment revised. It might interest readers to know that the then Deputy Minister of Tourism, Diana Gamage, made a similar statement in October 2022.

Supreme Court on noise pollution, Ashik v. Bandula

The judgment referred to is Ashik v. Bandula and others, reported in [2007] 1 Sri Lanka Law Reports on page 191, which was widely welcomed. The case commenced as a fundamental rights application by the trustees of a mosque in Weligama against the Police for refusing a loudspeaker permit. The Police contended that residents in the area had complained of noise pollution due to the excessive use of the loudspeakers by three mosques. The Supreme Court noted that the application raised fundamental issues with regard to sound pollution and standards that the Central Environmental Authority (CEA) should enforce. The CEA was accordingly added as a party. Environmental Foundation Limited was permitted to intervene. The court proceeded with the case as being of public interest.

Noting that our country has probably the oldest jurisprudential tradition of a secular approach in dealing with a public nuisance, the Court referred to the 1895 case of Marshall v. Gunaratne Unnanse where the Supreme Court upheld that conviction of the principal trustee of a Buddhist Vihara in Colombo who was charged under the then applicable section 90 of the Police Ordinance for creating noise in the night and disturbing the neighbourhood.

The Supreme Court referred to Re Noise Pollution, a celebrated case decided by the Indian Supreme Court, noting that the latter Court had firmly rejected the contention that there is a fundamental right to make noise associated with the freedom of speech and expression. The Chief Justice of India delved into the etymology of the term “Noise” and noted that it is derived from the Latin word “Nausea”, defined as unwanted sound, a potential hazard to health and communication dumped into the environment without regard to the adverse effect it may have on unwilling ears.

Chief Justice Lahoti continued: “Noise is more than just a nuisance. It constitutes a real and present danger to people’s health. Day and night, at home, at work, and at play, noise can produce serious physical and psClean Sri Lanka and Noise Pollution (Part I)ychological stress. No one is immune to this

stress. Though we seem to adjust to noise by ignoring it, the ear, in fact, never closes and the body still responds —sometimes with extreme tension, as to a strange sound in the night. … Noise is a type of atmospheric pollution. It is a shadowy public enemy whose growing menace has increased in the modern age of industrialisation and technological advancement. … Nobody can claim the fundamental right to create noise by amplifying the sound of his speech with the help of loudspeakers. While one has a right to speech, and others have a right to listen or decline to listen. Nobody can be compelled to listen and nobody can claim that he has a right to make his voice trespass into the ears or mind of others. Nobody can indulge in aural aggression.”

The Sri Lankan Supreme Court held that there was no dispute that people have been denied equal protection of the law by the failure of the executive to establish by way of regulations an effective legal regime as mandated by the National Environmental Act to safeguard the public from the harmful effects of noise pollution. The facts also reveal that there are no guidelines for the effective implementation of the applicable provisions of law so as to provide to the people equal protection of the law guaranteed by Article 12(1) of the Constitution. Accordingly, the Court considered it to be just and equitable in the circumstances of the case to make the following directions:

(i) That the emission of noise by the use of amplifiers, loudspeakers or other equipment or appliances which causes annoyance to the public or to the people in general who dwell or occupy property in the vicinity be considered a public nuisance in terms of section 261 of the Penal Code and that the Police should entertain complaints and take appropriate action for the abatement of such public nuisance;

(ii) That all permits issued by the Police under section 80(1) of the Police Ordinance shall cease to be effective forthwith;

(iii) That no permits shall be issued in terms of section 80(1) of the Police Ordinance for the use of loudspeakers and other instruments for the amplification of noise as specified in that section covering the period 10 p.m. (night) to 6 a.m. (morning). Such permits may be issued for special religious functions and other special events only after ascertaining the views of persons who occupy land premises in the vicinity, a record of such matters to be maintained and the grant of any such permit shall be forthwith reported to the nearest Magistrate Court;

(iv) That in respect of the hours from 6.00 a.m. to 10.00 p.m., permits may be issued for limited periods of time for specific purposes subject to the strict condition that the noise emitted from such amplifier or loudspeaker or equipment does not extend beyond the precincts of the particular premises.

(v) Where a permit is issued in terms of section 80(1) as provided in direction (iii) and (iv) sufficient number of Police Officers should be designated and posted to the particular place of use to ensure that the conditions imposed are strictly complied with;

(vi) That the Police will make special arrangements to entertain any complaint of a member of the public against any person guilty of an offence of public nuisance as provided in section 261 of the Penal Code or of using any loudspeaker, amplifier or other instrument as provided in section 80 of the Police Ordinance contrary to any of these directions and take immediate steps to investigate the matter and warn such person against a continuance of such conduct. If the conduct is continued after that warning to seize and detain the equipment as provided in section 80(4) of the Police Ordinance and to report the matter to the Registrar of this Court.

The Inspector General of Police was directed to submit a report to the Court as to the action taken on the judgment. IGP’s Circular No. 2031/2007 and Crime Circular 17/2007 were issued in conformity with the judgment. A few years later, following representations made mainly by artistes to President Mahinda Rajapakse, the State requested the Supreme Court to extend the time period of permits during weekends.  This request was granted.

Accordingly, the Supreme Court directed that musical and cultural shows should be brought to an end at 1.00 a.m. on Fridays and Saturdays and 12.30 a.m. on Sundays. What is important to note is that no change was made to the strict condition made by the Court that noise emitted from an amplifier, loudspeaker or equipment should not extend beyond the precincts of the particular premises.

Southern hoteliers protest relaxing noise laws

The government’s response to a small group of tourists wanting to make merry, unmindful of the rights of the residents of the area, was clearly a knee-jerk reaction. Its spokespersons went to the extent of adding that not permitting loudspeakers till late would adversely affect the tourist industry.

These responses triggered an immediate backlash from citizens concerned with the environment, especially those affected by noise pollution. The Facebook group National Coalition Against Noise Pollution (Shabda Dooshanayata Erehi Jathika Ekamuthuva — type in Sinhala fonts to visit the page) is at the forefront.

The authorities may not have expected opposition from the tourist industry itself. At a media briefing in Galle on 27 January, the Southern Province Tourist Hoteliers Association said that tourists vehemently oppose intense noise. There have been instances of tourists demanding that room charges be paid back and moving out when unable to bear the noise. “Tourists come to Sri Lanka to enjoy the beaches, wildlife and places of historical interest in a relaxing environment. Those who visit discos are drug users. It is they who want noise, not genuine tourists,” the Association explained. A hotel owner from Unawatuna, who had been in the business for 20 years, said that his clients had asked for their money back and left the hotel when disturbed by the intense noise from discos in the neighbourhood. If discos are to be operated, the halls must be constructed so as not to let out sound, he explained —the same condition that our Supreme Court had imposed. A German national whose husband is in the tourist trade in Sri Lanka expressed similar sentiments and blamed Sri Lankan authorities, including the Police, for turning a deaf ear to tourists’ complaints. That tourists want discos and musical shows at night is a misconception, she added. (To be concluded).

Continue Reading

Features

FRIDAY for Hiruni … in the UK

Published

on

FRIDAY: A mix of experience and youth

Hiruni Fernando was very much in the spotlight, in the local scene, especially when she formed an all-girls group, called Mantra.

It was an empowering experience, says Hiruni, referring to Mantra.

Her exceptional skills as a bass guitarist, pianist, and vocalist, was quite evident when she found herself inundated with work in the scene here, playing bass for the C&C music band, led by Chandani Hettiarachchi, performing as a lead guitarist and bassist with several other groups, and being featured as a pianist at several five-star venues, including the Galadari Hotel.

“After I got married, I relocated to London with my husband, Damith Sanjaya,” she says, “and we decided to start something together here in the UK, and that’s how our band, FRIDAY, was born.

Damith, a multi-instrumentalist and lead guitarist with over a decade of experience, has been a key partner in her musical endeavours.

FRIDAY, I’m told, is a vibrant group of seven talented musicians in the UK, mixing Sri Lankan, Indian and English music, and their performances blend genres, pairing traditional rhythms with modern beats … creating a unique experience for all.

Says Hiruni: “We want to bring something fresh and unique to audiences here in the UK,” adding that FRIDAY is more than just a band; it’s a vision.

“We’re a family of musicians, and the energy we share on stage reflects our passion for what we do. With Damith’s support and the incredible talent in our group, I feel like we’re creating something truly special.”

She went on to say that FRIDAY is a mix of experience and youth, with most of the members having over 10 years of experience in music, and that they all bring their unique skills to the table.

A highlight for Hiruni has been performing at events in the UK, featuring renowned Sri Lankan singers. “It’s been amazing to work with some of Sri Lanka’s biggest names at special events here. It feels like I’m carrying a piece of home with me.

“I’ve always believed that music is more than just an art form—it’s a way of connecting with people, across borders and cultures,” says Hiruni who is now making her mark in the UK.

Born and raised in a family deeply immersed in music, Hiruni’s journey began in Sri Lanka.

Her father was a music teacher at the Yamaha School of Music for 15 years and growing up in that environment, music was a natural part of her life, she says.

Starting with the bass guitar in school, she later polished her craft under the guidance of her father, and renowned musicians, like Hussain Jiffry. “Learning from such legends shaped my understanding of music and gave me the foundation to grow as a musician,” she says.

Hiruni has also worked as a Western music teacher, completed Grade 8 certifications in piano, music theory, and classical guitar.

Looking ahead, she says she is excited about what the future holds. “Music has been my life for as long as I can remember, and I feel like this is just the beginning.”

Continue Reading

Features

Another scene with Suzi and Manilal

Published

on

Suzi and Manilal: At the Cheers Pub on 13th 14th and 15th February

singer/entertainer with a bubbly personality, Suzi Croner (Flückiger) of Friends fame, and who is now based in Switzerland, is heading this way again.

She was in Sri Lanka during the festive season, connected with some family commitments, and was also involved in a few gigs, especially at the Cheers Pub with Manilal Perera.

This time, too she will be in action, with Manilal, at the Cheers Pub.

Says Suzi: “To all my friends … yes, the news is that I’m performing, once again, in Sri Lanka, at the newly opened Cheers Pub at the Cinnamon Grand.

“I will be action with Manilal … on 13th 14th and 15th February. My farewell performance is scheduled for 21st February, at ‘Country Nite’ and then I will be back to base – Switzerland.

In the meanwhile, Roger Menezes, who is in town, from Sydney, will be featured at the Broadway Restaurant and Pub, at Station Road, Dehiwela, on Valentine’s Day, for a night of hits and memories, from 7.00 pm onwards.

Continue Reading

Trending